- 2020s
- 2010s
- 2000s
- 1990s
- 1980s
- 1970s
- 1960s
- 1950s
- 1940s
- 8.8 (2.7M)
- 7.6 (367K)
- 8.8 (2.7M)
- 7.5 (414K)
- 8.3 (930K)
- 7.6 (367K)
- 8.0 (858K)
- 8.8 (2.7M)
- 8.0 (721K)
- 7.5 (414K)
- 8.0 (858K)
- 8.0 (721K)
- 8.0 (721K)Lee Walpole(supervising sound editor)Paul Hamblin(re-recording mixer)Martin Jensen(re-recording mixer)John Midgley(production mixer)
- * Director/Writer
- 7.3 (2.2K)* Director, Producer
- 7.9 (70K)* Director, Producer
- 6.3 (100K)* Director/Writer
- 6.7 (2.1K)* Director/Writer
- 6.0 (50)
- 6.7 (208)Samuel Abrahams(director)Beau Gordon(producer)
- 6.3 (110)
- 6.6 (47)
- Paul J. Franklin(vfx supervisor)Chris Corbould(special effects supervisor)Pete Bebb(vfx supervisor)Andrew Lockley(vfx supervisor)
- 8.0 (858K)Dan Schrecker(vfx supervisor)Brad Kalinoski(compositing supervisor)Henrik Fett(additional vfx supervisor)
- 7.6 (609K)
- 8.1 (842K)
- 8.0 (858K)
- 8.0 (721K)
- 7.1 (16K)
- 7.6 (367K)
- Valli O'Reilly(Make Up)
- 8.0 (858K)Judy Chin(make up designer)Geordie Sheffer(hairstylist)
- 8.0 (721K)
- 8.0 (858K)
- 8.0 (721K)
- 7.6 (367K)
- Posthumously.
- Winner
- Winner
- Winner
- 7.5 (414K)
- 6.4 (455K)
- 8.1 (842K)
- 8.8 (2.7M)
- Winner
- Winner
- 8.7 (234K)
- 8.0 (830)
- 9.0 (1M)For episode 'A Study in Pink'
- 8.7 (689K)
- 7.8 (2.4K)
- 8.0 (830)
- 8.3 (15K)
- 7.8 (2.4K)
- 8.0 (830)
- 7.9 (7.6K)
- 6.5 (199)For episode 'Catherine Tate's Little Cracker'
- For episode "A Study in Pink"
- For episode 'The Battle for Haiti'
- For episode 'Arctic'
- For episode 'Empire of the Sun'
- For episode 'The Thin Blue Line'
- For the live episode
- 8.7 (234K)
- 8.0 (830)
- 8.3 (15K)
- For episode 'Arctic'
- 6.5 (263)For episode 'The Battle for Haiti'
- 8.7 (4.8K)For episode 'Empire of the Sun'
- 8.4 (1.8K)Peter Miller(editor)
- 6.8 (54)
- 8.6 (35K)
- 7.2 (2.3K)
- 8.5 (83)
- 7.8 (71)
- 8.2 (18K)
- 8.5 (171K)
- 6.8 (159K)
- 8.4 (98K)
- 7.8 (3K)
- 8.7 (70K)
- 8.2 (110K)
- 7.6 (10K)
- 7.8 (2.4K)
- 8.7 (234K)
- 7.6 (10K)
- 7.4 (753)
- 6.9 (204)
- 6.7 (5.1K)Production Team
- 8.0 (830)Peter Bowker(writer)Victoria Wood(executive producer)Tim Bricknell(producer)Jonny Campbell(director)
- Production Team
- Paul Paragon(Sound Mixer)
- 8.3 (2.3K)Graham Headicar(supervising sound editor)Stuart Hilliker(re-recording mixer)Matthew Skelding(sound editor)Simon Clark(sound mixer)
- Will Cohen(vfx executive producer)Barney Curnow(vfx supervisor)Marie A. Jones(vfx producer)Nicolas Hernandez(cgi supervisor)
- 7.4 (753)
- 7.5 (14)
- 8.4 (1.8K)Paul Williams(Cameraman)Pete Hayns(Cameraman)
- 9.0 (30K)For episode 'Jungles'
- 9.0 (30K)For episode 'Oceans'
- 8.5 (83)
- 7.1 (3.7K)Andy Devonshire(series director)Mark Saben(series editor)Stephen Day(senior editor)James Clarke(camera)
- 8.2 (18K)
- 8.7 (234K)
- 9.0 (1M)
- 5.1 (399)
- 8.4 (31K)
- Richard Bradley(executive producer)Caroline Norris(series producer)Dominic Brigstocke(director)Steve Connelly(director)Production Team
- Paul Seed(director)John Chapman(producer)
- 7.6 (21)Robin Mukherjee(writer)Paul Wilmshurst(producer/director)Tim Compton(script editor)Tony Wood(executive producer)
- Winner
- Jon Foster(Writer)James Lamont(Writer)
- 8.7 (6.5K)
- Rob Hyde(Series Producer)James Morgan(Director)
- 5.5 (304)
- 8.4 (8K)
- 7.4 (3.1K)
- 9.0 (3.3K)
- 8.2 (6.9K)
- 9.5 (22K)
- 8.2 (11K)
- 8.6 (8.2K)
- 8.2 (6.9K)
- 9.5 (22K)
- 8.7 (18K)
- 8.6 (8.2K)
- 8.8 (3.7K)
- 8.3 (201)
- 8.0 (958)
- 5.8 (8)
- 8.4 (8K)
- 8.2 (11K)
- 9.5 (22K)
- 8.9 (15K)
- 7.7 (546)
- 7.9 (3.8K)(XBLA)
- 8.8 (3.7K)
- 8.4 (8K)
- 7.6 (59)
- 8.2 (6.9K)
- 8.7 (18K)
- 8.6 (8.2K)
- 6.5 (43)
- 7.3 (88K)
- 7.1 (16K)
- 7.4 (32K)
Also known as
- BAFTA Interactive Entertainment Awards
- British Academy of Film and Television Arts Awards
- British Academy of Film and Television Arts Children's Awards
- British Academy of Film and Television Arts Children's Film & Television Awards
- British Academy of Film and Television Arts Television Awards
- Orange British Academy Film Awards
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Event location
England, UK