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- In the darker side of Manila-by-night, tribes of youthful gangsters roam the streets in search of quick fixes and precarious thrills. World-weary Tondo throbs to the beat of of hiphop and freestyle gangsta rap, and to the scents and sensations of drugs and sex and violence. We witness this crepus-cular underworld through the eyes of ten-year-old Ebet. We follow him as he witnesses the deadly lives of teen age gang members in Tondo and the events that lead to their explosive confrontation. The Thugz Angels tribe members chance upon a blood-soaked body of a member of another gang. Police arrest a Thugz Angels member for the murder. The murdered teen is a member of the Sacred Brown Tribe, whose leaders vow to avenge their fallen member. They learn that Diablos gang members killed the SBT neophyte. During the wake, SBT members forge a reluctant alliance with the Thugz Angels, and assemble to raid the Diablos lair. The Diablos are older, bigger, and confident of their fighting prowess. They know that they are being targeted for revenge and prepare accordingly. Ebet lurks throughout the story, an enigma that is part innocent child and cynical adult. His loyalties are a mystery, and all that is clear to us is his love for his drug-addicted mother. As the clock ticks towards midnight, guns are loaded, and knives are sharpened. The battle is about to begin! And this is just part of the story. Hailed as a gritty portrayal of Manilas notoriously violent streets of Tondo, Jim Libirans Tribu is an ultra-realist depiction of youth corrupted by violence, death and decay, told documentary-style and punctuated by the poetically-charged street poetry of the cast. Realist Cinema with a social project. The filmmaker employed real-life gang members as lead actors in this film. These gangs were from rival clans working together to finish this difficult project triggered a wave of unification and peace in a large part of Tondo's ghettos.
- Tony knows nothing but tough times, living in the bleak circus of the slums he calls home amongst denizens of the underworld: the crippled pimp, the lonely housewife, the neighborhood gay and his macho father, the prostitutes, the small-time politician, and the Yankee pedophile. This is his story and the story of the world he lives in: a hopeless, closed-in decrepit world gone to seed.
- About a dwarf who is venerated as the son of God by his deeply religious followers in the Philippines.
- A strange and dysfunctional family sits down three times a day to a meal of soil.
- The Pinoy vampire - a bloodthirsty Aswang - stalks the streets of Quezon City in search of fresh victims while attempting to stay one step ahead of a dangerous human predator. Gruesome and grisly murders are our entry point into the psyche of the Aswang of Quezon City. More a meditation on the workings of a disturbed mind than a detective thriller, it nonetheless shows us a cat and mouse mind game. We watch and squirm in terror as the Pinoy vampire strikes again and again.
- Filmed in just one day, Squatterpunk follows an eight year old Slum King named Hapon, a cocky would-be gangster with a Travis Bickle haircut, and his rat-bag minions through one of the thousands of shanty towns that spring up between the cracks in the Manila pavements. The manic collage of stunning hand-held black and white images capture kids being kids as they frolic amidst the cardboard and corrugated walls of home-sweet-home and the surrounding debris, human and otherwise. Like watching infants at play at a car crash, it's a mesmerizing, almost seamless collision of social realism and visual poetry. It's a rush to the heart, too, fueled by the mostly improvised punk score by Khavn's outfit The Brockas. The relentless clang-bang drowns the need for dialog or most background noise, leaving a stark impression without comment and, more significantly, without judgment. A vivid and jarring collection of postcards of innocence at the brink of a short and possibly non-existent adolescence, of simple pleasures amidst appalling squalor, of human junk that society ignores in a country the rest of the world prefers to forget.
- A sturdy man with a dark expression follows a delicate beauty, clad in innocent white clothes, through the streets of Manila. In his attempt to keep her away from the trash and vice of the metropolis, he becomes a murderer. Sometimes he simply stands around with his arms folded, observing people in the streets and unleashing tirades of hatred in the form of an inner monologue. Yet at the same time, he repeatedly proceeds to horrible crimes, which he considers himself chosen to commit.
- A tribute-cum-reformulation-in-film of Philippine National Hero Jose Rizal's poem "Mi Ultimo Adios"
- These boys know the dual essence of rugby: playing football and sniffing solvent. They tell vampire jokes, rap about river deaths, and dive like jack-knives into the murky water. The cruel irony of the hope these children bring.
- The start of the film sets the tone. A tortured man looks as if he will castrate himself. Later he staggers aimlessly and bleeding heavily through the streets of a town that is just waking up. In parallel, the film shows the marital discussions of a couple, with the husband hiding behind the camera.
- Strikingly captivating and accessible short film by someone who tends to make more experimental and raw films, even though the situation in the film is raw enough as it is. We follow Piling, a young soccer fanatic, through a slum district of Manila. No ball or cleats, but a Coke can and flip-flops are the ingredients for a virtuoso demonstration of the football art. Only at the end does it become apparent why the little ball juggler will never be a Ronaldinho.
- Boy meets great white zombie hunter, boy becomes zombie. Zombie meets girl, zombie loses girl, girl finds zombie. A Pinoy guerrilla musical love story - with zombies.