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1-19 of 19
- An Italian journalist is arrested in Venezuela by the military, accused of being a revolutionary. The journalist, interviewed by the press, says he has no connection with the guerrilla organizations and is thrown into jail and subjected to psychological and physical violence. Then they are thrown into the same cell (a sort of pigsty), a fashion photographer and a guerrilla. The dialogues between the guerrilla and the journalist describe the revolutionary situation in Latin America, but it is more the moral force of the guerrilla who prints on screen the need for armed struggle (of peasants, workers, students ...) in countries oppressed by dictatorships, that the reflections of the intellectual, on the importance of the culture of dissension as an instrument of liberation.
- The merciless decline of a great poet, Dino Campana, author of the Canti Orfici, remembered more for his passionate relationship with Sibilla Aleramo than for the depth of his art. Locked up in an asylum in his early thirties, psychopathic yet brilliant, subjected to the cruel care of a doctor who would really like to rehabilitate him, Campana slides towards death with hallucinating determination, alternating delirium with flashes of lucidity, the memory of Sibilla with a poetic creativity stronger than his alienation.
- The film tells of old Antonio, 81, who refuses to stay in a mental home and walks away. He hits the streets to give a message to people: be yourselves, tell what you think, make love and stop with violence against the weaker members of society. When he realizes nobody will listen, he tries to take his life by holding his breath, but he doesn't succeed.
- On the outskirts of a subterranean metropolis marked by colorful murals, a black boy is injured and then burned in the arson of the social center that housed him.