63 and out
Showbiz & media notables who bowed out at the all too young age of 63.
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- Music Department
- Composer
- Soundtrack
German Romantic composer Johannes Brahms was born in Hamburg in 1833 and died in Vienna, Austria in 1897. A perfectionist, he often compared himself unfavorably to composers such as Beethoven and ended up destroying many compositions without their ever being heard. While basically conservative, he showed musical growth throughout his four symphonies and occasionally borrowed wilder folk themes, such as in his Hungarian Dances, and he explored a vast range of human emotion in his Violin Concerto.
Although he never married, much of his later life involved a seemingly unending devotion to Clara Schumann, widow of composer Robert Schumann - both of whom were long-time friends to Brahms.- Sam Livesey was born on 14 October 1873 in Flintshire, Wales, UK. He was an actor, known for Young Woodley (1930), The Mill on the Floss (1936) and The Private Life of Henry VIII (1933). He was married to Cassie Livesey and Margaret Ann Edwards, aka Maggie Edwards. He died on 7 November 1936 in London, England, UK.
- Writer
- Soundtrack
Younger brother of Manuel Machado (1874-1947), with whom he co-wrote several collections of poems. One of Spain's most important poets of the first decades of the 20th Century. His most famous collection of poems, Campos de Castilla, contains writings dating between 1907 and 1917, depicting the Castillan peasant as exemplary for the Spanish perception of God, creation and judgment. His later poems reflect the poet's profound sadness about war - World War I and, of course, the Spanish Civil War. He died on the eve of World War II.- Actor
- Soundtrack
Berton Churchill was born on 9 December 1876 in Toronto, Ontario, Canada. He was an actor, known for Stagecoach (1939), Sweethearts (1938) and Steamboat Round the Bend (1935). He was married to Harriet Elizabeth Gardner. He died on 10 October 1940 in New York City, New York, USA.- Actor
- Soundtrack
Montague Love - certainly an intriguing name - but his own - started his working life as a newspaper man in London. His primary expertise centered on being a field illustrator and cartoonist who covered the Boer War (1899-1902). His realistic battle sketches gained him popularity among readers, but he was bound for a different career. He decided to become an actor. A robust man with a massive head of noble bearing and brooding lower lip, these were ingredients well suited to this goal. Love honed basic stage talents in London, and then made an early departure for the US in 1913 with a road-company production of Cyril Maude's "Grumpy." An early stop was Broadway, and he returned many times to appear in a laundry list of important plays from 1913 to 1934.
Silent film studios of the early days were originally based in the East, and Love started his film career at World Studios, New Jersey in 1914. His silent career alone was prodigious-nearly a hundred films. His look and bearing were perfect for authoritative figures. And, though certainly taking on a whole spectrum of roles (sultan, native chiefs, many a doctor and military officer, among many others) he became famous for his bad guy characterizations through the 1920s. Some historians credit him as the best villain of the silent era.
In 1926 he was nemesis to Rudolf Valentino in The Son of the Sheik (1926) and 'John Barrymore' in Don Juan (1926). The latter movie had the particular fame of sporting the longest sword duel in silent history between Love's Count Giano Donati and Barrymore's Don Juan. The fight filming was unique and realistic with middle and close shots looking directly at the individual combatants-with the appropriate blood in their eyes. The duel was all the more complex choreography for being one with swords and daggers (historically correct but rarely seen in film history). But Love was just as effective as the Roman centurion in The King of Kings (1927) by 'Cecil B DeMille'. Starting with Synthetic Sin (1929), Love's movies followed the trend of an increasing number of silent films using recorded music and some snatches of dialogue or background sound with the several incipient audio systems. Some movies originally issued as silent were released again with the process added. `Sin' was one of 11 films of 1929 featuring Love given the semi-sound treatment. The last of these was Jules Verne's The Mysterious Island (1929), very loosely adapted to the point of being hokey, but one of the first films also using the primitive two-color process.
Love had a commanding, puckered-lip British delivery of speech which he could believably weld to any part, but it particularly fit characters of authority, as in the silent era. Into the 1930s, these were increasingly benign rather than despotic-always colonels and generals, prime ministers, American presidents - even Zorro's father. Perhaps his best known character tour de force displaying his genuine acting power was his Henry VIII in Prince and the Pauper (1937). It is hard to forget him in purple as the Bishop of the Black Canons in The Adventures of Robin Hood (1938). Sometimes, as with other veteran character actors, his roles were almost as featured extra-but his very costumed presence was all that was needed to lend realism. A very apt example was his Detchard, noble henchmen to 'Raymond Massey', in The Prisoner of Zenda (1937), in which he has little more than one line. He was still in demand in the early 1940s - ten roles in 1940 alone. But these slowed into the war years. By his passing in 1943, an actor who was considered as noble on screen as off, he had lent his voice as well as virtuoso acting skills to eighty-one additional films.- Writer
- Editorial Department
- Additional Crew
Franklin Delano Roosevelt was born on January 30, 1882, in Hyde Park, New York, to James and Sara Roosevelt. His father was 54 at the time of FDR's birth and already had a grown son, nicknamed "Rosy". Sarah was only 27 when FDR was born. Growing up, FDR had a happy but sheltered childhood. His family was very wealthy and FDR had a very privileged upbringing, with trips to Europe and private tutors. Sara Roosevelt was a loving but domineering and overprotective mother. FDR was a devoted son, but found clever and subtle ways to get around his mother's domination. At 14 he was sent to Groton, an exclusive prep school led by the Rev. Endicott Peabody. FDR did not enjoy his time at Groton, often being teased by the other kids for having a formal and stuffy manner. Since he had a nephew who was older than him, kids at Groton called him "Uncle Frank". He graduated from Groton in 1900 and went to Harvard, where he edited the "Crimson" but failed to be accepted into the Porcellian Social Club. He graduated Harvard in 1903. Soon after that he fell madly in love with his sixth cousin, Eleanor Roosevelt. They married in 1905, with President Theodore Roosevelt giving the bride away. However, from the start Franklin and Eleanor's marriage was not a happy one. She was quiet and shy, whereas he was boisterous and outgoing. The fact that his mother moved into the house next door to theirs, and ran things, did not help. Franklin and Eleanor had six children (one child died in infancy). In 1910 Franklin was elected to the New York State Legislature from Duchess County. There he made a name for himself as a crusading reformer who favored the "average guy" over big business and championed for honest government. In 1913 he was appointed Assistant Secretary of the Navy and served under Josephus Daniels and President Woodrow Wilson. In 1918 he began a love affair with his wife's social secretary, Lucy Mercer. When Eleanor discovered the affair, she was understandably devastated and told Franklin she wanted a divorce. At the urging of his mother, Frankilin chose to save the marriage and promised Eleanor that he would never have anything more to do with Lucy. The damage was done, however, and Franklin and Eleanor never again shared the intimacies of marriage, becoming more like political partners. In 1921 FDR was stricken with polio and paralyzed. He permanently lost the use of his legs, but refused to let that thwart his political ambitions. He spoke at the 1924 Democratic Convention for the candidacy of Alfred E. Smith, then the Governor of New York, calling him the "Happy Warrior". In 1928 FDR was elected Governor of New York and was well placed when the stock market crashed in 1929. As governor he took the lead in providing relief and public works projects for the millions of unemployed in the state. His success as New York's governor made him a strong candidate for the Presidency in 1932. He easily beat incumbent President Herbert Hoover.
When Franklin Roosevelt was sworn in as President on March 4, 1933, more than 15 million Americans were unemployed. Millions more had been hard hit by the Depression and the banking system had collapsed. FDR wasted no time in launching a radical economic recovery program, known as the New Deal. He created the Federal Deposit Insurance Corporation (FDIC), which made the federal government the guarantor of people's bank deposits - not the banks themselves - and allowed drought-stricken farmers to refinance their mortgages, He created public works programs including the Works Progress Administration (WPA) and Civilian Conservation Corps (CCC)--thus making the government the employer of last resort--as well as setting up the Social Security system, instituting a minimum wage, outlawing child labor--a widespread practice at the time, especially in mines, factories and textile mills--and mandating a 40-hour work week with overtime pay. In responding to the Depression, FDR forever changed the role of the federal government in American life. He was easily reelected in 1936, defeating Republican Alf Landon in a landslide. His second term as president was less successful than his first, however. The Supreme Court had ruled a number of New Deal measures unconstitutional. With an electoral mandate in the bank, FDR proposed "packing" the Supreme Court with justices of his political persuasion for every judge over the age of 70 that did not retire. However, Congress refused to pass the Supreme Court packing plan, and from that point on FDR was unable to get Congress to pass much of his legislation. Also, fascism was rising rapidly throughout Europe and Asia. Germany's Adolf Hitler and Italy's Benito Mussolini had both seized power and began to conquer other countries, such as Ethiopia, Austria and Czechoslavakia. FDR was unable to respond to the threats from Europe and Asia, however, because sentiment in the US was strongly isolationist and Congress had passed a series of neutrality laws that gave the President very little power to respond to international aggression. World War II began in September 1939 when Hitler invaded Poland. Nine months later all of Western Europe had fallen to Hitler. The UK and its Commonwealth and Empire was standing alone. FDR wanted to help Britain, but had to move carefully and skillfully. He negotiated a deal in which the US gave Britain 50 old destroyers in exchange for bases in the Western Hemisphere. With World War II underway, FDR took the unprecedented move of seeking a third term as president. He won that term in November 1940, defeating Republican Wendell Willkie. Safely re-elected, he proposed a radical new program for helping Britain, known as Lend-Lease, in which Britain could buy armaments and other supplies from the US but not have to pay for them until after the war. FDR used the analogy of borrowing a neighbor's hose to put out a house fire to sell Lend-Lease. It passed and America became the "arsenal of democracy" as it began to build armaments for Britain and then the Soviet Union, when Hitler invaded it in mid-1941. Roosevelt met Britain's Prime Minister, Winston Churchill, for the first time in August 1941 where they drew up the Atlantic Charter. On December 7, 1941, the Japanese launched a surprise attack on Pearl Harbor, destroying much of America's Pacific fleet. The next day,FDR declared war on Japan, calling December 7 "a date that will live in infamy." America was in the war, and not only against Japan, but also against Germany and Italy. Under FDR's leadership, America quickly transformed itself from a decaying nation of idle factories, impoverished families, abandoned farms and masses of hobos roaming the streets to a nation turning out planes, tanks, guns, military vehicles and other armaments on a scale that quickly dwarfed the capability of Nazi Germany to do the same. World War II also changed American life as blacks got better jobs in the war plants and women began working outside the home in unprecedented numbers. Helped by Eleanor, FDR used the war as a vehicle for social progress, securing better treatment for minorities and women, higher wages and better benefits for workers and a GI bill, which guaranteed a free college education for all American soldiers who fought in the war. In so doing, he created the American middle class of today.
After a series of military defeats, the US and its allies began to win the war. Invasions of North Africa and Italy were launched and the US started retaking islands in the South Pacific it had lost to Japan at the beginning of the war, starting with the Battle of Midway in 1942. FDR met with Churchill several times throughout the war and with Soviet leader Joseph Stalin at Tehran in 1943 and at Yalta in 1945. The Allied invasion of France, known as D-Day, was launched on June 6, 1944. As the war ended, FDR pushed for his dream of a United Nations and for reforms that would ensure that another World War would never happen. The United Nations did come to pass, as well as new global institutions such as the World Bank and IMF. Also, FDR advocated for decolonization of Africa and Asia, leading to the collapse of the old European empires.
Because of the war, FDR felt he had no right to leave the presidency while Americans under his command were still fighting. So he sought a fourth term in 1944. His opponent was the new governor of New York, Thomas E. Dewey, who ran a campaign of innuendo, hinting that FDR was too ill to lead and that his government had gone stale. FDR retaliated with a speech accusing the Republicans of attacking his dog, Fala. FDR won his fourth term in November 1944. In January 1945 he journeyed to Yalta to confer with Churchill and Stalin for the last time, to settle the postwar world and push for Russian participation in the United Nations. By this time FDR was gravely ill. After the Yalta Conference, he traveled to his resort at Warm Springs, Georgia, where he died suddenly of a massive stroke on April 12, 1945. It was revealed that Lucy Mercer, his one-time lover, was with him when he died and that she had secretly visited him in the White House a number of times during his last year.
There was an elaborate funeral for him, with a train procession from Warm Springs to Washington DC, then to Hyde Park, where he was buried.- Mary Maguire Alden was born in New York City on June 18, 1883. She appeared in her first film when she was 31 years old in the production of The Second Mrs. Roebuck (1914). From that point on, Mary was kept very busy in the studios in New York. When the film companies moved west, Mary went with them. She continued her torrid pace in filmmaking. Mary did make the switch from silent to sound movies, but she retired from work in 1935 after The Great Hotel Murder (1935). She died in Woodland Hills, California, on July 2, 1946.
- Actor
- Soundtrack
Worried-looking, balding, moustachioed and usually bespectacled small part character actor, prolific during the 1930s and 40s. Hobart Cavanaugh played downtrodden or henpecked little men -- the perennial victim, forever nervous or bewildered -- to absolute perfection. He was most at home as clerks, mailmen, minor officials, undertakers, shopkeepers and bank tellers. However, when called upon, he could be just as convincing as a sneaky or vaguely sinister villain's accomplice.
A former engineering student at the University of California, Cavanaugh began his acting career on the stage, making his debut on Broadway in 1916. He entered films, somewhat inauspiciously, with a forgotten B-picture, which was shot in New York by the independent Gotham Company. It took another five years, until he was signed by First National/Warner Brothers, where he remained under contract until 1936, thereafter free-lancing. His mild-mannered personae remained in constant demand in Hollywood, for he tallied up an impressive 190 screen appearances -- though often uncredited -- right up until his death in 1950.- Director
- Cinematographer
- Producer
Russian-born Phil Rosen began his film career as a cameraman during the silent era, and worked his way into directing. Rosen was a highy regarded director in the silent era, as evidenced by the fact that when MGM fired Josef von Sternberg from Exquisite Sinner (1926)--for, among other things, his extravagance, slow shooting schedule and total disregard for the budget--the studio brought in Rosen to re-edit, re-shoot and generally tighten it up, and by most contemporary accounts he did a first-rate job. However, like all too many of his colleagues of the period, the success he enjoyed during the silent era didn't carry over into talking pictures, and Rosen spent most of the rest of his career churning out B-grade (and cheaper) fodder for outfits like Monogram, PRC, and the bottom-of-the-barrel states-rights market.- Actor
- Director
- Producer
Irving Pichel was born on 24 June 1891 in Pittsburgh, Pennsylvania, USA. He was an actor and director, known for Destination Moon (1950), Dracula's Daughter (1936) and Tomorrow Is Forever (1946). He was married to Violette Wilson. He died on 13 July 1954 in Hollywood, California, USA.- Actress
- Producer
- Soundtrack
Norma Talmadge was born on May 26, 1895, in Jersey City, New Jersey. The daughter of an unemployed alcoholic and his wife, Norma did not have the idyllic childhood that most of us yearn for. Her father left the family on Christmas Day and his wife and three daughters had to fend for themselves. Her mother, Peggy, took in laundry to help make ends meet. By the time Norma was 14 she took up modeling. She was successful enough that she attracted the attention of studio chiefs in New York City (where the Vitagraph studio was located at the time). Norma landed a small role in The Household Pest (1910). With her mother's prodding, she landed other small roles with the studio in 1910, such as Uncle Tom's Cabin (1910), Love of Chrysanthemum (1910), A Dixie Mother (1910) and A Broken Spell (1910). By 1911 she was improving as an actress, so much so that she landed a good part in A Tale of Two Cities (1911). By 1913 she was Vitagraph's most promising young actress. In August of 1915 Norma and her mother left for California and the promise of success in the fledgling film industry there. Her first film in Hollywood was Captivating Mary Carstairs (1915). The film was not only a flop but the studio that made it, National Pictures, went out of business.
During this time her sister, Constance Talmadge, was working for legendary director D.W. Griffith. Constance managed to get Norma a contract with Griffith's company. Over the following eight months Norma made seven feature films and a few shorts. After the contract ran out, the family returned to the East Coast. In 1916 she met and married producer and businessman Joseph M. Schenck. With his backing they formed their own production company and turned out a number of films, the first of which was Panthea (1917). It was a tremendous hit, as was Norma. In 1920 the production company moved to Hollywood, where the big hits of the day were being produced. Her company produced hits such as The Wonderful Thing (1921), The Eternal Flame (1922) and The Song of Love (1923).
By 1928 Norma's popularity had begun to fade. Her film The Woman Disputed (1928) was a flop at the box-office. Her final film was Du Barry, Woman of Passion (1930). By that time "talkies" were all the rage, but Norma's voice did not lend itself to sound and she was out of work. She divorced Schenck and married George Jessel. Jessel had his own radio show and Norma was added to the cast to help its sagging ratings. She thought this might be the vehicle by which she would revive her stalled film career, but the show continued its decline and was ultimately canceled, and with it the hopes of rebuilding her shattered career. She was finished for good.
She divorced Jessel in 1939 and married Dr. Carvel James in 1946. She remained with him until she died of a stroke on Christmas Eve of 1957 in Las Vegas, Nevada. She was 62 and had been in a phenomenal 250+ motion pictures.- Cinematographer
- Camera and Electrical Department
- Actor
Regarded as one of the foremost exponents of cinematic expressionism in the 1920's, Fritz Arno Wagner was trained at the Ecole de Beaux Arts in Paris and began in the film industry working for Pathé Freres in 1910. Within just two years, he was promoted to head Pathé's offices in Vienna, and, subsequently, in Berlin. He briefly worked out of New York in 1913, reporting for Pathé Weekly, then returned to Germany for wartime service in the cavalry. After being invalided out, he progressed from still photographer to 2nd Cameraman. By 1919, he had advanced to full director of photography.
Wagner was noted for his moody, atmospheric lighting. He did outstanding work for the directors F.W. Murnau and Georg Wilhelm Pabst, best exemplified by his chilling, eerily-lit gothic masterpiece Nosferatu (1922), with its shadows and distorted images (the jerky, unsettlingly grotesque movements of Count Orlock -- as played by Max Schreck -- have undoubtedly served to inspire more recent examples of the genre, such as The Ring (2002)). Wagner photographed Arthur Robison's hallucinatory thriller of obsessive jealousy, Warning Shadows (1923), in a similar vein, using mirrors and light effects to convey delusions and subconscious desires. Wagner's career remained prolific during the 1930's. He worked on many more prestige films (to name but a few: Pabst's Westfront 1918 (1930), M (1931), The Testament of Dr. Mabuse (1933), Amphitryon (1935), Two Merry Adventurers (1937)), but the quality of his output began to decline by the mid-1930's under the artistic strictures imposed during the Nazi regime. Post-war, he directed the newsreel "Welt im Bild" and largely confined himself to work as cinematographer on mainstream popular entertainments for DEFA. At age 63, Wagner died as the result of falling from a camera truck.- Cinematographer
- Director
- Camera and Electrical Department
John J. Mescall was born on 10 January 1899 in Litchfield, Illinois, USA. He was a cinematographer and director, known for Bride of Frankenstein (1935), Take a Letter, Darling (1942) and The Black Cat (1934). He died on 10 February 1962 in Los Angeles County, California, USA.- Actor
- Writer
- Producer
Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively. He was educated at Stonyhurst (a highly esteemed Jesuit college in England) and at the Royal Academy of Dramatic Art (received gold medal). His first appearance on stage was in 1926. Laughton formed own film company, Mayflower Pictures Corp., with Erich Pommer, in 1937. He became an American citizen 1950. A consummate artist, Laughton achieved great success on stage and film, with many staged readings (particularly of George Bernard Shaw) to his credit. Laughton died in Hollywood, California, aged 63.- Actor
- Writer
- Soundtrack
Popular stage and film comedian Claude Noel Hulbert was born in Fulham, London in 1901, younger brother of the highly well-known comedian, singer and comic dancer Jack Hulbert. Like his brother, he was educated at Cambridge and was a member of the Footlights comedy club as an undergraduate. He began his professional acting career in supporting roles in many of the Aldwych farces with Tom Walls and Ralph Lynn. He appeared in films from 1928 before making his first starring role in Their Night Out (1933) with Binnie Barnes. Perhaps one of his most memorable roles at that time was the silly ass brother to Ralph Lynn in A Cup of Kindness (1934), the starring role in Hello, Sweetheart (1935), and starring as a dithering diplomat in Wolf's Clothing (1936). He played opposite Will Hay in two popular comedies The Ghost of St. Michael's (1941) and My Learned Friend (1943), which were the most successful of his later vehicles. He died in a hospital in Sydney, Australia while ashore from a world cruise with his family.- Writer
- Director
- Music Department
Jean Boyer was born on 26 June 1901 in Paris, France. He was a writer and director, known for Chocolat (2000), Circonstances atténuantes (1939) and Un mauvais garçon (1936). He was married to Jeanne Dastor. He died on 10 March 1965 in Paris, France.- Producer
- Additional Crew
- Writer
David O. Selznick was a son of the silent movie producer Lewis J. Selznick. David studied at Columbia University until his father lost his fortune in the 1920s. David started work as an MGM script reader, shortly followed by becoming an assistant to Harry Rapf. He left MGM to work at Paramount then RKO. He was back at MGM in 1933 after marrying Irene Mayer Selznick the daughter of Louis B. Mayer. In 1936, he finally set up his own production company, Selznick International. Three directors and fifteen scriptwriters later, Gone with the Wind (1939) was released.- The preeminent Russian actor, at least in Western eyes, of the first half of the twentieth century. He became interested in the theatre as a teenager and joined the Teatr Mariinskij as a stagehand in 1918. He apprenticed with various traveling companies and therein learned ballet, pantomime, and acrobatics. He studied at the St. Petersburg (Leningrad) Theater Institute and made his stage debut in 1926. The following year, he entered films and his commanding presence soon brought him leading roles and enormous acclaim, as well as the approbation of the Soviet leadership, which elected him a deputy of the Supreme Soviet. His greatest fame world-wide came with his work in the films of Sergei Eisenstein. Following the masterpieces _Aleksandr Nevsky (1938)_ and _Ivan Groznyj I (1945)_ he was named to the Order of Lenin and made People's Artist of the USSR, respectively. He died in 1966. He should not be confused with the actor Nikolay P. Cherkasov who starred in many Russian films.
- Actress
- Producer
- Writer
Kay Francis is possibly the biggest of the 'forgotten stars' from Hollywood's Golden Era. Yet, for a while in the 1930s she ranked as one of America's most popular actresses, tagged the 'Queen of Warner Brothers'. By 1935, she earned a yearly salary of $115,000 (compared to Bette Davis with $18,000). The daughter of actress Katherine Clinton and businessman Joseph Gibbs, Kay did not start her working life in show business but sold real estate and arranged extravagant parties for wealthy socialites. Following her marriage in 1922 to James Dwight Francis, the son of a moneyed family, Kay adopted the surname Francis. Her first acting job was in a modernized 1925 version of 'Hamlet' (as the Player Queen), performing as 'Katharine Francis'. She then played Marjorie Grey in the melodrama "Crime" (1927) and appeared in the Ring Lardner play "Elmer the Great" (1928), produced by George M. Cohan and starring Walter Huston as Elmer Kane. On the strength of her stage work, Kay was screen-tested by Paramount and subsequently offered a contract (1929-31). A brief affair with writer/director Edmund Goulding (some time around April 1928) may also have been a contributing factor.
She had a bit in the first Marx Brothers outing, The Cocoanuts (1929), and then graduated to playing sophisticated seductresses opposite stars like William Powell and Ronald Colman. She appeared in the Lubitsch comedy Trouble in Paradise (1932), though being unhappy about being billed below Miriam Hopkins in the picture. One of her best early films was the comedy/drama One Way Passage (1932), in which Kay portrayed a gravely-ill baroness opposite Powell's gentleman burglar. This doomed romance, interlaced with witty dialogue, was described by a reviewer as 'spilled cocktail and love at first sight'.
Paramount, at the time well-stocked with female stars but experiencing financial problems, decided to let Kay move to Warner Brothers. There she would remain for the rest of the decade. A tall, attractive, gray-eyed brunette with undeniable style and poise, she soon acquired a reputation as Hollywood's 'best dressed woman', wearing the most glamorous gowns designed by great studio costumers like Orry-Kelly, Travis Banton and Adrian. Female audiences, in particular, often flocked to see Kay Francis pictures simply to appreciate her sumptuous wardrobe. For her part, Kay spent a lot of time and effort on collaborative efforts with costume designers to select the right clothes for the parts she played. Dorothy Jeakins believed, that Kay possessed an 'innate sense of style'.
By the mid-1930s, Kay earned $5,250 per week and was voted by Variety as Hollywood's sixth most popular star. Numerous magazine articles were written about every detail of her life in and off the studio lot. She had major hits with I Found Stella Parish (1935) and Confession (1937), both excellent money-spinners for the studio. While much was made at the time (and since) of her famous lisp, this had not hitherto been a significant detriment to Kay's career. At least, not until her falling out with the studio executives who thought her salary too excessive. The tight control the studio exercised over the roles she played on screen caused her to file a lawsuit against Warner Brothers in an effort to escape her contract. It had all started to go wrong for her when she was assigned the role of 'women's picture star', effectively typecasting her in sentimental melodramas, earnest biopics (The White Angel (1936), and three-handkerchief tearjerkers like My Bill (1938), her script filled with Rs and Ls as chastisement for bucking the system. Though she still managed to give several good performances, the writing was now on the wall. By the end of the decade, the 'Queen of Warner Brothers' mantle had passed on to Bette Davis.
During the mid-1940s, Kay co-produced several B-movies as vehicles for herself at Monogram, then made a brief return to stage work, acting in summer stock before retiring permanently in 1952. She spent the remainder of her life in virtual seclusion in New York and in her estate near Falmouth, Cape Cod. She left some of her estate (in excess of one million dollars) to an organization training guide dogs for the blind, Seeing Eye Inc. Her surviving personal papers are accessible at the Wesleyan University Cinema Archives.- Actor
- Producer
- Director
President of the Dramatic Club at Cornell University, Franchot Tone gave up the family business for acting, making his Broadway debut in "The Age of Innocence".
Tone then went into movies for MGM, making his film debut (at Paramount Pictures) in The Wiser Sex (1932). With his theatrical background, Tone became one of the most talented movie actors in Hollywood.- Composer
- Music Department
- Soundtrack
Composer, MGM music director (1940-1953), conductor, arranger and pianist in the jazz groups of 'Frankie Trumbauer', Bix Beiderbecke, Red Nichols, Joe Venuti and others. He was also with the Paul Whiteman orchestra. He also was music director for Lena Horne, his wife. Joining ASCAP in 1953, his popular-instrumental compositions included "Flying Fingers", "Mood Hollywood" and "Midnight Mood".- Actor
- Soundtrack
John Banner, who achieved television immortality for his portrayal of the Luftwaffe POW camp guard Sergeant Schultz in the TV series Hogan's Heroes (1965), was born on Tuesday, January 28th, 1910 in Vienna., which in 1938 was then the capital of the Austro-Hungarian Empire.
The 28-year-old Banner, who was Jewish, was forced to flee from his homeland to avoid being captured after the Anschluss (union) between Nazi Germany and Austria. This occurred while he was engaged in a tour of Switzerland with an acting company. Unable to return to Austria due to Hitler's anti-Semitic policies of persecution, Banner emigrated to the United States of America as a political refugee.
Soon after reaching the United States, John Banner, who knew nothing of the English language, was hired to be a Master of Ceremonies to a musical revue. He had to learn his lines phonetically. The total immersion paid off in that he rapidly picked up English. His accent and "Nordic" look ironically meant that Banner was typecast in several films as Nazis during the 1940s. He survived the war portraying the same villains who were murdering every member of his family, who had been left behind in Austria. All of them perished in concentration camps; his biological parents and all of his siblings perished.
At the time of his emigration to the US, John Banner weighed a trim 180 pounds. He eventually added another 100 pounds to become the chubby character actor America would come to know and love in regular appearances in movies and on TV. He specialized in foreign-official types, such the his role as Soviet Ambassador in Fred MacMurray's comedy movie, Kisses for My President (1964).
In 1965, Bing Crosby Productions cast Banner as "Sergeant Schultz", in the wartime comedy television sitcom, Hogan's Heroes (1965). The show debuted on Friday evening, September 17th, 1965, on CBS channels. The series was a take-off on Billy Wilder's Stalag 17 (1953), although with much more humor and less drama. The bumbling Dutch uncle who Banner portrayed was a continent apart from the wickedly evil Nazis he had portrayed during World War II. Spectacularly inept as a guard of Allied prisoners of war, Sergeant Schultz was prone to ignoring the irregularities that transpired in the fictional Stalag 13, bellowing firmly, "I know nothing! I see nothing! Nothing!!!"
John Banner enjoyed the role but demurred when accused of portraying a "cuddly" Nazi. He told TV Guide, "I see Schultz as the representative of some kind of goodness in every generation."
Banner and Werner Klemperer (who portrayed the equally comical and bumbling "Colonel Klink", and who, like Banner, was a Jewish refugee who had escaped Hitler's reach), co-starred with the series' leading actor, Bob Crane, in The Wicked Dreams of Paula Schultz (1968), a bizarre movie "comedy" about a defecting East German athlete. The picture bombed and the trio went back to turning out the highly popular series without losing too much pride or momentum.
After the cancellation of Hogan's Heroes (1965) in 1971, Banner was signed for another TV show set in the past. The Chicago Teddy Bears (1971), which was set during the Prohibition era. Banner's "Uncle Latzi" was a close cousin of Schultz, but lightning did not strike twice and the series was canceled after only 13 episodes in a three month season.
John Banner died on his 63rd birthday, Sunday, January 28th, 1973, in his hometown and country of Vienna, Austria. His 63 year (including 16 Leap Days) lifespan consisted of 23,011 total days, equaling 3,287 weeks and 2 days.- Actor
- Soundtrack
Distinguished U.S. actor and longtime civil rights campaigner Robert Bushnell Ryan was born in Chicago, Illinois, to Mable Arbutus (Bushnell), a secretary, and Timothy Aloysius Ryan, whose wealthy family owned a real estate firm. His father was of Irish ancestry, and his mother was of English and Irish descent. Ryan served in the United States Marines as a drill sergeant (winning a boxing championship) and went on to become a key figure in post WWII American Film Noir and western productions.
Ryan grabbed critical attention for his dynamic performances as an anti-Semitic bully in the superb Crossfire (1947), as an over-the-hill boxer who refuses to take a fall in The Set-Up (1949) and as a hostile & jaded cop in On Dangerous Ground (1951). Ryan's athletic physique, intense gaze and sharply delivered, authoritarian tones made him an ideal actor for the oily world of the Film Noir genre, and he contributed solid performances to many Film Noir features, usually as a vile villain. Ryan played a worthy opponent for bounty hunter James Stewart in the Anthony Mann directed western The Naked Spur (1953), he locked horns with an intrepid investigator Spencer Tracy in the suspenseful Bad Day at Black Rock (1955) and starred alongside Harry Belafonte in the grimy, gangster flick Odds Against Tomorrow (1959). Plus, the inventive Ryan excelled as the ruthless "John Claggart" in Billy Budd (1962), and two different WWII US generals - first in the star-filled The Longest Day (1962) and then in Battle of the Bulge (1965).
For the next eight years prior to his untimely death in 1973, Ryan landed some tremendous roles in a mixture of productions each aided by his high-caliber acting skills leaving strong impressions on movie audiences. He was one of the hard men hired to pursue kidnapped Claudia Cardinale in the hard boiled action of The Professionals (1966), a by-the-book army colonel clashing with highly unorthodox army major Lee Marvin in The Dirty Dozen (1967), and an embittered bounty hunter (again) forced to hunt down old friend William Holden in the violent Sam Peckinpah western classic The Wild Bunch (1969). Ryan's final on-screen performance was in the terrific production of The Iceman Cometh (1973) based on the Eugene O'Neill play and also starring Lee Marvin and Fredric March.
Legend has it that Sam Peckinpah clashed very heatedly with Ryan during the making of The Wild Bunch (1969); however Peckinpah eventually backed down when a crew member reminded Sam of Robert Ryan's proficiency with his fists!
Primarily a man of pacifist beliefs, Ryan often found it a challenge playing sadistic and racist characters who very much were at odds with his own personal ideals. Additionally, Ryan actively campaigned for improved civil rights, restricting the growth of nuclear weapons, and he strongly opposed McCarthyism and its abuse of people who many believed were innocent. A gifted, intelligent and powerful actor, Robert Ryan passed away on July 11th, 1973 of lung cancer.- Niall MacGinnis is not as well known outside of Europe, but he was a wonderful character actor whose variety of roles matched his great gift for characterization and the look beyond just makeup that he projected. He was educated at Stonyhurst College and Trinity College, Dublin. He obtained a basic medical education which qualified him as a house (resident) surgeon during World War II in the Royal Navy. But after the war he decided to pursue acting. He worked in stage repertoire and stock companies and moved on to do significant stage work at the Old Vic Theatre in London, where John Gielgud was director and Shakespeare has a particular focus. MacGinnis had the burly look of a farm hand with a large head and curly hair falling away from a progressively receding hairline. He could portray a broad enough accent - or little at all, as the case might be - which could entail any part of the British Isles.
He moved on to film work in 1935 when British sound cinema was hitting its stride. He met young but well experienced director Michael Powell, who was eager to sell his script for an intriguing film to be shot on the furthest island from the north coast of the UK, Foulda. Alexander Korda was impressed and optioned the production of this script for The Edge of the World (1937), and MacGinnis got the nod as the central protagonist, Andrew Gray. Soon after in 1938, MacGinnis worked with Old Vic mentor and director Gielgud for a role in an early TV production of the play "Spring Meeting" (1938). As the war years ensued and before his own service, MacGinnis did several war effort films, most notably asked by Powell to take the role of a German U-boat cook in 49th Parallel (1941). The film sported a great ensemble cast, including Leslie Howard and Raymond Massey, and was shot in Canada where the drama unfolded, but it lacked the drive to keep the story vital. MacGinnis shone as the good-natured peasant who loved food and had no use for Nazi strictures and warring on the world. Luckily for Powell, the movie with its flag waving spirit was a huge hit on both sides of the Atlantic.
By the late 1940s, MacGinnis was donning historical garb for what would be some of his most familiar roles. Olivier remembered him and gave him small but standout roles in both his Henry V (1944) and Hamlet (1948). At about that time MacGinnis began associations with American film actors and production money coming over to Britain, the first being with Fredric March and his wife Florence Eldridge in Christopher Columbus (1949). He finally came to American shores with an appearance on Broadway in "Caesar and Cleopatra" in late 1951 through April of 1952. In 1952 back in England, he had a supporting role as the Herald in a screen version of the story of Thomas a' Becket titled Murder in the Cathedral (1951). Interestingly, he was also in the much better known and Hollywood-financed Becket (1964), as one of the four murderous barons. When MGM came back to England to follow up its previous visit and subsequent huge hit, Ivanhoe (1952), with Knights of the Round Table (1953), MacGinnis had a brief but again noticeable role as the Green Knight, bound by loss of combat to Robert Taylor as Ivanhoe. The next year brought one of his rare lead roles, an exemplary one in every measure. As Luther in Martin Luther (1953), MacGinnis joined a mostly British cast in a US/West German co-production and American director Irving Pichel with West German and historical scenery topped with a first rate script with American and German co-writers. It received two Oscar nominations.
Into the later 1950s, MacGinnis held to a steady diet of sturdy movie roles, usually supporting but always memorable because of his great acting skill. Historically, he went further back in time with several films of epic Ancient Greece, first as King Menelaus in Helen of Troy (1956), an American/Italian co-production with Robert Wise directing. That same year he stayed on the continent for another epic, this time Alexander the Great (1956) with American director Robert Rossen in an US/Spanish co-production that enlisted another first tier British cast, centered on box office idol Richard Burton, along with former co-star Freddy March. MacGinnis finally made it to Mount Olympus - that is, playing Zeus - in the rousing US/UK co-production of Jason and the Argonauts (1963), certainly best remembered for the stop motion animation magic of Ray Harryhausen.
Yet, MacGinnis' perhaps best remembered role - certainly to discriminating fans of horror/fantasy - was that of two-faced Dr. Julian Karswell, jocular magician - but deadly serious cult leader and demon conjurer (loosely based on the outrageous English social rebel and occultist Aleister Crowley). The film Curse of the Demon (1957) (the American cut was renamed "Curse of the Demon") was a stylishly atmospheric and convincingly spooky outing directed by Jacques Tourneur, the protégé of Hollywood veteran film producer Val Lewton, best known for Cat People (1942). Based on M.R. James' Edwardian ghost story, "Casting the Runes," the film is now considered a classic of the genre with MacGinnis, sporting a devilish goatee, having fun with his split personality but also effectively betraying his inward fear of the powers he has unleashed. He easily stole the show from co-star Dana Andrews, as the stubborn American psychologist almost done in by the demon he does not believe exists.
Through the 1960s and into the 1970s, MacGinnis kept to up a fairly steady stream of varied historical and contemporary movie roles, always noticeable, and in some of the high profile films of the period, including: Billy Budd (1962), The Spy Who Came in from the Cold (1965), and the Cinerama adventure Krakatoa: East of Java (1968). There were some TV spots as well to showcase his character-molding talents into the year of his passing to round out a body of over 75 screen appearances. - Eugene Deckers was born on 22 October 1913 in Antwerp, Belgium. He was an actor, known for North West Frontier (1959), The Detective (1954) and The Rat Catchers (1966). He died on 13 July 1977 in Paris, France.