All César Awards Winners for Direction
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- Director
- Actor
- Writer
Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).5 Césars
2020: Best Director (Meilleur réalisateur) - J'accuse
2014: Best Director (Meilleur réalisateur) - La Vénus à la fourrure
2011: Best Director (Meilleur réalisateur) - The Ghost Writer
2003: Best Director (Meilleur réalisateur) - The Pianist
1980: Best Director (Meilleur réalisateur) - Tess- Writer
- Director
- Producer
Born in Paris, France, in 1952. Jacques Audiard's family has always been involved in movie business. His father, Michel, was a popular screenwriter and director and his uncle a producer. But in his teens he refused that world and wanted to be a teacher. He studied literature and philosophy at the Sorbonne but didn't finish his degree. By that time, his then girlfriend suggested he work as a trainee editor during his university holidays. He worked as an assistant editor on several movies like "Le locataire" (1976) directed by Roman Polanski.
He also joined a theater where he did all kinds of work. He specially enjoyed adapting works for stage. In the eighties he wrote the screenplays of some successful movies like "Mortelle Randonnee" (1983), "Reveillon Chez Bob" (1984), "Saxo" (1987), "Frequence meurtre" (1988) and "Grosse fatigue" (1994). Most of those films were thrillers directed by prestigious filmmakers like Claude Miller and Michel Blanc. He also directed some well received short movies.
Thanks to the success of those movies he was able, in 1994, to raise up the money to make his first movie "Regarde les hommes tomber" a somber road movie starred by two of the most important French actors: Mathieu Kassovitz and Jean Louis Trintignant. That movie won 3 Cesars of the French academy for best editing, best new director (Jacques Audiard) and best new actor (for Kassovitz).
Kassovitz also became the star of his second movie "Un heros tres discret" released in the Festival de Cannes in 1996 where it won the award for best screenplay. "Un heros tres discret" undermined the myth of the French resistance to the Nazis by telling the story of a young impostor who rises high in French society after World war by concocting a past for himself as a hero. It also won awards in the festivals of Stockholm and Valladolid and made his name internationally.
In 2001 he made his third movie "Sur mes levres". The love story between two outsiders (a deaf office worker and a hoodlum) who decide to con a group of gangsters also became a success. It also won three Cesars (best actress, sound and screenplay).
His last movie, "De battre mon Coeur sest arrête" (a remake of "Fingers" a James Toback's movie) was released in the Berlin festival of 2005.
With those movies, Audiard has become the new master of the "polar" (French thriller) and inheritor of others great French directors like Jean-Pierre Melville (1917-1973) and Henri Georges-Clouzot (1907-1977).3 Césars
2019: Best Director (Meilleur réalisateur) - Les frères Sisters
2010: Best Director (Meilleur réalisateur) - Un prophète
2006: Best Director (Meilleur réalisateur) - De battre mon coeur s'est arrêté
+4 Nominations- Director
- Editor
- Writer
Alain Resnais was born on 3 June 1922 in Vannes, Morbihan, France. He was a director and editor, known for Hiroshima Mon Amour (1959), Same Old Song (1997) and My American Uncle (1980). He was married to Sabine Azéma and Florence Malraux. He died on 1 March 2014 in Neuilly-sur-Seine, Hauts-de-Seine, France.2 Césars
1994: Best Director (Meilleur réalisateur) - Smoking/No Smoking
1978: Best Director (Meilleur réalisateur) - Providence
+6 Nominations- Director
- Writer
- Producer
Bertrand Tavernier was the son of Geneviève (Dumond) and René Tavernier, who was a publicist, writer, and president of the French PEN club. He was a law student that preferred write film criticisms. He also wrote a few books about American movies. Then his first film won a few awards in France and abroad and established his reputation.2 Césars
1997: Best Director (Meilleur réalisateur) - Capitaine Conan
1976: Best Director (Meilleur réalisateur) - Que la fête commence...
+5 Nominations- Writer
- Director
- Second Unit Director or Assistant Director
Claude Sautet was born on 23 February 1924 in Montrouge, Seine [now Hauts-de-Seine], France. He was a writer and director, known for A Heart in Winter (1992), Nelly & Monsieur Arnaud (1995) and The Things of Life (1970). He was married to Graziella Sautet. He died on 22 July 2000 in Paris, France.2 Césars
1996: Best Director (Meilleur réalisateur) - Nelly & Monsieur Arnaud
1993: Best Director (Meilleur réalisateur) - Un coeur en hiverv
+2 Nominations- Writer
- Director
- Actor
Abdellatif Kechiche was born on 7 December 1960 in Tunis, Tunisia. He is a writer and director, known for Blue Is the Warmest Colour (2013), Games of Love and Chance (2003) and The Secret of the Grain (2007).2 Césars
2008: Best Director (Meilleur réalisateur) - La graine et le mulet
2005: Best Director (Meilleur réalisateur) - L'esquive
+1 Nomination- Actor
- Writer
- Director
Albert Dupontel was born on 11 January 1964 in Saint-Germain-en-Laye, Seine-et-Oise, France. He is an actor and writer, known for Irreversible (2002), 9-Month Stretch (2013) and See You Up There (2017).2 Césars
2021: Best Director (Meilleur réalisateur) - Adieu les cons
2018: Best Director (Meilleur réalisateur) - Au revoir là-haut
+1 Nomination- Director
- Producer
- Writer
Jean-Jacques Annaud is a French film director, screenwriter and producer, best known for directing Quest for Fire (1981), The Name of the Rose (1986), The Lover (1992), Seven Years in Tibet (1997) and Wolf Totem (2015). Annaud has received numerous awards for his work, including four César Awards, one David di Donatello Award, and one National Academy of Cinema Award. Annaud's first film, Black and White in Color (1976), received an Academy Award for Best Foreign Language Film.2 Césars
1989: Best Director (Meilleur réalisateur) - L'ours
1982: Best Director (Meilleur réalisateur) - La guerre du feu- Writer
- Director
- Actor
André Téchiné was born on 13 March 1943 in Valence, Tarn-et-Garonne, France. He is a writer and director, known for Wild Reeds (1994), Rendez-vous (1985) and Being 17 (2016).1 César
1995: Best Director (Meilleur réalisateur) - Les roseaux sauvages
+6 Nominations- Writer
- Producer
- Director
Luc Besson spent the first years of his life following his parents, scuba diving instructors, around the world. His early life was entirely aquatic. He already showed amazing creativity as a youth, writing early drafts of The Big Blue (1988) and The Fifth Element (1997), as an adolescent bored in school. He planned on becoming a marine biologist specializing in dolphins until a diving accident at age 17 which rendered him unable to dive any longer. He moved back to Paris, where he was born, and only at age 18 did he first have an urban life or television. He realized that film was a medium which he could combine all his interests in various arts together, so he began taking odd jobs on various films. He moved to America for three years, then returned to France and formed Les Films de Loups - his own production company, which later changed its name to Les Films de Dauphins. He is now able to dive again.1 César
1998: Best Director (Meilleur réalisateur) - The Fifth Element
+5 Nominations- Writer
- Director
- Actor
Bertrand Blier was born on 14 March 1939 in Boulogne-Billancourt, Seine [now Hauts-de-Seine], France. He is a writer and director, known for The Clink of Ice (2010), Too Beautiful for You (1989) and 1, 2, 3, Freeze (1993).1 César
1990: Best Director (Meilleur réalisateur) - Trop belle pour toi
+4 Nominations- Director
- Writer
- Cinematographer
Arnaud Desplechin was born on 31 October 1960 in Roubaix, Nord, France. He is a director and writer, known for Kings & Queen (2004), The Sentinel (1992) and La vie des morts (1991).1 César
2016: Best Director (Meilleur réalisateur) - Trois souvenirs de ma jeunesse
+4 Nominations- Director
- Writer
- Camera and Electrical Department
Patrice Leconte was born on 12 November 1947 in Paris, France. He is a director and writer, known for Girl on the Bridge (1999), Ridicule (1996) and Man on the Train (2002).1 César
1997: Best Director (Meilleur réalisateur) - Ridicule
+4 Nominations- Director
- Writer
- Second Unit Director or Assistant Director
Michel Deville, a singular talent in French cinema. For, except during a short period where he made two or three standard commercial films (but that was to repay the debts of his own film company, due to the defection of a business partner), Deville made pictures which, without being too elitist, show a distinctive talent and personality. The French director-writer-producer managed, all through a career that spanned four decades and a half (from 1958 to 2005), to play a little music of his own, never resting on his laurels but always trying something new. And even if not all of his works are perfect, Deville's taste for research makes the bulk of them at least interesting or challenging. Born on 13 April 1931 in Boulogne-Billancourt, Michel Deville graduated from high school and started studying literature but soon branched out into movies. From 1951 to 1958, he learned the tricks of his future trade by being assistant-director, mainly to Henri Decoin, with whom he collaborated thirteen times, notably on two important films, The Truth About Bebe Donge (1952) in 1951 and Razzia (1955) in 1952. After a false start in 1958 (A Bullet in the Gun Barrel (1958), a run-of-the-mill crime flick, co-directed by Charles Gérard), Deville succeeded in making a name for himself two years later with his first true film Ce soir ou jamais (1961). Film critics did not miss out on the already gray-haired thirty-year-old director as they immediately identified what made his specificity : telling about love, seduction and feelings with subtle casualness and quizzing cruelty. For the ten years that followed, working in tandem with screenwriter Nina Companeez, Deville made a series of allegedly "light-hearted" comedies, surely full of charm and elegance but whose froth soon evaporates to reveal unexpected gravity. The result can range from slightly superficial (Girl's Apartment (1963), The Bear and the Doll (1970)) to genuinely moving (Adorable Liar (1962)) to profoundly tragic (The Diary of an Innocent Boy (1968), a cruel tale about desire, love and the difficulty to love; Raphaël ou le débauché (1971), one of the most beautiful romantic films ever made). After ceasing his collaboration with Companeez, Deville's films became darker and darker, the director choosing to explore new forms of expression (narrative deconstruction in La femme en bleu (1973)); the use of subjective camera and long sequence shots in Dossier 51 (1978), etc.) as well as new themes such as disillusionment, impossible dreams and imagination as a way of survival. In the nineteen eighties Deville is at the top of his art. A Sweet Journey (1980), Deep Water (1981), Les capricieux (1984) (TV movie) and Death in a French Garden (1985) examine the forms and variations of the loving feeling with consummate mastery while Le paltoquet (1986) and The Reader (1988) are two fascinating forays into the territory of sheer imagination. As of 1990, the director's art somewhat declined. Films like Sweetheart (1992), The Gods Must Be Daring (1997) and The Art of Breaking Up (2005), his final effort in 2005, more or less run on empty. But there are two magnificent exceptions to that rule: Aux petits bonheurs (1994) (1993), the elegant bittersweet chronicle of love being threatened by the coming of old age, and La maladie de Sachs (1999) (1999), a brilliant adaptation of Martin Winckler's novel, consisting of brief loosely related scenes, considered impossible to move onto the screens. An excellent technician and theoretician, Deville also established himself as a great actors director. All noticed how good he was - not unlike George Cukor - at directing women. Indeed Anna Karina, Marina Vlady, Michèle Morgan, Brigitte Bardot, Françoise Fabian, Lea Massari, Anémone, Miou-Miou, Fanny Ardant, Zabou Breitman and several others, did shine before his loving camera. But this does not mean that their male counterparts had anything to complain about when directed by him. Thanks to Michel Deville Claude Rich, Michel Piccoli, Jean-Pierre Cassel, Maurice Ronet, Jean-Louis Trintignant, Christophe Malavoy, Richard Bohringer, Claude Piéplu, Jean Yanne, Daniel Auteuil and many others naturally, also found gratifying and memorable roles. When Michel Deville decided to retire in 2005, he could do it with a clear conscience: he sure left his mark on the seventh art and even if his name is a little forgotten today, film historians will no doubt recognize his true worth some day in the future.1 César
1986: Best Director (Meilleur réalisateur) - Péril en la demeure
+3 Nominations- Writer
- Director
- Second Unit Director or Assistant Director
Jean-Paul Rappeneau was born on 8 April 1932 in Auxerre, Yonne, France. He is a writer and director, known for Cyrano de Bergerac (1990), A Matter of Resistance (1966) and Bon Voyage (2003).1 César
1991: Best Director (Meilleur réalisateur) - Cyrano de Bergerac
+3 Nominations- Writer
- Director
- Producer
French director François Truffaut began to assiduously go to the movies at age seven. He was also a great reader but not a good pupil. He left school at 14 and started working. In 1947, aged 15, he founded a film club and met André Bazin, a French critic, who became his protector. Bazin helped the delinquent Truffaut and also when he was put in jail because he deserted the army. In 1953 Truffaut published his first movie critiques in "Les Cahiers du Cinema." In this magazine Truffaut, and some of his friends as passionate as he was, became defenders of what they call the "author policy". In 1954, as a test, Truffaut directed his first short film. Two years afterwords he assisted Roberto Rossellini with some later abandoned projects.
The year 1957 was an important one for him: he married Madeleine Morgenstern, the daughter of an important film distributor, and founded his own production company, Les Films du Carrosse; named after Jean Renoir's The Golden Coach (1952). He also directed The Mischief Makers (1957), considered the real first step of his cinematographic work. His other big year was 1959: the huge success of his first full-length film, The 400 Blows (1959), was the beginning of the New Wave, a new way of making movies in France. This was also the year his first daughter, Laura Truffaut, was born.
From 1959 until his death, François Truffaut's life and films are mixed up. Let's only note he had two other daughters Eva Truffaut (b. 1961) and Josephine (b. 1982, with French actress Fanny Ardant). Truffaut was the most popular and successful French film director ever. His main themes were passion, women, childhood and faithfulness.1 César
Best Director (Meilleur réalisateur) - Le dernier métro
+2 Nominations- Additional Crew
- Director
- Actor
Patrice Chéreau was born on 2 November 1944 in Lézigné, Maine-et-Loire, France. He was a director and actor, known for Intimacy (2001), The Last of the Mohicans (1992) and Queen Margot (1994). He died on 7 October 2013 in Clichy, Hauts-de-Seine, France.1 César
1999: Best Director (Meilleur réalisateur) - Ceux qui m'aiment prendront le train
+2 Nominations- Writer
- Director
- Second Unit Director or Assistant Director
Alain Corneau was a Cesar Award-winning French writer-director best known for his multiple collaborations with French cinema superstars Yves Montand, Simone Signoret and Gérard Depardieu. Born on August 7, 1943 in Meung-sur-Loire, Loiret, Corneay trained as a musician but switched his interest to film, becoming an assistant director.
He was an assistant director on Costa-Gavras's 1970 film The Confession (1970) ("The Confession"), which co-starred Montand and Signoret. In 1974 he made the transition to the director's chair, helming France société anonyme (1974), a movie about drug dealers. His next policier starred Montand as a a Dirty Harry-like dick in Police Python 357 (1976) (1976), which co-starred Montand's wife Signoret. He followed it up with another crime drama starring Montand, La Menace (1977) (1977). Corneau finished up his crime cycle with Choice of Arms (1981) (1981), which starred Montand, Depardieu and Catherine Deneuve. The movie was released in the United States as "Choice of Arms."
Shifting gears away from policiers, he directed the French Foreign Legion drama 'Fort Saganne (1984)' (1984). Set in 1911, the movie starred Depardieu and Deneuve. Depardieu also headlined his lush costume drama _Tous les matins du monde (1991)- (1991), an international hit, for which Corneau won the Cesar Award, the French equivalent of the Oscar, for direction.
At the age of 67, Alain Corneau died on August 30, 2010 in Paris from cancer. His remains were interred at Père Lachaise Cemetery.1 César
1992: Best Director (Meilleur réalisateur) - Tous les matins du monde
+2 Nominations- Writer
- Director
- Actor
A true master of his craft, Michael Haneke is one of the greatest film artists working today and one who challenges his viewers each year and work goes by, with films that reflect real portions of life in realistic, disturbing and unforgettable ways. One of the most genuine filmmakers of the world cinema, Haneke wrote and directed films in several languages: French, German and English, working with a great variety of actors, such as Juliette Binoche, Isabelle Huppert, Jean-Louis Trintignant, Toby Jones, Ülrich Muhe, Arno Frisch and the list goes on.
This grand figure from Austrian cinema was born in Germany on 23 March 1942, from a German father and an Austrian mother, with both parents being from the artistic world working as actors, a career that Michael also tried but without much success. At the University of Vienna he studied drama, philosophy and psychology, and after graduation he went on to become a film critic and TV editor. His career behind camera started with After Liverpool (1974), which he wrote and directed. He went on to direct five more TV films and two episodes from the miniseries "Lemminge" (1979)_.
The years spent on television works prompted him to finally direct his first cinema feature, during his early 40's, which is somewhat unusual for film directors. But it was worth waiting. In The Seventh Continent (1989), Haneke establishes the foundation of what his future cinema would be about: a cinema that doesn't provides answers but one that dares to throw more and more questions, a cinema that reflects and analyses the human condition in its darkest and unexpected ways outside of any Hollywood formula. Films that exist to confront audiences and not comfort them. In it, Haneke deals with the duality of social values vs. internal values while exposing an apparent perfect family that runs into physical and material disintegration for reasons unknown. It was the first time a film of his was sent to the Cannes Film Festival (out of competition lineup) but he managed to cause some commotion in the audience with polemic scenes that were meant to extract all possible reactions from the crowd.
His next ventures at the decade's turn was in dealing with disturbed youth and the alienation they have in separating reality from fiction, trying to intersect both to drastic results. In Benny's Video (1992), it's the disturbing story of a teen boy who experiences killing for the first time capturing the murder on tape, impressed by the power of detachment that films and videos can cause to people; and later on the highly controversial Funny Games (1997), where two teens hold a family hostage to play sadistic games just for their own sick amusement. The film cemented Haneke's name as one of the greatest authors of his generation but sparkled a great debate with its themes of violence, sadism and the influence those things have in audiences. At the 1997's Cannes Film Festival, it was the film that had the most walk-out's by the audience. In between both films, he released 71 Fragments of a Chronology of Chance (1994) and Kafka's The Castle (1997), the latter being one of the rare times when Haneke developed an adapted work.
In the 2000's, he strongly continued in producing more outstanding works prone to debate and reflection in what would become his most prolific decade with the following films: Code Unknown (2000), The Piano Teacher (2001), Time of the Wolf (2003), Caché (2005), an American remake shot-by shot of Funny Games (2007) and The White Ribbon (2009). His study about romance versus masochism in The Piano Teacher (2001) was an intense work, with powerful performances by Isabelle Huppert and Benoit Magimel, that the Cannes jury in the year were so impressed that Haneke managed to actually reverse their award rules where it was decided that film entries at the festival couldn't win more than one main award (the two lead actors won awards and Haneke got the Grand Prize of the Jury, just lost the Palme d'Or). With The White Ribbon (2009), an enigmatic black-and-white masterpiece following the inception of Nazism in this pre WWI and WWII story focusing on repressed children living in this small village where strange events happen all the time and without any possible reasoning, Haneke conquered the world and audiences with an artistic and daring work that won his first Palme d'Or a Golden Globe as Best Foreign Language Film and received an Oscar nomination for the same category plus the cinematography work of Christian Berger.
2012 was the year that marked his supremacy in the film world with the release of the bold and beautiful Amour (2012), a love story with powerful real drama and one where Haneke removed most of his usual dark characteristics to present more quiet and calm elements without losing input in creating controversy. The touching story of George and Anne provided one the greatest moments of that year and earned Haneke his second and consecutive Palme d'Or at Cannes and his first Oscar nominations for Best Direction and Best Original Screenplay - and it was one of the several nominees for Best Picture Oscar, winning as Best Foreign Language Film.
After abandoning a flash-mob film project, he returned to the screen with Happy End (2017), a film dealing with the refugee crisis in Europe and again he debuted his film at Cannes, receiving mildly positive reviews.
Besides his film work, Haneke also directs theatre productions, from drama to opera, from Così fan tutte to Don Giovanni.1 César
2013: Best Director (Meilleur réalisateur) - Amour
+1 Nomination- Writer
- Director
- Actor
Michel Hazanavicius was born and raised in Paris, France. His grandparents were originally from Lithuania, but relocated to France in the 1920s. Hazanavicius attended art school, and moved on to work as a director for commercials and television projects. In 1999, he wrote and directed his first feature film Mes amis (1999), which featured his brother Serge Hazanavicius. His next feature film, spy parody, OSS 117: Cairo, Nest of Spies (2006) was a success at the French box office, and warranted a sequel, OSS 117: Lost in Rio (2009), which was also a hit. Hazanavicius came to the attention of international audiences with the release of an almost wordless film, The Artist (2011), which starred his wife, Bérénice Bejo and OSS 117 star Jean Dujardin. The film was a critical and popular hit, garnering many major nominations and awards.1 César
2012: Best Director (Meilleur réalisateur) - The Artist
+1 Nomination- Director
- Producer
- Writer
Belonging to an important family clan in Wisconsin, Joseph Losey studied philosophy but was always interested in theater and thus worked together with Bertolt Brecht. After directing some shorts for MGM, he made his first important film, The Boy with Green Hair (1948), for RKO. While he was filming The Prowler (1951) in Italy he was summoned to testify before the House Un-American Activities Committee, the congressional committee charged with "rooting out" Communist "subversion" in the motion picture industry. Unwilling to subject himself to the committee's well-known intimidation tactics, Losey decided to seek exile in Great Britain. In the following years he used a pseudonym--"Joseph Walton"--for his films, which were of minor quality. He regained his prestige with the thrillers Chance Meeting (1959), The Concrete Jungle (1960) and Eva (1962). From that point on his films varied between top-quality work like Accident (1967) and much lower-quality projects such as Modesty Blaise (1966), which was a box-office success, and Galileo (1975), which wasn't.1 César
1977: Best Director (Meilleur réalisateur) - Mr. Klein
+1 Nomination- Director
- Writer
- Cinematographer
Alain Cavalier was born on 14 September 1931 in Vendôme, Loir-et-Cher, France. He is a director and writer, known for Thérèse (1986), Un étrange voyage (1981) and Libera me (1993).1 César
1987: Best Director (Meilleur réalisateur) - Thérèse
+1 Nomination- Director
- Writer
- Producer
Jean-Pierre Jeunet is a self-taught director who was very quickly interested by cinema, with a predilection for a fantastic cinema where form is as important as the subject. Thus he started directing TV commercials and video clips (such as Julien Clerc in 1984). At the same time he met designer/drawer Marc Caro with whom he made two short animation movies: L'évasion (1978) and Le manège (1979), the latter winning a César for the best short movie. After these two successful movies Jeunet and Caro spent more than one year together by making every detail (scenario, costumes, production design) of their third short movie: The Bunker of the Last Gunshots (1981). This movie combined sci-fi and heroic-fantasy in a visually delirious story of the rising paranoia among soldiers trapped underground. With that movie they garnered several festival prizes in France. (This movie also marked their first collaboration with Gilles Adrien who later wrote the story of their two feature movies with them). After that Jeunet directed two other short movies without the help of Caro: Pas de repos pour Billy Brakko (1983), then Foutaises (1989) with Dominique Pinon who became another regular collaborator of Jeunet. All Jeunet's short movies won a lot of awards in France but also overseas and he won a second César with Foutaises (1989).
In 1991, Jeunet and Caro took their first steps in a feature movie: Delicatessen (1991). It was such a success that it won 4 Césars including the awards for the best new director(s) and the best scenario. For this movie Jeunet and Caro divided responsibilities with the former guiding the actors and the latter coordinating the artistic elements. And Jeunet showed again his liking to have Dominique Pinon, of course, but also Rufus, Jean-Claude Dreyfus and Ticky Holgado who appeared again in Jeunet's next movies, or Maurice Lamy who already had a little role in Foutaises (1989). The success of Delicatessen (1991) even surprised Jeunet and Caro themselves but they took advantage of that in order to finally make their almost 10 year-old project! This project took more than 4 more years to be carried out but the movie turned out enormous: The City of Lost Children (1995) was a black tale and was so innovative at this period that they needed to create new software for the special effects (mostly made by Pitof). Jeunet and Caro kept the same responsibilities as in Delicatessen (1991) and the movie also combined different international skills: US actor Ron Perlman, Chilean-born actor Daniel Emilfork, Iranian cinematographer Darius Khondji (who was already in the crew of Delicatessen (1991)), Americo-Italian composer Angelo Badalamenti and French fashion-designer Jean-Paul Gaultier for the costumes. While the film was supposed to be suitable for children, some considered it "dark", to which Jeunet and Caro replied that it was no more "dark" than Pinocchio (1940) or Bambi (1942).
But these critics didn't stop the movie from being successful and when the movie gained them further attention, it was only a matter of time before Hollywood called them. Thus in 1997, Jeunet left France to make a temporary career in the USA for the fourth installment of the 'Alien' series: Alien: Resurrection (1997). Marc Caro followed him just as a design supervisor but Jeunet brought with him a little army' of his usual collaborators (mostly French): actors Dominique Pinon and Ron Perlman, but also Pitof, Darius Khondji or editor Hervé Schneid, and for the first time Alain Carsoux who was responsible of the special effects of Jeunet's next film. In 2000, after two collaborations with Caro and one in the US, Jeunet came back to France in order to make a more personal movie, even if Guillaume Laurant wrote the story with him. Thus he used a lot of different details he wrote everywhere during his life (and also recycled things he'd already done, e.g. in Foutaises (1989)) and shot his story mostly in the Parisian suburb of Montmartre where he lives. Then the result was Amélie (2001) starring Audrey Tautou and Mathieu Kassovitz. With this movie Jeunet made the biggest worldwide success of French cinema history. A real magical potion, which won innumerable awards in the whole world including 4 Césars (therefore Jeunet won his fifth and sixth Césars!).
Jeunet eventually decided to adapt Sébastien Japrisot's book A Very Long Engagement (2004) for which he called Audrey Tautou and Dominique Pinon again, but also many other famous French actors and Jodie Foster. It had one of the most important budgets in French film history and eventually had a good international success and many nominations and awards.1 César
2002: Best Director (Meilleur réalisateur) - Le fabuleux destin d'Amélie Poulain
+1 Nomination- Director
- Writer
- Actor
Leos Carax made several short films and also wrote film criticism, then at the age of 24 years made a very strong first feature Boy Meets Girl (1984). The film played at the 1984 Cannes film festival and was a critical triumph. It paved the way for Carax's second feature Bad Blood (1986) (Bad Blood). That film was a giant step forward in the same direction that he was going in with his first film. Both films were visually stunning and focused on young love and also alienation. With his reputation and talent at its peak, he set out to make what seemed it seemed like would be another triumph. The Lovers on the Bridge (1991) (The Lovers on the Bridge) was the result of three long years of very difficult production; Carax spent a fortune building some of the sets and filming some mind-blowing sequences. Unfortunately, neither critics nor audiences favored what was a truly grand vision of the themes he dealt with in his first two films. Carax went into an a 8 year long exile, but finally returned with Pola X (1999). It was a departure from his other films and another critical flop.1 César
2022: Best Director (Meilleure réalisation) - Annette
+ 1 Nomination- Director
- Writer
- Editor
Jean-François Richet was born on 2 July 1966 in Paris, France. He is a director and writer, known for Mesrine: Killer Instinct (2008), Mesrine: Public Enemy No. 1 (2008) and État des lieux (1995).1 César
2009: Best Director (Meilleur réalisateur)
L'ennemi public n°1 & L'instinct de mort