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1-37 of 37
- The first kiss of a transgender teenager.
- She walks the paths of adolescence with courage to live out her desires. And in the encounter with the unexpected she runs, confident on his own feet.
- Gabriel discovers he has HIV and he decided to tell everyone.
- Rose should have the perfect life. But after discovering that she was being cheated by her husband, what was emptiness becomes ruins. In an attempt to start over, to rediscover yourself and the people she loves, Rose ends up finding fuel in the most unusual source: The plot twists of the soup opera 'The Love of Catarina', the new national fever.
- Time is like a sheet of paper folding on itself, uniting two extremes on the same surface. The film stems from the encounter between three generations of women, in which two of them, granddaughter and grandmother, are the threads that sew the story of the woman in the middle: the figure of both mother and daughter. A film tribute to the bonds of care that emerge when language no longer exists, yet the physical memory of affection still persists.
- The cave is a fantasy/drama short film that explores paradoxical feelings that permeate the relationship between mother and daughter which, beyond the love and care, share the same obscurities.
- A possibility arises in Fernanda's life for her to reconstruct her own image. This happens because of a job offer that awakens in her the affection she had for her mother during childhood. But Fernanda, who is always having to negotiate her identity with the outside world, will go through yet another test.
- Non-communication can emerge through different ways, whether by conflict, language, or culture. In Giuliano Robert's film it happens through the interference of speech: a hearing mother describes the beginning of a communication process with her deaf son. Based on the mother's experiences, Márcia, the documentary is conducted by her son, Giuliano, in search of a connection with a culture which, through lack of information and access, silences other modes of communication.
- Cristian Nazario abandoned his family to climb Mount Everest and now returns home with terminal cancer. His homecoming brings to light his troubled family relationship and Brazil's social situation: he is the fourteenth Brazilian to have climbed Mount Everest, but the first black man among them.
- Brazil's festive ceremonies take place at the host cities in the 2014 World Cup. Luana wanders on the streets recycling trash and trying to explain the world to her six children.
- Lúcio and his family live in a seaside village and endure the daily psychological violence of their father, Jorge. Lucio loves mermaids and on his birthday his mother surprises him, but the small joys are hastily curtailed by the man who refuses to accept things as they are.
- The existential crisis of the image haunting humanity.
- Paula lives by herself in a condo. She's sitting on the couch watching TV.The doorbell rings, it's the postman who delivers a box with a sex doll in the inside. From that moment on, lonelyness gives room to fantasy and Paula transforms - lady's accessories give place to the charachter's homoerotic fantasies.
- A Portuguese visual artist, actor, musician and poet raised in Brazil decides to "flee" from society. He decides to live as a hermit among the woods upon a tree for one year without any human contact in this island paradise on Brazilian shore.
- There are those who sleep. There are those who don't. Tormented by insomnia, lack of air, incontinence, intestinal gases, rheumatic pains, nocturnal coughing fits, bronchitis, remorse, fright. Sleepless nights, easy victims for backyard demons, invisible from the street. Nobody sees it, but the backyard ghost is there, attentive. Nobody can free themselves of evil!
- How to exist in a sexist and listener structure? Gabriela, Celma and Klicia, three deaf women with different realities, share their struggles and trajectories in the deaf feminist movement.
- The relationship between a lonely telephone operator and her pet.
- In prison, visits are sacred and a mood of happiness takes over the environment. Antonio (44) is excited to see his wife, Vera (45), and get news about the family. However, as he walks towards the visiting yard, he feels his body freeze, a feeling of pain cuts through his chest and his world begins to crumble as he sees his son, Rodrigo (22), coming out of one of the cells. The father-son relationship is like a field, arid, dry, shattered, and lifeless. This encounter will show unhealed wounds and bring storms in the form of tears.