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- Six young friends decide that the 2015 spring equinox is a great reason to throw a party. Two of them will prepare the "venue", the other two will get the booze, and the last two will get the weed. And right before midnight, they'll meet at the party to welcome the arrival of spring. Or not, depending on how they handle the situations they find themselves in while trying to run their seemingly simple errands, in which we get to know Zagreb, its life and nightlife, and the characters get to know themselves and each other.
- Two girls, end of Summer and end of their love. A man comes to make some changes in his and their life.
- Between school trouble, mean girl drama, catchy lyrics, and a mysterious blue car, teenage Lena, sometimes distracted or interrupted, tells us the real story behind The Big Fight. But what isn't she telling us?
- During the summer, Karlo moves in with his girlfriend, but the infatuation quickly starts to evaporate. As autumn approaches, their life together becomes repetitive and it seems like the only true pleasure may be found in the past.
- In the middle of the school year Noa is leaving Split for Zagreb, going to his mother's place. Every morning he wakes up due to the same nightmare that happened on Luna's 18th birthday party. In his new class he met Nika and later he fell in love with her. On his first day in school, during the history lesson, while professor is talking about Barbarossa, Noa is receiving flashbacks about Luna's birthday party. Nika realized that something is wrong with Noa, so she is trying to find out from Noa what happened.
- When a friendship breaks, secrets appear, they eventually try to become friends again, but is it everyone's goal?
- THE BOSS (Gazda) is Croatian documentary movie about privatisation, transition and corporations in Croatia. The movie also talks about largest Croatian private company Agrokor which was a media tabu in Croatia until Agrokor's collapse in 2017.
- To make the film Goddaddy was a great challenge, because it covers almost forty years of Milan Bandic's activity, a seemingly hyperactive and Trump-like character of the Croatian political scene. Bandic has been elected six times as the mayor of Zagreb, which is not only the capital city of all Croats, but also the capital city of all Croatian criminals. Three times Milan Bandic has rejected to give us an interview for the film, so we made an audition to find him a double.
- At the outset of the war in Croatia, a Serbian man decides to flee the country, leaving his wife and young son behind.
- Lula and Cica have been best friends since elementary school. When their childhood world is replaced by clubs and partying, each of them handles the adult world differently.
- A group of fans decide to honor Bill Murray by proclaiming the "Republic of Bill Murray" in a library. At first, people welcome their move, looking at it as a charming homage in the form of a club. This changes, however, when a certain Mr. Puding becomes the new president of RBM, turns it into a real state and decides to expand its borders at the expense of neighboring countries.
- Roko and Mirela are friends from Split. A big music festival is taking place in the city and Mirela wants to go.
- Short fragments revolving around several alienated characters and their bleak existence full of loneliness, isolation, despair, rejection and sadness.
- Hana and her small group of friends love to have fun. They are a young trio whose friendship is based on constant mutual flirting, and shallow and superficial conversations. The madness continues until one night their carefree teenage flirting evolves into something more, something that has nothing to do with love.
- Drama about estranged, sexually dysfunctional romantic couple and their sadomasochistic relationship
- After a longer period of separation, Marko picks up his son Vedran to spend the day fishing together. When they arrive at the lake, the tension between them reduces, but Vedran's opening up reveals frustrations that Marko finds difficult to deal with as a father.
- A usual afternoon in a life od 5 yungsters. Location is a local almoust illegal pub in Vrapce, Zagreb. Ivan, Franc, Vacek and Ziljak are waching a footbal game. Unknown man joins. During the game Ivan's club is loosing, and he gets nervous.
- A film director tries to get his lazy main character to do something worthwhile with his life.
- A sexual and emotional cat-and-mouse play between a man and a woman in bed.
- Nineteen-year-old Dominka is in a relationship with the immature, almost twenty years older Zoka. Dominka is still pining after her ex-boyfriend and her relationship with Zoka is doomed to endless mind games and power play.
- A mother and son live alone. Her behavior is nervous, sometimes even rough. One day they visit a local shopping center, where the boy suddenly disappears.
- Art student in search for his angel.
- Danka is moving to Germany for work. She is leaving her nine-year-old daughter in the care of the child's grandmother, Danka's mother. The film takes place on the day before Danka's departure, revealing the troubled relationship between the two women.
- A short documentary film about dog exhibitions in Croatia.
- In an effort to overthrow the longstanding mayor and presumed criminal Klaudio Vitasovic, the young man Denis Sgagliardi gathers a small group of people and decides to run for the 2013 local elections in Vodnjan, Croatia.
- Duje and Antonija spend their time in quarantine performing daily rituals and activities around which their lives revolve within four walls.
- Nothing to eat Post war. The family will do anything to survive.
- A woman and her boyfriend are driving her grandpa to the city. During the ride, they talk, touching on some family issues.
- An observational film arranged as a series of accidentally caught street scenes shot through the window of an apartment. The author places the viewer in the position of an everyday voyeur, a position sometimes awkward but very attractive, a position in which it is difficult to refuse to participate. Damir Radic records 'life itself', as it happens and takes place spontaneously, approaching as much as possible the position of the camera and the cameraman as a neutral, elusive, objective observer.