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1-50 of 113
- A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
- Radha earns a living begging in order to support herself and her crippled and ailing father. They live in a small tenament, under the constant threat of eviction by their landlord for unpaid rent for several months. One day, while begging, Radha meets a young man, Nirmal Chander, who would like to see her improve her status by getting employment, he even goes to the extent of assisting her find work in a mill. He subsequently invites her over to meet his mother, and asks her to marry him, to which she agrees. Nirmal also seeks the permission of her dad. When he goes to get her to make arrangements for their marriage, he finds her and her dad gone. His attempts to locate her are in vain. Then after several months he finds her living in a small dilapidated hut with a young man named Mastram and a child - she calls her own - but claims that she is unmarried. Who is the biological father of this child? Where is he located?
- A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.
- An "untouchable" girl and a Brahmin boy fall in love, but the strict caste system and the gossip of the villagers threaten to keep them apart.
- Based on Bankimchandra's novel Rajani (1877), this romance addresses property rights. Samar (Kumar) and Tarangini (Sumitra Devi) are childhood lovers. Samar feels betrayed when she obeys her father's decision and marries a wealthy zamindar. When Samar becomes a successful lawyer, he tries to take revenge on Tarangini and marries a blind flower-girl who, he discovers, owns the property on which the zamindar has built his fortune. The plot is complicated by the fact that the blind girl loves Jatin, the zamindar's son.
- When Shekhar comes to know that Rani became disabled because of him, he decides to help her by hiding his real identity.
- Rich guy Puran is not allowed to marry poor girl Asha. Will his Zid (stubbornness) win over the family forms the plot of this film
- Living a poor lifestyle with his widowed mother, Shankar sells toys for a living, but is addicted to alcohol. He is attracted to Parvati, who also lives a poor lifestyle along with her step-brother, Jagat Narayan, his wife, and their daughter, Pushpa. After an argument with his mother, Shankar departs to the city, gives up drinking, earns a lot of money, and returns home just to time to pay off his mortgage. But his world will soon be shattered after he goes to ask for the hand of a now wealthy Parvati. This is where he will be forced to face his past, and ultimately be told that Parvati's marriage has been arranged elsewhere. Unable to live without Parvati, he takes up drinking again and heads on to a path of self-destruction.
- A romantic crime thriller. Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.
- After the death of his wife, a policeman fails to up-bring his only son in a good way and spoils him. This creates serious repercussions once the child becomes an adult.
- In the royal court of Janakgarh Mangal Singh revolts against his sisters husband Maharana Pragat Singh they escape in a temple to save their lives.The prince and his wife is killed by Mangal while his elder daughter manages to escape to her uncle Maharana Kharak Singh for help while the youngest manages to escape the temple and is taken care by a untouchable family and named Ganga (Kamal) .Kharak Singh kills Mangal Singh and gives to his niece.Ganga meets Madhusudan a stone craft artist and falls in love while her sister whose ruling the throne calls Madhusudan for art craft work in palace and also falls in love with him.
- Dilip, spoilt and careless grandson of wealthy Rai Bahadur, is in love with film actress Nayantara and wants to marry her. However, Nayantara wants to marry him only for his wealth. Rai Bahadur totally disapproves this. However, film actor Ashok Kumar knows the truth as he also loves Nayantara. Dilip, unaware of Nayantara's ulterior motives, deceives Rai Bahadur time & again. On a day, Rai Bahadur with the help of his doctor friend, plays a trick. He pretends to be on his death bed and asks Dilip to change his ways. Dilip tries to assure him that he is out of the alliance with Nayantara and is in love with a nice girl who he plans to marry with. Rai Bahadur asks him to bring that girl in. Helpless Dilip ropes in Kiran. Rai Bahadur likes Kiran and hires her to take care of his house and himself until Dilip marries her. Unwillingly, Dilip co-op with the situation but falls in love with Kiran as he is now aware of what Nayantara wants. But he cannot marry Kiran as Nayantara starts blackmailing him at the pretext of some photographs she has in her possession. She threatens to sue Dilip but Ashok Kumar comes in and saves Dilip.
- A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too.The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.
- Two poor homeless siblings have singing talent but are unable to find a job. When they meet the brother of a theatre owner, things start to change a lot.
- International brand ambassador of Sanskrit, Megastar Aazaad created a mega movie titled Aham Brahmasmi to project, promote and protect the oldest ancient Language of the world, Sanskrit which is the first mainstream feature film in world history. 6th September 2019, went as a remarkable day for Indian Cinema, as Capital of India New Delhi and spiritual capital of India Kashi ( Varanasi ) witnessed a historic moment with the first screening of timeless creation Aham Brahmasmi and Sanatani Nationalist Filmmaker Megastar Aazaad marked his great presence among the Sanskrit lovers. The cine lovers had welcome Megastar Aazaad's movie of creating cinematic extravaganza in Dev Bhasha Sanskrit. Viewers of all ages witnessed the mega show with the Writer, Editor, Music Director, Director and lead actor Megastar Aazaad with chanting "Har Har Mahadev", " Bum-Bum Bol Raha Hai Kashi " and "Jayatu Jayatu Sanskritam" as if Aham Brahmasmi is not merely a movie but a cultural maha-yagna. The great purpose of movie is to rejuvenate the ancient language of the world and to create meaningful relevant and thought-provoking cinema. So that the world of today, acquaint with the forgotten languages and traditions. The ambition behind making this cinematic extravaganza is to rejuvenate Sanskrit among common people and unite the global audience by means of cinema. The historical Mega Movie Aham Brahmasmi is produced by Cinematic Giant Rajnarayan Dube's Legendary Film Company The Bombay Talkies Studios along with Kamini Dube, Vishwa Sahitya Parishad, Bombay Talkies Foundation, Aazaad Federation and World Literature Organization. Sanatani Filmmaker Kamini Dube is one of the most eminent female personality of India. After the grand success of first mainstream Sanskrit film in the history of world cinema Aham Brahmasmi, following the mission to promote, protect and strengthen the art, cultural languages and literature through cinematic creations, Megastar Aazaad is coming up with his Tamil venture namely Mahanayakan in one of the world's oldest language to unite the northern and southern part of India. To fill up any gap or remove any barrier of language, Aazaad is here to create a cinematic and rashtradharma for all and is ready with his timeless creation Mahanayakan in Tamil. Filmmaker and Megastar Aazaad has created his cinematic extravaganza Mahanayakan in Tamil to salute and pay respect to the enthusiastic and enlightened cine lovers of south India and has devoted his whole life to the mission of rejuvenating the ancient and forgotten languages worldwide and to unite the lingual division throughout the world by the means of art, literature, and cinematic creations.
- The love story between between the beautiful village belle Radha and Kamal, the son of the village zamindar who wants to be a great poet. The zamindar sends his son to the city where Kamal becomes a noted novelist and playwright while Radha is persecuted by the zamindar and his henchmen Banwari. She feigns suicide but in fact goes to join her beloved in the city (on the same train as the now repentant father). When she eventually reaches Kamal's house, she hears him declaring his love to a woman. Unaware that he is merely reading lines from his latest play.
- This adaptation of Arnold's 1861 Orientalist epic opens with documentary shots of tourists in Bombay watching street performers. Then a white-bearded old man sitting under the bodhi tree tells the tourists the story of Gautama (Rai), son of King Suddodhana (Ukil) and Queen Maya (Bala), who left his consort Gopa (Seeta) and became a wandering teacher credited with founding Buddhism. The religious epic, with its idealized figures, takes up the narrative in flashback and ends with Gopa kneeling before Gautama asking to become his disciple.
- Lata (Devika Rani), daughter of a dancing girl, is brought up by social worker Mathuradas (Prasad) and is engaged to marry the rich Ranjit (Ashok Kumar) when the villain Chand (S.N. Tripathi) arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.
- Nirmala (Devika Rani) is a modern girl - young, beautiful, dressed in the latest fashions, attends college, and is even the only female in an all-male class. She doesn't take second place to the men, besting all but one in the annual exams. She tied with Ramdas (Ashok Kumar). But, at the same time she is tied to the age-old culture, traditions and religion. She yearns for a husband and for motherhood. And this conflict forms the crux of the story.
- The story centers on three college friends: the liberal Vijay, the conservative Loknath and Jagdish.