Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-8 of 8
- An aggressive boy in a poor town grows up in harsh circumstances to face life bravely.
- The story focuses on the three segments of the society which is the upper one, which has the money and the influence, the original one that live in houses where several families staying together , and the very poor ones, and in spite of the differences between these segments, however, there are several common denominators among them .
- Through mordant social commentary and symbolic irony, Amiralay focuses this film on the chicken farming industry in the rural Syrian village of Sadad. He documents the burdened livelihoods of farmers and the economic policies of the government that encouraged industrial egg productions rather than artisanal trades, a switch that ultimately led to the plight of the Sadad's rural peasant class.
- The story exposes a new experience within a simple family that suffers from the problem of distributing tasks and responsibilities among its members. The irony of the matter is that one day it decides that roles will be exchanged between its members, so it begins by switching the position of the father to the position of the mother, so the father remains at home and performs the tasks of the mother such as washing, cleaning and cooking. As for the mother, she goes to her husband's place in his place. As a result, everyone encounters all kinds of problems. This situation is intended by the parents, especially when they leave their children alone and travel to another governorate, in the hope that the children will become in a position of responsibility and think that life is not only for food and drink, but also has many worries and challenges. And that they should strive by themselves to achieve their ambitions through their own fatigue and ability to overcome their circumstances.
- The life and suffering of seven girlfriends in our modern society, as each has her own demands and hopes, from searching for work, to achieving self-fulfillment, human dignity, and balanced living psychologically and socially.
- Quneytra 74 begins with shots of people on the edge of the blasted city of Kuneitra. A woman breaks away from the crowd, makes her way towards the city, speeds up the step, as if to escape from the camera. Filmed on behalf of Syrian TV, the accuracy of Malas' light, shadow, silence and soundscape as essential elements of his cinematic language is evidenced here, as well as his interest in the issues of civil war, territorial war and identity destruction.