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- Set in a post apocalyptic landscape 28 thousand years into the future, "Future World: City of Mass Destruction" is an amazing vision of the last city on earth. After four atomic holocausts and the second Ice Age, only one city remains on our ravaged planet - a city on the edge of insanity, overrun by mutants and madmen, and largely controlled by the tyrannical Devoz Corporation. This dying metropolis is mired in the throes of a power struggle amongst the city's final three corporate dynasties. The surviving corporation must in the end turn to a tribe of Amazon warrior women it once tried to destroy to save their dying planet. Visionary director Daniel E. Falicki guides you through a world of lesbian warriors, insufferable Grugs, a vicious Spider Queen, and a Blue Genie with loads of "smokable" fun! Are YOU ready to party like it's the year 30,000? Then take a trip to FUTURE WORLD! A cutting edge rotoscoped feature in the style of Ralph Bakshi's "Heavy Metal," "Future World: City of Mass Destruction" is sure to become a cult classic.
- In December 1900, three Scottish lighthouse keepers vanished from their remote post on Flannan Isle. Was there an altercation? Did they encounter the ghosts of Viking raiders? Were they lured by selkies into the sea? Only the Relief Keeper knows the truth behind the mystery.
- A lonely sculptor, disconnected from the time and place around him, seeks solace and answers in the history and mythology of Ireland, while working on his latest piece.
- Dating dummy Ronnie can't get a break until she walks in, but one furry obstacle stands between him and true love.
- J.D. Strickland is a bestselling author, who also happens to be a skeleton. He has fame, money, and runaway success. However, he isn't feeling creatively fulfilled. He wants to leave behind his popular series of "Skeleton Books" ("Skeleton In Space," "Skeleton of the Sahara," Dial S ... for Skeleton!") and write a novel about real people, living real lives; he longs to finally be what he's always dreamed of being: "a voice for those in the world who have no voice to tell their own stories." His publisher, though, is none too happy about this. Will our bony, literary hero find a way to appease his creative spirit, or will he be forced to sell out by those who control his creative strings?
- A old man tinkers with a miracle in his workshop.