The World's Most Beautiful Men (in my humble opinion)
God put a lot of effort into these guys. :)
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Alexander Richard Pettyfer was born in Hertfordshire and raised in Windsor. His mother, Lee (Robinson), is an interior designer. His father, Richard Pettyfer, is a fellow actor. His parents divorced and Alex now has a younger half-brother, James, from his mother's re-marriage to a property developer, Michael Ireland. James is a junior tennis player.
At age 7, Alex started modeling for Gap's children range. He also appeared in TV commercials for other brands. When he was older, he modeled for Burberry to fund his traveling adventures.
Alex attended various private schools. During this time, he enjoyed performing in school plays. At age 13, he auditioned and won a role in the TV movie Tom Brown's Schooldays (2005). At age 15, he went to Los Angeles and was cast as "Alex Rider", the main character in Stormbreaker (2006) (aka "Alex Rider: Operation Stormbreaker"). This was his breakthrough role and he was nominated for a Young Artist Award and an Empire Award for this role.- Actor
- Producer
- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Hayden Christensen was born April 19, 1981 in Vancouver, British Columbia, Canada. His parents, Alie and David Christensen, are in the communications business. He is of Danish (father) and Swedish and Italian (mother) descent. Hayden grew up in Markham, Ontario, with siblings Kaylen, Hejsa, and Tove. Hayden set out to become an actor when a chance encounter at the age of eight placed him in his first commercial, for Pringles. When he was thirteen, he had starring roles in several dramatic television series.
His biggest break was a major part in the Fox Family Network's Higher Ground (2000). On the series, Hayden showed off his acting talent as a teen who was sexually molested by his stepmother, and turns to drugs in despair. Later, he appeared in the television movie Trapped in a Purple Haze (2000), where he co-starred with his friend Jonathan Jackson. Hayden also had a role in the film The Virgin Suicides (1999).
On May 12, 2000, it was announced that Christensen would star as Anakin Skywalker in the prequels Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005). The star was chosen by director George Lucas because he felt that Hayden had raw talent and good chemistry with actress Natalie Portman. Lucas stunned the movie world by picking the then-unknown actor after he had turned down such big names as Leonardo DiCaprio and Jonathan Jackson, as well as 400 other candidates.
His role as the troubled, misunderstood teenager Sam Monroe in Irwin Winkler's Life as a House (2001) won him 'Breakthrough Performance of the Year' from the National Board of Review. The film also placed him as a nominee for 'Best Supporting Actor' at both the Golden Globe and Screen Actors Guild Awards. Hayden then starred in Shattered Glass (2003), quoted by some of the real Stephen Glass' colleagues as giving an eerie and uncanny portrayal.
Since his Star Wars days, Hayden has headlined several action films, including Jumper (2008) and Takers (2010).
When not working, he enjoys spending quality time with his family (such as big brother Tove), hanging out with his friends, and exploring other hobbies such as the blues, jazz and piano.
Hayden was in a relationship with actress Rachel Bilson from 2007 to 2017. The two have a child, born in 2014. - Actor
- Music Department
- Soundtrack
Jim was born in London, the son of Jane O. (Martin) and Peter J. S. Sturgess. He was raised in Surrey. First and foremost his interest was music. However, he began to develop a secret passion for acting, at age 8, when he auditioned for local theatre to get out of class. Whilst music appeared cool, he felt being in school plays wasn't. So he stuck with small parts, despite a yearning to be in the lead role. At age 15, he joined a band and they began lying about their ages to play gigs in pubs. At school, he received mostly low grades with the exception of music and drama.
For college, he moved to Salford because there was a lot of good music coming out of the Manchester scene. In the hopes of joining a new band, he undertook a Higher National Diploma in Media Performance at Salford University. It was here that he met people that were really interested in filmmaking, and it suddenly felt like a possible career move. He began making short films with his friends and as well as doing theater. He wrote and performed a one-man show, which led an actor in the audience to suggest Jim to his agent. The agent signed him without even meeting him.
Jim moved back to London in 2000, where he joined the band 'Saint Faith'. He had moved to Manchester to join a band, and instead fell into acting. He moved back to London for acting, and ended up joining a band. He took small roles on television to fund his life as a musician.
Problems began in the band in 2006, and Jim heard of an audition for the musical film Across the Universe (2007). He won the leading male role of Jude. He followed this film with The Other Boleyn Girl (2008) with Natalie Portman and Scarlett Johansson. His breakthrough role came with Dexter in One Day (2011), based on the bestselling book by David Nicholls. Before his audition, Jim hadn't read the book.- Actor
- Producer
- Soundtrack
Zachary David Alexander Efron was born October 18, 1987 in San Luis Obispo, California, to Starla Baskett, a secretary, and David Efron, an electrical engineer. He has a younger brother, Dylan. The surname "Efron", which is Hebrew and a Biblical place name, comes from Zac's Polish Jewish paternal grandfather.
Zac was raised in Arroyo Grande, CA. He took his first step toward acting at the age of eleven, after his parents noticed his singing ability. Singing and acting lessons soon led to an appearance in a production of "Gypsy" that ran 90 performances, and he was hooked. After appearing on-stage in "Peter Pan", "Auntie Mame", "Little Shop of Horrors" and "The Music Man", guest parts quickly followed on television series, including Firefly (2002), ER (1994), CSI: Miami (2002), NCIS (2003), and The Guardian (2001). After guest-starring in several episodes of Summerland (2004), Zac joined the regular cast as girl-crazy Cameron Bale. He also starred in several pilots, such as The Big Wide World of Carl Laemke (2003) and Triple Play (2004), and played an autistic child in the television film Miracle Run (2004), alongside Mary-Louise Parker and Aidan Quinn. He graduated from Arroyo Grande High School in June 2006.
Efron came to fame for starring in the Disney Channel original film High School Musical (2006), for which he won the Teen Choice Award for Breakout Star. He returned to the role of Troy Bolton in High School Musical 2 (2007), which broke cable TV records with 17.5 million viewers.
He had the lead roles in the fantasy romance Charlie St. Cloud (2010) and the comedy 17 Again (2009), both from director Burr Steers, and as the lovable Link Larkin in 2007's smash hit musical Hairspray (2007), directed by Adam Shankman. As part of the all-star cast, he shared a Critics Choice Award for Best Acting Ensemble and the 2007 Hollywood Film Festival Award for Ensemble of the Year, and was honored with a Screen Actors Guild Award® nomination for Outstanding Motion Picture Cast. In addition, he won an MTV Movie Award for Breakthrough Performance.
Efron then starred in Richard Linklater's Me and Orson Welles (2008), an adaptation of the novel by Robert Kaplow, which premiered to rave reviews at the 2008 Toronto Film Festival. That same year, he led Kenny Ortega's High School Musical 3: Senior Year (2008), which set a box office record for the highest grossing opening weekend for a musical. In 2012, Efron took the lead in The Lucky One (2012), a film adaptation of the Nicholas Sparks novel, playing a marine who returns to North Carolina after serving in Iraq in search for the unknown woman he believes was his good luck charm during the war. He also lent his voice to the animated feature Dr. Seuss' The Lorax (2012), and co-starred in Lee Daniels' thriller The Paperboy (2012), alongside Nicole Kidman, John Cusack, Matthew McConaughey and Scott Glenn, as well as Josh Radnor's Liberal Arts (2012), which premiered to rave reviews at the Sundance Film Festival. Another indie film he co-starred in, At Any Price (2012), was released in 2013.
Most recently, Zac starred with Seth Rogen in the hit comedy film Neighbors (2014), headlined the 2015 drama We Are Your Friends (2015), carried three 2016 comedies, Dirty Grandpa (2016), Neighbors 2: Sorority Rising (2016), and Mike and Dave Need Wedding Dates (2016), and starred opposite Hugh Jackman and Zendaya in the musical drama The Greatest Showman (2017), about showman P. T. Barnum. The latter title was a sleeper hit in the winter of 2017, becoming Zac's highest-grossing live action film in the U.S.
Zac's 2019 roles include a supporting part in Harmony Korine's The Beach Bum (2019), and playing serial killer Ted Bundy in Joe Berlinger's biographical drama Extremely Wicked, Shockingly Evil and Vile (2019).
Efron's favorite sports include golf, skiing, rock climbing, and snowboarding. He added surfing after spending days on the beach for "Summerland." He played the piano at home. He has also fixed up two cars in his spare time, a Delorean and '65 Mustang convertible, both treasured hand-me-downs from his even-more-treasured grandfather.- Actor
- Director
- Producer
Jonathan Jackson was born in Orlando, Florida, to Jeanine (Sharp), an officer manager, and Dr. Rick Lee Jackson, a family doctor and country musician. He is the younger brother of actor/singer Richard Lee Jackson and Candice E. Jackson. His ancestry includes English, German, Finnish, Scottish, and Scandinavian (Swedish, Norwegian, and Danish).
Jackson's family moved to Washington state when he was very young. Jonathan gave serious thought to an acting career following a family visit to Universal Studios Hollywood in 1991. His parents decided to let their sons try their luck in acting for 6 months, and so Jonathan and Richard moved down to Los Angeles with their mother while their father stayed back in Washington with Candice. Soon after, Jonathan landed a Corn Pops commercial. He had a few commercials under his belt before he was chosen, from several hundred young hopefuls, for the sought-after role of Luke and Laura's son, "Lucky Spencer", on the series General Hospital (1963). His first air date was October 29, 1993. He stayed on the soap opera for 6 years as the original "Lucky", garnering 6 Daytime Emmy nominations and 3 Daytime Emmys for Younger Actor along the way. While shooting the soap, Jackson also made 5 movies. His film debut was with Christopher Lloyd in 1994's Camp Nowhere (1994). He also made two TV movies, The Legend of the Ruby Silver (1996) and The Prisoner of Zenda, Inc. (1996) in 1996.
In 1997, he took time from the soap to shoot what would become his breakthrough film role as Michelle Pfeiffer's troubled son "Vincent Cappadora" in The Deep End of the Ocean (1999). In 1998, he filmed several episodes for the ABC series Boy Meets World (1993). In 1999, he again took a short break from GH to film a supporting role in the independent film True Rights (2000). After leaving the soap in 1999, Jackson was cast in a variety of films. At one point, he was considered the favorite to play "Anakin Skywalker" in the Star Wars films. He has played son to Sissy Spacek, William Hurt, Treat Williams, JoBeth Williams, Barbara Hershey and Judy Davis, and romantic interest to Alexis Bledel, Carly Pope, Erika Christensen, Romola Garai and Agnes Bruckner. He has also played brother to Brian Austin Green and best friend to Cillian Murphy and Nick Stahl, and has also shared the screen with Al Pacino, David Arquette and Ben Kingsley. He was also cast in Walden Media's "The Dark is Rising" but his scenes were cut before the film was released. Jackson's other abiding passion has been his music. He has been the lead singer and guitarist in a number of bands, most recently for Enation. Jonathan first sang his own work on General Hospital (1963) and his music has since been featured in a number of his movies.
Although acting is his favorite activity, Jonathan also participates in most sports, including basketball, baseball and rollerblading. He also enjoys playing the guitar.- Actor
- Producer
- Director
Christopher Robert Evans is an American actor, film producer, and director. Evans began his acting career in typical fashion: performing in school productions and community theatre.
He was born in Boston, Massachusetts, the son of Lisa (Capuano), who worked at the Concord Youth Theatre, and G. Robert Evans III, a dentist. His uncle is former U.S. Representative Mike Capuano. Chris's father is of half German and half Welsh/English/Scottish ancestry, while Chris's mother is of half Italian and half Irish descent. He has an older sister, Carly Evans, and two younger siblings, a brother named Scott Evans, who is also an actor, and a sister named Shana Evans. The family moved to suburban Sudbury when he was 11 years-old. Bitten by the acting bug in the first grade because his older sister, Carly, started performing, Evans followed suit and began appearing in school plays. While at Lincoln-Sudbury Regional High School, his drama teacher cited his performance as "Leontes" in "The Winter's Tale" as exemplary of his skill. After more plays and regional theatre, he moved to New York and attended the Lee Strasberg Theatre Institute.
On the advice of friends, he landed an internship at a casting office and befriended a couple of the agents he regularly communicated with - one of whom later took him on as a client. The screen - not the stage - then became his focus; Evans soon began auditioning for feature films and television series. Evans made one of his first appearances on The Fugitive (2000) (CBS, 2000-2001), a remake of the 1960s series and feature film starring Harrison Ford. In the episode "Guilt", Evans played the son of a small-town sheriff who tries to exact revenge after Dr. Richard Kimble - incognito as a liquor store owner - refuses to sell him and his friends alcohol. After small roles in Cherry Falls (1999) and The Newcomers (2000) - two unknown low-budget features - Evans appeared in Boston Public (2000) (Fox, 2000-2004) as a murder suspect. He then appeared in his first major feature, Not Another Teen Movie (2001), a spoof on teen comedies wherein he played a jock who makes a bet that he can turn an unpopular and unkempt girl (Chyler Leigh) into prom queen.
After filming a couple of television pilots he was confident would be successful - Just Married (2003) and Eastwick (2002) - he appeared in another listless teen comedy, The Perfect Score (2004), playing an average, ho-hum student who takes part in a plot to steal the SAT test. Hijinks naturally ensue. Then, Evans broke through to the Big Time, grabbing the lead in the kidnapping thriller, Cellular (2004), a suspenseful B movie with a cheesy gimmick - a random wrong number on his cell phone forces him into a high-stakes race to save an unknown woman's life. Despite an unassuming performance from Evans and Kim Basinger as the damsel in distress, Cellular (2004) failed to break any box office records or please a wide majority of critics. Evans then prepared himself for super stardom when he signed on to play Johnny Storm in Fantastic Four (2005), 20th Century Fox's long-awaited adaptation of the Marvel comic. Although the film was wildly uneven and disappointing, Evans nearly stole the show with his energetic, unfettered performance. In that year itself, Chris was noticed by critics and made it into magazine and Internet countdowns, scoring himself a third position of the hot body countdown from Gay.com and #18 on E! Television's 2006 101 Sexiest Celebrity Bodies.
The year 2007 also proved to be one successful year for Chris, as he had two movies released around the world that same year, starting with the second installment of the Marvel franchise Fantastic Four. Chris received positive reviews for his performance. The Nanny Diaries (2007), where Evans played Harvard Hottie, showed his sensitive. The year 2008 saw Chris Evans' part of the movie Street Kings (2008), playing the character Detective Paul Diskant. The movie is about police officers trying to cover up their wrongdoings and audiences got to see a serious side of Chris. In the same year, Chris also worked on the movie The Loss of a Teardrop Diamond (2008).- Actor
- Producer
- Director
Born Ryan Thomas Gosling on November 12, 1980, in London, Ontario, Canada, he is the son of Donna (Wilson), a secretary, and Thomas Ray Gosling, a traveling salesman. Ryan was the second of their two children, with an older sister, Mandi. His ancestry is French-Canadian, as well as English, Scottish, and Irish. The Gosling family moved to Cornwall, Ontario, where Ryan grew up and was home-schooled by his mother. He also attended Gladstone Public School and Cornwall Collegiate & Vocational School, where he excelled in Drama and Fine Arts. The family then relocated to Burlington, Ontario, where Ryan attended Lester B. Pearson High School.
Ryan first performed as a singer at talent contests with Mandi. He attended an open audition in Montreal for the TV series "The Mickey Mouse Club" (The All New Mickey Mouse Club (1989)) in January 1993 and beat out 17,000 other aspiring actors for a a spot on the show. While appearing on "MMC" for two years, he lived with co-star Justin Timberlake's family.
Though he received no formal acting training, after "MMC," Gosling segued into an acting career, appearing on the TV series Young Hercules (1998) and Breaker High (1997), as well as the films The Slaughter Rule (2002), Murder by Numbers (2002), and Remember the Titans (2000). He first attracted serious critical attention with his performance as the Jewish neo-Nazi in the controversial film The Believer (2001), which won the Grand Jury Prize at the 2001 Sundance Film Festival. He was cast in the part by writer-director Henry Bean, who believed that Gosling's strict upbringing gave him the insight to understand the character Danny, whose obsessiveness with the Judaism he was born into turns to hatred. He was nominated for an Independent Spirit Award as Best Male Lead in 2002 for the role and won the Golden Aries award from the Russian Guild of Film Critics.
After appearing in the sleeper The Notebook (2004) in 2004, Gosling won the dubious honor of being named one of the 50 Hottest Bachelors by People Magazine. More significantly, he was named the Male Star of Tomorrow at the 2004 Show West convention of movie exhibitors.
Gosling reached a summit of his profession with his performance in Half Nelson (2006), which garnered him an Academy Award nomination as Best Actor. In a short time, he has established himself as one of the finest actors of his generation. Throughout the subsequent decade, he has become all three of an internet fixation, a box office star, and a critical darling, having headlined Blue Valentine (2010), Crazy, Stupid, Love. (2011), Drive (2011), The Ides of March (2011), The Place Beyond the Pines (2012), The Nice Guys (2016), and La La Land (2016). In 2017, he starred in the long-awaited science fiction sequel Blade Runner 2049 (2017), with Harrison Ford.
Ryan has two children with his partner, actress Eva Mendes.- Actor
- Producer
- Writer
Aaron Taylor-Johnson is an English stage, television, and film actor.
He was born Aaron Perry Johnson in High Wycombe, Buckinghamshire, to Sarah and Robert Johnson, a civil engineer. He has a sister, Gemma Johnson, who had a small role in his movie Tom & Thomas (2002). Aaron is of English-Russian Jewish descent.
He began performing at age six, appearing in plays like Macbeth and All My Sons. He worked frequently on television as a young actor, having roles in the TV films The Apocalypse (2002), Behind Closed Doors (2003), The Best Man (2006), and Sherlock Holmes and the Baker Street Irregulars (2007), and series The Bill (1984), Family Business (2003), Feather Boy (2004), Casualty (1986), Talk to Me (2007), and Nearly Famous (2007). He made his feature debut in the British film Tom & Thomas (2002), where he played the dual title roles. His first American film was the sequel Shanghai Knights (2003), playing a child version of Charles Chaplin, and his early film credits also include Dead Cool (2004), The Thief Lord (2006), and The Illusionist (2006), where he played a young version of Edward Norton's character Eisenheim.
Aaron became known in England after playing a leading role in the film Angus, Thongs and Perfect Snogging (2008), opposite Georgia Groome. He then co-starred with Carey Mulligan in the American drama The Greatest (2009), played John Lennon in the biography Nowhere Boy (2009), and had the lead role of a teenage would-be superhero, Dave Lizewski, in the action superhero riff Kick-Ass (2010), which introduced him to a wide American audience.
After appearing in the thriller Chatroom (2010), Aaron had a large part in the Irish-set drama Albert Nobbs (2011), and co-starred with Taylor Kitsch and Blake Lively in Oliver Stone's California-based action-thriller Savages (2012). Also in 2012, he played Keira Knightley's character's forbidden love interest, Count Vronsky, in the adaptation Anna Karenina (2012), set in Russia.
After reprising his role in the sequel Kick-Ass 2 (2013), Aaron had starring roles in his two biggest films to date, the blockbusters Godzilla (2014), as soldier Ford Brody, and Avengers: Age of Ultron (2015), as Pietro Maximoff (known as Quicksilver in the Marvel comic books). He first played Pietro in a mid-credits scene in Captain America: The Winter Soldier (2014). Next, he won a Golden Globe for Best Supporting Actor for his role as the shady Ray in the drama Nocturnal Animals (2016), and co-starred with John Cena in the war thriller The Wall (2017).
While filming Nowhere Boy (2009), Aaron began a relationship with the film's director, artist Sam Taylor-Wood. The two married in 2012, and blended their surnames together. Aaron began being credited as Aaron Taylor-Johnson, while Sam became known as Sam Taylor-Johnson. The couple has two children together, and Aaron is also stepfather to Sam's two daughters from her previous marriage.- Actor
- Producer
- Director
Best known for his portrayal of troubled high school football star "Tim Riggins" on NBC's acclaimed television series, Friday Night Lights (2006), actor Taylor Kitsch has scored big with audiences and critics on both the big and small screens.
Taylor Kitsch was born on April 8, 1981 in Kelowna, British Columbia, Canada, to Susan (Green), who worked for the BC Liquor Board, and Drew Kitsch, who worked in construction. He grew up in Vancouver. During his childhood, he aspired to become an actor, which eventually was the real reason behind his move to New York. There, Taylor pursued his dreams by studying the art of acting with coach Sheila Grey. Not too long after that, Taylor was cast in several film and television roles, such as John Tucker Must Die (2006), Snakes on a Plane (2006) and Kyle XY (2006).
Moving to New York in 2002 was the prize that Taylor received after being scouted by modeling scouts in Canada. Taylor was signed to "IMG Models" and became a regular face for the famous clothing lines, "Abercrombie & Fitch" and also "Diesel". Taylor was also signed under "Untitled Entertainment" during his two years stay in the city. While Taylor was living in New York, he found time to become a certified personal trainer and nutritionist. In the year 2004, Taylor decided that it was time for him to move to Los Angeles to learn more about the acting course. Taylor stayed in Los Angeles for about eight months and did some print work with "Nous Modeling Management". It wasn't too long until Taylor realized that he didn't want to be in Los Angeles. Taylor thought that things were running a little bit too fast for him, then making the decision to move back to Vancouver for the summer of 2005 to spend more time with his family. In 2006, Taylor then signed with "Endeavour".
What shot him to bigger fame was his role in the movie, The Covenant (2006), with actors Steven Strait, Toby Hemingway and Chace Crawford. In the stylish thriller from Lakeshore Entertainment and Sony Screen Gems, four young witches do battle with a powerful, centuries-old supernatural force. In "The Covenant", fans got to know who Taylor really is. Even though the movie wasn't as successful as people hoped it would be, Taylor became more recognized since acting in the movie. In the movie, fans also got to see a more fit and toned version of Taylor.
Fortunately, after "The Covenant", casting directors from the football teen drama, Friday Night Lights (2006), saw the talent that Taylor had. They eventually hired Taylor to play the role of "Tim Riggins", one of the Dillon Panthers' main players. On "Friday Night Lights", Taylor managed to show his acting skills to fans and television critics who were very impressed with Taylor's acting skills. USA Today called the series "one of the best-acted, best-written, best-produced shows on television". After receiving fame and gaining a big fan base from "Friday Night Lights", Taylor received the acting publicity he had always been waiting for.
During the show's summer hiatus, Taylor filmed the feature Gospel Hill (2008), alongside Julia Stiles, Danny Glover, Angela Bassett and Samuel L. Jackson. Directed by Giancarlo Esposito, the film focuses on the bigoted former sheriff of a southern town and a one-time civil rights worker whose intersecting lives are still haunted by events that took place decades earlier. Old wounds are reopened as residents of a black neighborhood are forced out of their homes to make way for a multi-million dollar development.
In February 2008, he signed on to play "Gambit" in the "X-Men" franchise spin-off, X-Men Origins: Wolverine (2009). He subsequently starred in the films The Bang Bang Club (2010), John Carter (2012), Battleship (2012), and Savages (2012). Despite being famous, Taylor is still a very humble guy and has said that he'd prefer to skip the whole tabloid craze. During his free time, he enjoys doing charity work and listening to music, especially those in the country genre. With all the success and a humble attitude, we're pretty sure that Taylor is going to be one of the "Must Watch" stars for the coming years.
When he's not on set, Kitsch pursues children's charity work and enjoys spending time with family and friends.- Actor
- Writer
- Producer
Eric Bana was born Eric Banadinovic on August 9, 1968, in Melbourne, Victoria, Australia. He is the younger of two brothers. His father, named Ivan Banadinovic, came from Zagreb, Croatia, and worked as a manager for Caterpillar Inc. His mother, named Eleanor Banadinovic, came from a German family and was a hairdresser.
Young Bana grew up in suburban Melbourne. He was popular among his schoolmates for his talent of making comic impressions of his teachers. At that time, he was fond of Mel Gibson in Mad Max (1979) and also decided to become an actor. He moved to Sydney and worked odd jobs to support himself. In 1991, he began a career as a stand-up comedian, while working as a barman at Melbourne's Castle Hotel. In 1993, Bana made his television debut on Steve Vizard's Tonight Live with Steve Vizard (1990) talk show, then joined the Full Frontal (1993) TV-series. He gained popularity for making impressions of Arnold Schwarzenegger, Sylvester Stallone, Tom Cruse and "Columbo". In 1996, he started his own show titled Eric (1997), then launched a comedy series titled The Eric Bana Show Live (1997). The show was canceled for the lack of substantial audience. However, in 1997, Bana received the Logie Award for "Most Popular Comedian" for his work on The Eric Bana Show Live (1997).
He made his film debut in The Castle (1997), in a supporting comic role. That same year, he was cast to portray Mark "Chopper" Read, the notorious Australian underworld figure. For the role, Bana gained 30 pounds, by eating junk food; he also spent a few days with Read in prison, in order to perfect his mimicry. Bana completely transformed himself into a bald, plump, disturbed criminal. He would arrive on the film set at four in the morning, spending several hours in makeup, being tattooed exactly like Read. Chopper (2000) became an international success and won three Australian Film Institute Awards. Bana won the Best Actor at the 2000 Stockholm Film Festival and also the AFI 2000 Best Actor Award. Then he co-starred in Black Hawk Down (2001), then starred in Hulk (2003). In 2002, he was cast as the Trojan Prince Hector in the historical epic Troy (2004), after being recommended by Brad Pitt, who admired Bana for his work in Chopper (2000). In 2005, Bana co-starred with Daniel Craig and Geoffrey Rush in the political drama Munich (2005) directed by Steven Spielberg.
In 1995, he began dating Rebecca Gleeson, a publicist and daughter of Australian High Court Chief Justice Murray Gleeson. The following year, he was named "Bachelor of the Year" by Cleo magazine, and won a trip for two to the United States. He invited Gleeson, and proposed to her during that romantic trip. In 1997, the two were married; their son, Klaus, was born in 1999, their daughter, Sophia, was born in 2002. He currently resides in Melbourne with his wife and their two children. Bana is a passionate supporter of Australian football. He was appointed Member of the Order of Australia at the 2019 Queen's Birthday Honours for his services to the performing arts and to charitable organisations.- Actor
- Producer
- Executive
Hugh Michael Jackman is an Australian actor, singer, multi-instrumentalist, dancer and producer. Jackman has won international recognition for his roles in major films, notably as superhero, period, and romance characters. He is best known for his long-running role as Wolverine in the X-Men film series, as well as for his lead roles in the romantic-comedy fantasy Kate & Leopold (2001), the action-horror film Van Helsing (2004), the drama The Prestige and The Fountain (2006), the epic historical romantic drama Australia (2008), the film version of Les Misérables (2012), and the thriller Prisoners (2013). His work in Les Misérables earned him his first Academy Award nomination for Best Actor and his first Golden Globe Award for Best Actor - Motion Picture Musical or Comedy in 2013. In Broadway theatre, Jackman won a Tony Award for his role in The Boy from Oz. A four-time host of the Tony Awards themselves, he won an Emmy Award for one of these appearances. Jackman also hosted the 81st Academy Awards on 22 February 2009.
Jackman was born in Sydney, New South Wales, to Grace McNeil (Greenwood) and Christopher John Jackman, an accountant. He is the youngest of five children. His parents, both English, moved to Australia shortly before his birth. He also has Greek (from a great-grandfather) and Scottish (from a grandmother) ancestry.
Jackman has a communications degree with a journalism major from the University of Technology Sydney. After graduating, he pursued drama at the Western Australian Academy of Performing Arts, immediately after which he was offered a starring role in the ABC-TV prison drama Correlli (1995), opposite his future wife Deborra-Lee Furness. Several TV guest roles followed, as an actor and variety compere. An accomplished singer, Jackman has starred as Gaston in the Australian production of "Beauty and the Beast." He appeared as Joe Gillis in the Australian production of "Sunset Boulevard." In 1998, he was cast as Curly in the Royal National Theatre's production of Trevor Nunn's Oklahoma. Jackman has made two feature films, the second of which, Erskineville Kings (1999), garnered him an Australian Film Institute nomination for Best Actor in 1999. Recently, he won the part of Logan/Wolverine in the Bryan Singer- directed comic-book movie X-Men (2000). In his spare time, Jackman plays piano, golf, and guitar, and likes to windsurf.- Actor
- Producer
- Writer
Ryan Rodney Reynolds was born on October 23, 1976 in Vancouver, British Columbia, Canada, the youngest of four children. His father, James Chester Reynolds, was a food wholesaler, and his mother, Tamara Lee "Tammy" (Stewart), worked as a retail-store saleswoman. He has Irish and Scottish ancestry. Between 1991-93, Ryan appeared in Fifteen (1990), a Nickelodeon series taped in Florida with many other Canadian actors. After the series ended, he returned to Vancouver where he played in a series of forgettable television movies. He did small roles in Glenn Close's Serving in Silence: The Margarethe Cammermeyer Story (1995) and CBS's update of In Cold Blood (1996). However, his run of luck had led him to decide to quit acting.
One night, he ran into fellow Vancouver actor and native Chris William Martin. Martin found Ryan rather despondent and told him to pack everything: they were going to head to Los Angeles, California. The two stayed in a cheap Los Angeles motel. On the first night of their stay, Reynolds' jeep was rolled downhill and stripped. For the next four months, Ryan drove it without doors. In 1997, he landed the role of Berg in Two Guys, a Girl and a Pizza Place (1998). Initially, the show was reviled by critics and seemed desperate for any type of ratings success. However, it was renewed for a second season but with a provision for a makeover by former Roseanne (1988) writer Kevin Abbott. The show became a minor success and has led to additional film roles for Ryan, most notably in the last-ever MGM film, a remake of The Amityville Horror (2005). Ryan was engaged to Canadian singer-songwriter Alanis Morissette, another Nickelodeon veteran, between 2004-2006.
He has been married to Blake Lively since September 9, 2012. They have three daughters. He was previously married to Scarlett Johansson.- Jamie Campbell Bower was born in London, England, to Anne Elizabeth (Roseberry), a music manager, and David Bower, who works for Gibson Guitar Co. His 4 times maternal great-grandfather was Sir John Campbell, the 7th Baronet of Ardnamurchan and Airds.
Jamie is also the lead singer in a band called "Counterfeit." He went to Bedales School in Hampshire. Whilst still at school he was told that he had got the part of "Anthony" in "Sweeney Todd: The Demon Barber of Fleet Street," which he was recommended to audition for by family friend, Laura Michelle Kelly. Bower later went on to star in RocknRolla (2008) as "Rocker," directed by Guy Ritchie. He will make his next on-screen appearance as "Caius," a member of the Volturi coven, in the tween franchise that is The Twilight Saga: New Moon (2009) alongside actors such as fellow Brit Robert Pattinson and Kristen Stewart. Bower appeared in the third installment of Twilight, The Twilight Saga: Eclipse (2010) and The Twilight Saga: Breaking Dawn - Part 1 (2011). He also joined the "Harry Potter" cast as "Gellert Grindelward" in Harry Potter and the Deathly Hallows: Part 1 (2010) and Harry Potter and the Deathly Hallows: Part 2 (2011). - Actor
- Producer
- Soundtrack
Taylor Daniel Lautner was born in Grand Rapids, Michigan, to Deborah, a software company worker, and Daniel Lautner, a pilot for Midwest Airlines. He and his younger sister Makena were raised in a well-mannered, Roman Catholic household in Hudsonville, Michigan. He is of English, German, Dutch, and Scottish descent. At the age of six, Taylor began studying martial arts at Fabiano's Karate School and he, along with his family, quickly noticed his unique and natural talent for the sport. He was soon invited to train with seven-time world karate champion Michael Chaturantabut (aka Mike Chat) and, at the age of eight, he was asked to represent his country in the 12-years-and-under division in the World Karate Association, where he became the Junior World Forms and Weapons champion, winning three gold medals. In 2003, Taylor continued to flourish in the martial arts circuit where he ranked number one in the world for NASKA's Black Belt Open Forms, Musical Weapons, Traditional Weapons, and Traditional Forms and, at the age of 12, he became the three-time Junior World Champion.
However, in addition to his love for martial arts, Taylor quickly developed a love for acting at the age of seven years old when his martial arts instructor, who was involved in show business, encouraged him to audition for a small appearance in a Burger King commercial. Although he was unsuccessful, he enjoyed the experience so much that he told his parents that he wanted to pursue a career in acting. Soon, he and his family were traveling back and forth from their home in Michigan to California so Taylor could regularly audition for acting roles. When Taylor was 10, with the frequent traveling and air fares starting to become overwhelming, his family made the crucial decision to relocate to Los Angeles, where Taylor would have the advantage of being able to audition for films, television, and commercials full-time.
Once Taylor moved with his family to Los Angeles, he found himself landing more and more small acting roles. He booked many occurring roles on various television shows such as My Wife and Kids (2000), Summerland (2004), and The Bernie Mac Show (2001). Taylor also found himself becoming successful in films as well. In 2005, he landed the role of Sharkboy in the family blockbuster flick, The Adventures of Sharkboy and Lavagirl 3-D (2005), and the role of Eliot Murtaugh in Cheaper by the Dozen 2 (2005). However, it would be one single role that would ultimately change Taylor's life forever. In 2008, Taylor auditioned for the iconic role of werewolf hunk Jacob Black in the record-smashing, blockbuster hit Twilight (2008). With the sudden and unexpected success of the film, Taylor, along with fellow cast members Robert Pattinson and Kristen Stewart, found himself being propelled into a world that would forever change his life and his career.
Taylor has continued to portray Jacob Black in the following film adaptations of The Twilight Saga as well as branch out into other roles and films, such as the star-studded romantic comedy Valentine's Day (2010) and the action-packed thriller Abduction (2011). Taylor Lautner has quickly become one of the most famous, talented, and successful young Hollywood actors thanks to the blockbuster success of the Twilight (2008) films. It has quickly been established by this young man's diverse and gifted talent that we will continue to be his audience for many years to come.- Actor
- Producer
- Camera and Electrical Department
Jeremy Robert Myron Sumpter was born on February 5, 1989 in Monterey, California, to Sandra (Johnson) and Gary Sumpter. He was raised in his mother's hometown, Mount Sterling, Kentucky. At a young age, he enjoyed mountain climbing and play with his friends like any other normal kid, but when he went to Lexington, Kentucky, to model, he won the numerous awards and met his manager Mark Robert. Soon after that, Jeremy, his twin sister Jessica Sumpter, his little sister Gigi Sumpter, and his mom and dad moved to Los Angeles, California.
Jeremy's first movie was Frailty (2001), in which he played young Adam Meeks, opposite Bill Paxton and Matthew McConaughey. "Bill had been one of my favorite actors so to be able to work with him was unbelievable," says Jeremy. The adult Adam Meeks was played by Matthew McConaughey. His next movie was Local Boys (2002).
Jeremy was chosen by Danny Glover to play Henry Sturbuck in the Showtime original film Just A Dream. "Working with Danny was great, we had a great time filming in a small town in Utah," explains Jeremy. Jeremy received the "Best Performance in a TV Movie, Mini-Series or Special - Leading Young Actor" from the Young Artist Awards. Jeremy was able to use his surfing skills on his next film, "Local Boys." This coming of age film was shot on location in southern California. "This was a hard film to shoot since we were surfing at the beach almost everyday and there were all these girls around in bikinis," jokes Jeremy.
After a worldwide search, Jeremy was chosen to play "Peter" in the P.J. Hogan film Peter Pan (2003). This was one of the most coveted roles in films for a teen actor in recent years. "It was a part that I really wanted," says Jeremy, "since I'd be able to fight pirates and fly around the stage on wires." Jeremy trained extensively in sword fighting and gymnastics prior to shooting the movie in Australia. Clubhouse (2004) was Jeremy's first television series, a dream role since he had always loved baseball and played little league when he was younger. Jeremy was cast in the role of Justin in Cyber Seduction: His Secret Life. After wrapping, he immediately went on to star in The Sasquatch Dumpling Gang in Oregon. A lot of the people from Napoleon Dynamite were involved in the film and it was a lot of fun for him to shoot. Jeremy shot "Calvin Marshall" in Oregon.
Jeremy Sumpter shot the Warner Bros./New Line big budget film "Into the Storm" and the independent feature film "Animal."
"The Squeeze," a feature film which was released in 2015 and starred Jeremy and Christopher McDonald. They teed off in a high stakes gambling matches careening throughout the South and landing in Las Vegas. Jeremy was also Co-Producer.
Jeremy recently shot Take Down" which is being distributed around the world.
In the future, Jeremy hopes to also work behind the camera as a director and producer. In his spare time, he surfs, plays basketball, football, golf and shoots pool.childhood crush :)- Actor
- Producer
- Director
Channing Tatum was born in a small town, Cullman, Alabama, 50 miles north of Birmingham. He is the son of Kay (Faust), an airline worker, and Glenn Matthew Tatum, who worked in construction. Growing up, he was full of energy and somewhat troublesome, so his parents decided to enroll him in different sports such as track and field, baseball, soccer, and football to keep him out of trouble. In the ninth grade he was sent to Catholic school. It was there that he discovered his passion for football and his hopes became centered on earning an athletic college scholarship. Channing's goal was finally met, and in his senior year in high school, he was recruited and earned a full athletic college scholarship to a school in West Virginia.
Tatum is also skilled in Kung Fu and in Gor-Chor Kung Fu, a form of martial arts, in which he has earned belts. Channing later left college and, in the meantime, worked as a construction worker, a stripper, a mortgage broker and salesman. He has modeled for Abercrombie & Fitch, Nautica, Gap, Aeropostale, Emporio Armani, and has been featured in television commercials for American Eagle, Pepsi, and some very popular Mountain Dew commercials.
Channing can be seen on the big screen as a featured actor in Coach Carter (2005), in which he plays a high school basketball player. He was also in the very popular TV series CSI: Miami (2002) where he played the role of Bob Davenport.- Actor
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McAvoy was born on 21 April 1979 in Glasgow, Scotland, to James, a bus driver, and Elizabeth (née Johnstone), a nurse. He was raised on a housing estate in Drumchapel, Glasgow by his maternal grandparents (James, a butcher, and Mary), after his parents divorced when James was 11. He went to St Thomas Aquinas Secondary in Jordanhill, Glasgow, where he did well enough and started 'a little school band with a couple of mates'.
McAvoy toyed with the idea of the Catholic priesthood as a child but, when he was 16, a visit to the school by actor David Hayman sparked an interest in acting. Hayman offered him a part in his film The Near Room (1995) but despite enjoying the experience McAvoy didn't seriously consider acting as a career, although he did continue to act as a member of PACE Youth Theatre. He applied instead to the Royal Navy and had already been accepted when he was also offered a place at the Royal Scottish Academy of Music and Drama (RSAMD).
He took the place at the RSAMD (now the Royal Conservatoire of Scotland) and, when he graduated in 2000, he moved to London. He had already made a couple of TV appearances by this time and continued to get a steady stream of TV and movie work until he came to attention of the British public in 2004 playing car thief Steve McBride in the successful UK TV series Shameless (2004) and then to the rest of the world in 2005 as Mr Tumnus, the faun, in Disney's adaptation of C. S. Lewis's The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005). In The Last King of Scotland (2006) McAvoy portrayed a Scottish doctor who becomes the personal physician to dictator Idi Amin, played by Forest Whitaker. McAvoy's career breakthrough came in Atonement (2007), Joe Wright's 2007 adaption of Ian McEwan's novel.
Since then, McAvoy has taken on theatre roles, starring in Shakespeare's 'Macbeth' (directed by Jamie Lloyd), which launched the first Trafalgar Transformed season in London's West End and earned him an Olivier award nomination for Best Actor. In January 2015, McAvoy returned to the Trafalgar Studios stage to play Jack Gurney, the delusional 14th Earl of Gurney who believes he is Jesus, in the first revival of Peter Barnes's satire 'The Ruling Class', a role for which he was subsequently awarded the London Evening Standard Theatre Award's Best Actor.
On screen, McAvoy has appeared as corrupt cop Bruce Robertson in Filth (2013), a part for which he received a Scottish BAFTA for Best Actor, a British Independent Film Award for Best Actor, a London Critics Circle Film Award for British Actor of the Year and an Empire Award for Best Actor. More recently, he reprised his role as Professor Charles Xavier in X-Men: Days of Future Past (2014), X-Men: Apocalypse (2016) and X-Men: Dark Phoenix (2019). He began his depiction of Kevin Wendell Crumb, also known as The Horde, a man with an extreme case of dissociative identity disorder in M. Night Shyamalan's thriller Split (2016) and continued it in the sequel, Glass (2019). Also in 2019, he played Bill Denbrough in It Chapter Two (2019), the horror sequel to It (2017).
McAvoy and Jamie Lloyd look set to continue their collaboration in December 2019, with a production of 'Cyrano de Bergerac' at the Playhouse Theatre in the West End, London. The project has been on the cards as long ago as 2017, when McAvoy posted a picture of him reading the script and wearing a false nose.- Actor
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- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.A YOUNG Marlon Brando was breathtaking- Ryan Lochte was born on 3 August 1984 in Rochester, New York, USA. He is an actor, known for 30 Rock (2006), 90210 (2008) and All I Wish (2017). He has been married to Kayla Rae Reid since 9 January 2018. They have three children.
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Ryan Ross was born in Las Vegas, Nevada in the summer of 1986 to Cynthia Ross Foresta and the late George Ryan Ross II. His parents separated when he was young and growing up, he struggled with his father's alcohol dependency. Several of his earlier song works recount events surrounding his father's addiction. He was a member of the wildly successful cult band, Panic! at the Disco from their formation in 2004 until his departure from the band in June of 2009, where he cited creative differences. From that time until December of 2010, he was a member of the now defunct band, The Young Veins with former Panic! at the Disco band mate, Jon Walker. He has not been particularly active in the music scene since the band's breaking up. Ross currently resides in Echo Park, Los Angeles. He remains friends with his former band mates.- Actor
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Liam Hemsworth was born on January 13, 1990, in Melbourne, Australia, and is the younger brother of actors Chris Hemsworth and Luke Hemsworth. He is the son of Leonie (van Os), a teacher of English, and Craig Hemsworth, a social-services counselor. He is of Dutch (from his immigrant maternal grandfather), Irish, English, Scottish, and German ancestry. His uncle, by marriage, was Rod Ansell, the bushman who inspired the film Crocodile Dundee (1986).
The Hemsworth family lived primarily on Phillip Island, a small island located south of Melbourne. Following in the footsteps of his older brothers, who went into acting in their teens, Liam scored his first audition at age sixteen and appeared on the Australian TV series Home and Away (1988) and McLeod's Daughters (2001) before taking on a recurring character role on the soap opera Neighbours (1985), in which his brother Luke had also appeared. Roles on TV shows The Elephant Princess (2008) and Satisfaction (2007) followed before Liam moved to the United States to pursue a big-screen career.
After suffering two setbacks - his character was written out of the script for The Expendables (2010) days before filming and he lost the title role of Thor (2011) to his brother Chris - Liam was cast opposite Miley Cyrus in the Nicholas Sparks drama The Last Song (2010). The two, who played love interests in the film, soon started dating, and Liam appeared in Cyrus' music video "When I Look at You." Following that film's modest commercial success, and the attendant press coverage of his rising career and high-profile romance, he was almost immediately thrust into leading man status, and was cast as Gale Hawthorne in the big-screen adaptation of the best-selling novel The Hunger Games (2012). Following the blockbuster success of that film, Liam nabbed a number of roles, including a supporting part in The Expendables 2 (2012) and leading roles in the war drama Love and Honor (2013), the crime drama Empire State (2013), and the thriller Paranoia (2013). He reprised the role of Gale Hawthorne in The Hunger Games: Catching Fire (2013), The Hunger Games: Mockingjay - Part 1 (2014), and The Hunger Games: Mockingjay - Part 2 (2015), played a hero fighter pilot in Independence Day: Resurgence (2016), a period Australian in The Duel (2016), and a romantic comedy archetype opposite Rebel Wilson in Isn't It Romantic (2019).
Hemsworth married American singer and actress Miley Cyrus in December 2018, after a decade-long courtship.- Music Artist
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Tim McGraw has sold more than 90 million records worldwide and dominated the charts with 46 worldwide No. 1 singles and 19 worldwide No. 1 albums. He's won 3 Grammy Awards, 21 Academy of Country Music Awards, 14 Country Music Association Awards. His iconic career achievements include being named BDS Radio's Most Played Artist of the Decade for all music genres and having the Most Played Song of the Decade for all music genres. He is the most played country artist at radio since his debut in 1992, with two singles spending 10 weeks or more at No. 1. Known for his high energy concerts, he is one of the top touring artists of all time including the record-setting "Soul2Soul" tours with his wife, Faith Hill. An acclaimed actor, McGraw starred in and narrated the hit movie "The Shack" and co-wrote and performed the closing credit song for the Oscar winning documentary "Free Solo." His other movie credits include blockbuster hits "Friday Night Lights" and "The Blind Side. McGraw starred beside Sam Elliott and his wife Faith Hill in the Yellowstone prequel and three-time Emmy nominated 1883. McGraw has co-authored two New York Times Best Selling books, Songs of America: Patriotism, Protest and the Music that Made a Nation with Jon Meacham and fitness book Grit & Grace: Train the Mind, Train the Body, Own Your Life. As part of the host committee, McGraw welcomed the largest outdoor crowd in Nashville history to his performance at the 2019 NFL Draft. He also appeared in the NFL Tailgate Party for Super Bowl LII and the College Football Playoffs 2020. His newest single, "Standing Room Only," just launched with the most first-week streams of any track in McGraw's career.- Music Artist
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Blake Shelton was born on 18 June 1976 in Ada, Oklahoma, USA. He is a music artist and actor, known for The Ridiculous 6 (2015), The Do-Over (2016) and Footloose (2011). He has been married to Gwen Stefani since 3 July 2021. He was previously married to Miranda Lambert and Kaynette Gern.- Actor
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William Levy was born on 29 August 1980 in Havana, Cuba. He is an actor and producer, known for Resident Evil: The Final Chapter (2016), Addicted (2014) and Montecristo (2023).