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1-28 of 28
- Claudia is a young actress. Finally she has been casted for her first leading role in a film based upon a true story: The Schiele-Murderer. While preparing for the role, she meets Sylvia, the real wife of the serial killer who has murdered five young women and draped their corpses to look like paintings by Egon Schiele. Since the murderer has been arrested, his wife now lives in a sanatorium with her little, still traumatized daughter. The fictional script of the film within the film, Sylvia's reports and Claudia's fantasies cause a new chronology of the story - lies create more than one truth.
- TNT, a has-been boxer who never made it to the top, accepts a dodgy deal to fix his last fight but is torn between his pride and his need for money.
- After a car accident a poet is found dead. Was it actually an accident, or suicide? The movie (and in the movie the investigating police inspector) reveals step by step the background and character of the poet: his depressions, his isolation and loneliness, his inability for love.
- Son searches his father.
- Marie Kreutzer's film avoids stereotypes of teenagers. Instead of proceeding from the assumption that having problems is simply part of being 14, the protagonists are shown in the context of their everyday lives. The camera follows Theres, remaining close to her body, her gestures and the objects of her attention. (Maya McKechneay)
- The film is a reflection on the medieval folk tradition of "benandanti" ("good walkers"), who believed they had special powers to fight witches, ogres and demons threatening harvests and children. Who are the "benandanti" of today and who are the witches and ogres of our times? Can these assigned roles be put into question? The film analyses three stories, trying to recover the sense of truth and the truth of the sense, starting from the relations between individuals and the respect that every statement of the human race deserves.
- Amrik Singh ekes out a living delivering newspapers. The news of his mother's death leads to a series of setbacks. The difficult struggle to make it in Europe appears to be lost. Employer Gerhard Haschka places his own mother in the care of Slovakian nurse. Until the death of Miss Haschka, the two women develop an intimacy that Gerhard is incapable of realizing. Gerhard and Amrik never encounter one another.
- The fracture, which originates the relation of the occident between human and nature, between I and world is what, at the same time, presupposes and favours our research of identity. The Trilogy of SILENCE - "Between one flower plucked and the other given the inexpressible nothing" had written Ungaretti - in a cinematographic language of consumed wisdom, accompanied by the noise of the sea breath in systoles and diastoles that unifies everything - speaks about the necessity to retrace the research phases of our Being - of our being subject - to be able to recompose the truth of what we are, through the mask destruction that imprisons our existence.
- Somewhere Else is a portrait of four young people between the ages of 19 and 27, all of whom are survivors of the war in Sarajevo. Sixty minutes of their impressions and conversations from a damaged city: How can one avoid speculation in the face of their struggle to articulate their experiences? At the same time, Barbara Albert is forced to reflect upon her role as a "creator of images."
- The story of three murderers who are trapped in a room that gets filled up with water. Who will survive?
- The former professional dancer Grant McDaniel talks in monologues about the most important moments in his life.
- The Story of two men. Alf is handicaped and losing its power. Bernd is strong, but unable to control his strength.