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- Alice and Paul both study at the Sorbonne University in the Latin Quarter. After a course, Paul who is attracted to Alice, starts talking with her. They share the same ideas about philosophy and today's philosophers but while they go on with their conversation they realize that as far as cinema is concerned they are not at all on the same wavelength: she is all for the New Wave whereas he is definitely mainstream. With such conflicting viewpoints, is it reasonable to think of romance, let alone to consider living together?
- Through this short scene, Jean-Paul Civeyrac tries to recapture the emotions the first spectators of the Lumière films must have experienced while watching scenes of their everyday lives moving on for the first time a white screen. This is 2011, not 1895, although excerpts of articles of that particular year are heard in voice-over. The simple sequence shows Louise, a young woman, who takes a shower, gets dressed, combs her hair, puts on make up, gets into her coat and as she passes the piano, takes a score from it and waves bye bye to her partner whose face can be seen in a round mirror.
- After a night's filming, Françoise, the director is sleeping soundly. But not Anna, her main actress and life companion. She does not feel tired and is in the process of watching the segment of "Germany in Autumn" made by Fassbinder. At a time, she decides to awake Françoise so that she watches the film with her. But she 'd rather go on sleeping. Which irritates Anna, who would like her girlfriend to be more politically committed and produce works commenting on the state of today's world, like Fassbinder did.