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1-7 of 7
- LA LUPA is a documentary that explores the different experiences of motherhood. Some personal adversities reveal the director the desire to be a mother but at the same time they boots her to interpellate and deconstruct herself. Her search develops in the international context of a new feminist wave. Identified with a gender perspective, she travels through three countries that influenced her: her homeland, Argentina, Italy and the country of her maternal grandparents, Norway. In this sentimental journey, she focus in the dominant patriarchal system, contrasting the cultural differences in the role of women, the social realities that propitiate or diminish family development and the encounter with women who inhabit motherhood in different ways, discovering in the nature of a winding and rhizomatic journey to find her own way.
- Javier (38) is a psychologist who meets Ana (38), a high-class scribe who is completely outside to the universe of psychoanalysis. Both coincide in a certain labor burden and the desire to find a partner. After the first departure, they make a trip to the beach of Quequén. Ana will not be able to stop seeing an analyst in Javier, especially since he, without realizing it, allows her to understand what was the conflict that led her to finish with her ex-partner.
- Two women reflect about art while being created.
- Blas Jaime, a retired man from Entre Ríos, Argentina, being 71, publicly revealed, that he is the last heir of the Chaná language, an ethnicity native from South America, that was considered extinct for more than 200 years ago. Pedro Viegas Barros, a researcher and linguist of indigenous languages, validated his tongue and culture. His investigations caused recognition by UNESCO as the last Chaná speaker. Together, they embarked in an odyssey to transcend this cultural legacy with the purpose of it not to vanish as most languages around the world. Could they transcend his legacy?