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- DirectorMaya DerenAlexander HammidStarsMaya DerenAlexander HammidA woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
- DirectorCharles SheelerPaul StrandThis groundbreaking silent documentary captures the beauty and majesty of the New York City in its streets, skyscrapers, bridges, rail yards and harbors.
- DirectorRobert FloreySlavko VorkapichStarsJules RaucourtVoya GeorgeRobert FloreyA wannabe movie star experiences the surreal horrors of dehumanization at the bottom of Hollywood's social ladder as his hopes for success vanish and his identity is reduced to a number.
- DirectorJames Sibley WatsonMelville WebberStarsHerbert SternHildegarde WatsonMelville WebberAn avant-garde take on Poe's classic story of a traveller taking shelter at a household under a mysterious curse.
- DirectorJames Sibley WatsonMelville WebberStarsFriedrich HaakHildegarde WatsonDorthea HouseLot in Sodom is a sensual depiction of the Sodom and Gomorrah story filled with sinewy and semi-clad bodies, delirious bacchanales devoted to physical pleasure, and a searing, cataclysmic finale depicting the fall of a city devoted to sins of the flesh. Digitally mastered from excellent 35mm elements. Lot In Sodom has its original experimental soundtrack by Alec Wilder.
- DirectorHarry SmithA sequence of surreal cutout animation imagery, largely without a discernible narrative.
- DirectorHarry SmithAn anthology of Harry Smith's films 1-5, 7, and 10, unfortunately without the divisions clearly marked.
- DirectorMary Ellen ButeTed NemethColorful abstract shapes and lines move exuberantly to the syncopated modernistic piano music of Edwin Gershefsky.
- DirectorJoseph CornellStarsCharles BickfordRose HobartNoble JohnsonFootage selected from 'East of Borneo' and other films is arranged and edited so as to highlight actress Rose Hobart.
- DirectorJohn HoffmanSlavko VorkapichA recently unearthed experimental documentary of the crashing sea set to Mendelssohn's "Fingal's Cave." An example of the filmmakers' "new cinema" theory which held that film should be more like music than literature. This film is based solely on its arrangement of images.
- DirectorEvelyn LambartNorman McLarenOn a blue background, a series of numbers (1 to 5) begin to appear, forming simple arithmetic equations that create a pattern. Numbers and symbols move as the pattern grows, to a soundtrack of simple beats.
- DirectorMaya DerenStarsJohn CageMaya DerenAlexander HammidSilently, a woman wakes on a beach as the tides go in reverse. Her dreamscape unfolds as she tries to locate a chess piece traveling from the beach to a party to a country road and then back.
- DirectorKenneth AngerStarsKenneth AngerGordon GrayBill SeltzerA dissatisfied dreamer awakes, goes out in the night seeking a 'light' and is drawn through the needle's eye. A dream of a dream, he returns to bed less empty than before.
- DirectorStan BrakhageStarsStan BrakhageJane WodeningImages of two women, two men, and a gray cat form a montage of rapid bits of movement. A woman is in a bedroom, another wears an apron: they work with their hands, occasionally looking up. A man enters a room, a woman smiles. He sits, another man sits and smokes. The cat stretches. There are close-ups of each. The light is dim; a filter accentuates red. A bare foot stands on a satin sheet. A woman disrobes. She pets the cat.
- DirectorKenneth AngerStarsSamson De BrierMarjorie CameronJoan WhitneyHistorical, biblical, and mythical characters gather in the pleasure dome and become part of a visual feast of superimposed images, hallucinations, and decadence.
- DirectorShirley ClarkeEssential, integral experimental work from the late 1950s is an incredible dance of montage and super-imposition starring none other than New York City's various bridges, transforming them into an urban jungle (jazz version) or an alien landscape (electro-acoustic version)
- DirectorJonas MekasJudith MalinaStarsWarren FinnertyJim AndersonHenry HowardA ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
- DirectorWillard MaasStarsGeorge BarkerWillard MaasMarie MenkenA quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.
- DirectorWillard MaasBen MooreStarsMichael CraneNina GlennA film poem; a zither plays. A woman lies naked in bed. A man removes his clothes, joins her, and they kiss. Images fill the frame, at first still lifes of common objects: a door knob, glasses, a cactus, a lamp. Then simple actions: a drawer pulled out, a letter mailed. On the soundtrack, with the music, the man and woman comment about mundane things - unconnected phrases. The actions on screen slowly become more rapid and forceful: a bird in a cage flitting about, water boiling, a drill bit biting into wood; the dialogue has stopped. Sheets on a line blow in the wind; a subway train shoots by. The images slow. Voices of the man and woman, off-screen, return. We see them lying side by side.
- DirectorMarie MenkenA voice occasionally says a word or two: "on the sidewalk" or "lithium" or a woman's name. A hand-held camera frames parts of sculptures, or moves across their surfaces, sometimes slowly, sometimes quickly, almost always in close-up. The soundtrack, in addition to the voice, is discordant music. Light and shadows are paramount. Sometimes the camera repeats up and down movements; once, a set of jump cuts brings an object closer. The music can be shrill in contrast to the sculptures. Almost entirely of wood, they are the work of Isamu Noguchi (1904-1988): abstract, usually smooth and rounded, but not always.
- DirectorCurtis HarringtonStarsCurtis HarringtonA man seeks to find himself by exploring his sexuality.
- DirectorSidney PetersonA soundless film starts in a studio: an artist sits, a nude stands; a page burns, paper cutouts appear, images are distorted. The artist removes his eye; it falls from his hand, seeing images spin as it rolls. A man falls, objects in the studio falls on him, he's not the artist. A woman gets help from a man in a lab coat; he and the man on the floor fight over a shotgun. Outside, in the city, people and cars move backwards. On the street, those from the studio chase a woman who's stolen leeks. In the backward cityscape, they move forward. They run toward a seaside amusement park. The artist follows, his head in a bird cage. He ends up with the woman who went for help; or does he?
- DirectorLionel RogosinStarsRay SalyerGorman HendricksFrank MatthewsBy focusing on the lives of three down-and-out alcoholic transients, the film creates a wrenching portrait of the tragic hopelessness of life on "The Bowery" in New York City.
- DirectorBruce ConnerStarsTheodore RooseveltClips of atomic explosions, pornography, and B-movies are spliced together to evoke certain emotions.
- DirectorJack SmithStarsFrancis FrancineSheila BickJoel MarkmanAn experimental film that features graphic sexual imagery, an earthquake, and a lipstick commercial.
- DirectorMichael SnowStarsHollis FramptonLyne GrossmanNaoto NakazawaClaimed by some to be one of the most unconventional and experimental films ever made, Wavelength is a structural film of a 45-minute long zoom in on a window over a period of a week. Very unconventional and experimental, indeed.
- DirectorTony ConradThis film consists of alternating black and white frames.
- DirectorHollis FramptonStarsRosemarie CastoroGinger MichelsMarcia SteinbrecherA rhythmically edited alphabet composed of street and shop signs shot in New York City and other elements is gradually replaced by repeated seemingly abstract shots in this influential structuralist film.
- DirectorKen JacobsA film in four parts. In "In the Room", a man and a woman in outlandish garb are sitting in a claw-foot bathtub smoking, while the man abuses a doll in various ways. In "They Stopped to Think", the filmmaker focuses on a woman trying to position a stool upon which to sit next to a wall. The filmmaker, in voice over, talks about filming the scene, and his current relationship with the people shown in the film, who were his friends at the time of filming and who are now largely out of his life. The scene shifts to a pier where a man and woman are filmed, they playing to the camera. In "It Began to Drizzle", a man and woman are lounging in a street side outdoor patio. They have to decide what to do. The scene then shifts to a man and some children doing chalk drawings on the sidewalk, and how other respond to what they are doing. In "The Spirit of Listlessness (Jack Smith)", a man lounging on an urban rooftop is playing with balloons while he plays to the camera with other items around him.
- DirectorErnie GehrAn experimental short film which shows a time-lapse in the basement hallway of a Binghamton University building.