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1-50 of 59
- A kidnapper has to settle a personal score with an influential businessman whose daughter he has kidnapped.
- Kimmy slips his way to a sunroof
- Wishing to dispose of his wife, psychiatrist Doctor Elliott makes his patient Nina think that she suffers from a compulsion to kill. He drugs Nina, murders his wife and leaves evidence that points to Nina. The latter, pre-conditioned by Elliott, also thinks she is guilty.
- A closer look at the film's two most critical characters and the actors who portray them.
- A closer look at the main cast's work, including Denzel Washington, Chloë Grace Moretz, and Marton Csokas.
- An exploration of the film's villain, Teddy: the character's background, the character's complexity and unpredictability, Marton Csokas' performance, and more.
- This piece focuses on where the Gwen Stacy character goes in the film with her relationship with Peter Parker.
- The cast and crew of acclaimed TV series "Better Call Saul" offer up their predictions for how the show will end.
- A well-spoken piece that looks at the film project's origins, the questions the films asks, the deeper themes that run through the movie, shooting in Canada, depicting Heaven, casting and characters, the film's inspirational notes, and more. It includes comments from writer/director Randall Wallace, producers TD Jakes and Joe Roth, Todd and Sonja Burpo, production designer Arv Grewal, Columbia Pictures Senior VP of Production DeVon Franklin, and actors Greg Kinnear, Kelly Reilly, Margo Martindale and Thomas Haden Church.
- Writer-Director David Ayer goes inside the human carnage with the make-up and prosthetics team on FURY to see how they did it. and hear why Ayer thought it was so crucial to show the ugly truth on film.
- Denzel Washington suggested Antoine Fuqua to direct the film. The piece looks at Washington's work to discover the character beyond action, the nuance and detail of his performance, Washington's trust in his director, crafting the "Equalizer Vision" moments, and more.
- Creating the "hyper real" and "grounded" action and Denzel's performance thereof. It also briefly explores the tools and advantages the hardware store brings to his violent repertoire.
- This is a three-part documentary (i.e. Spirit of Vengeance, Spirit of Adventure and Spirit of Execution) which mixes behind the scenes materials and interviews. The program opens with info about bringing Ghost Rider to the big screen, the script and story, cast and Nicolas Cage's interest in the project, the flick's tone and its motorcycles. From there it digs into sets, characters, costumes and makeup, music, shooting in Australia, cinematography, and stunts. In addition, it looks at visual effects, editing, score, and other aspects of post-production. It essentially follows the production in chronological order. It detours for related issues but stays connected to the shooting schedule. For instance, a scene that highlights Roxanne offers our introduction to Mendes. Part Three of the program mostly drops the interviews to completely follow the "fly on the wall" approach. We watch the various post-production stages without any commentary and just see them as they happen. Though this means we lose many overall thoughts on those issues, we get a nice sense of immediacy.
- This piece deals with the 8-day re-shoot to replace Kevin Spacey, including cast and crew response and the technical details and challenges of the process.
- This short offers notes from writer/director David Ayer, senior military advisor Kevin Vance, WWII veterans George Smilanich, Don Evans, Paul Andert and Ray Stewart, military advisor David Rae, and actors Jon Bernthal, Brad Pitt, Logan Lerman, Shia LaBeouf, and Michael Pena. It looks at the actors' training and preparation as well as reflections on WWII experiences.
- Foy discusses her connection to the character, how portraying Queen Elizabeth helped her with this part, piercings and tattoos, and more. Cast and crew further discuss her credentials, capabilities, performance, physical work, and fun on the set.
- This piece features the crew discussing the challenges of the current state of 3D filmmaking and the advantages of converting the 2D image in post-production.
- A look at how the city plays within the movie and how it is depicted in it. It explores geography and location details as well.
- A quick exploration of the blending of in-camera and digital effects and the positives each bring to the movie.
- How the movie's unique music reflects the blind man's and the house's personalities.
- A history lesson on the Allies' capture of a Tiger tank during the war and shooting with an authentic Tiger tank in filming the movie.
- The filmmakers discuss the challenges of creating Heaven for the film. It includes info from Wallace and visual effects supervisor Dan Levitan as they tell us how the film brought Colton's vision of heaven to the screen.
- This piece examines the construction of a fake museum suitable for shooting the intense, bloody, and bullet-ridden action sequence.
- features a glimpse into the segment of the film shot at the famed Volkswagen location.
- This short presents info from Smith, Ayer, Pitt, Bernthal, Pena, tank supervisor Jim Dowdall, production designer Andrew Menzies, tank production assistant Thomas Turner, and Bovington Tank Museum curator David Willey as they examine the tanks used in the film as well as how the actors worked in them.
- This piece offers a closer examination of the film's core cast and the characters they portray, including some emphasis on the real people on whom they are based.
- This piece looks at crafting a tank interior set and explores the duties of every man inside the tank. Michael Peña guide viewers through the tank's inner workings and there are a few additional insights into life in the tank as well.
- The Burpo family recounts the story and share why they believe it.
- Dylan Minnette and Ryan Lee share a few thoughts on Jumanji.
- A discussion of the advantages and disadvantages of Tiger and Sherman tanks on the battlefield. It also explores battlefield tactics.
- This includes info from veterans Evans, Smilanich, Anderts and Stewart as well as Ayer. Mostly we learn of the veterans' experiences during WWII.
- We find statements from cast and crew as a production diary that highlights footage from the set.
- Here we find remarks from cast and crew on the look at the various locations found in the film as well as the production design and visual choices.
- A brief catch-all in which cast and crew discuss the pluses of working with Ridley Scott, shooting locales, narrative details, research and the real history behind the story, cast and performances, costumes, score, cinematography, and more.
- A quick, closer look at McCall, including the good inside the character and his willingness to dole out punishment to evildoers.
- This piece takes a look at the decision to craft a sequel where one was arguably not really called for. That use of "franchise" might be a bit premature, or alternatively at least a bit troubling.
- This piece offers a look at a few of the movie's biggest stunts.
- A look back at the Fincher film, "resetting" with Spider's Web, remaining faithful to the characters, the film's settings, Alvarez's direction, the picture's visuals and tone, production design, score, and more.
- A short piece that explores the movie's web-slinging and action scenes.
- A piece exploring Sony's and the production's commitment to the environment.