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Reviews
The End of Poverty? (2008)
A great movie
I was somewhat amused to see the "leftist" criticism of this movie by Barry Freed. I have been involved with Marxist politics since 1967 and can assure IMDb readers that the movie is based on Marx's theory of primitive accumulation. My review begins here:
Scheduled for theatrical release in September 2009, Philippe Diaz's "The End of Poverty?" was a feature presentation at the 2008 African Diaspora Film Festival. After watching this documentary last night, I feel confident in stating that there is no sharper critic of the capitalist system in the film world than Philippe Diaz. This amazing movie not only explains how global inequality has its roots in 1492, but also allows the victims of "Western civilization" to speak for themselves. Indeed, the movie will remind you of Mahatma Gandhi's famous rely to a Western reporter who asked him what he thought of Western civilization. He answered, "I think it would be a good idea."
full: http://louisproyect.wordpress.com/2009/02/26/the-end-of-poverty/
Kong que (2005)
A touching film about China's lower middle-class
Set in 1976 in some unidentified midsize city, "Peacock" tells the story of three young adult members of the Gao family trying to make their way in post-Cultural Revolution China. This is very much a fleeting moment in time when Chinese society is still marked by the austerity of the Maoist era and when foundational beliefs in communism have all but vanished--soon to be replaced by consumerism.
Structured as a kind of trilogy that puts each child successively into the foreground, it begins with the tale of Weihong (Zhang Jingchu), the daughter and youngest child. Returning home one day on her bicycle, she experiences an almost mystical encounter with a group of male and female paratroopers parachuting into a nearby field. When the parachute strings of the squad leader, a handsome man with a Beijing accent (as the subtitle indicates), gets tangled in her handle-bars, she resolves at that moment to become a paratrooper herself. That decision has more to do with the romance of the uniform, an attraction to the squad leader and the esthetics of the blue silk parachute than it does with the legend of the Red Army. Furthermore, the Beijing accent has a certain cachet for Weihong, which for denizens of her city must have the same class connotations that an Oxbridge accent has for somebody living in the East End of London.
After the Red Army rejects her application, she carries a torch both for the handsome squad leader and the numinous parachute. At home she sews together her own parachute, attaches it to the back of her bike like a kite and rides through the streets until unceremoniously crashing into another bike. While she lies semiconscious on the street, an admirer, whom she has rejected in the past, takes the parachute hostage. He will only release it after she has had sex with him in a nearby forest. In this film, love--like all other ideals--comes in short supply.
full: http://louisproyect.wordpress.com/2006/06/16/peacock/
La fille de Keltoum (2001)
Wrenching study of national and gender oppression of Berber peoples
As part of First Run Features Global Film Initiative, "Daughter of Keltoum" is a worthy if far from perfect entry by Algerian film-maker Mehdi Charef, who has lived in France since the age of 10. It is an exploration of the class and gender oppression facing the Kabyle peoples, the Algerian branch of the Berber nationality that lives primarily in the mountainous region of the north.
It is focused on the relationship between Rallia (Cylia Malki), a 19 year old Kabyle who was adopted by Swiss parents as an infant, and her aunt Nedjma (Baya Belal). Rallia has returned to the village where she was born in search of her mother, who is now working as a hotel maid in a distant city. She is also in search of answers to the question of why her mother gave her up.
If Rallia does not understand why, the viewer certainly will. This is a land of grinding poverty, where women are treated as beast of burden. Nejma is in awe of Switzerland where water is readily available from a tap. In her village, she fills up plastic tanks from a remote well and trudges back several times a day. Nejma, who appears to have been driven half-mad by poverty, has very few pleasures in life other than a occasional visit from Rallia's mother, who brings candy and trinkets for the family. In a nearby abandoned religious shrine, Nejma has constructed her own altar out of empty cigarette packs and other colorful but worthless items found on the road beneath the village.
full: http://louisproyect.wordpress.com/2006/06/10/daughter-of-keltoum/
Nada (2001)
Anti-bureaucratic film in style of Richard Lester. Great fun!
Nada+ "Nada+" (Nothing More) is the latest in a series of Cuban films such as "Strawberries and Chocolate" and "The Waiting List" that satirize bureaucracy. Such films are the most effective rebuttal to claims in both the conservative and liberal press that Cuba is a totalitarian dungeon. Indeed, "Nada+" is irrefutable evidence that the main challenge to bureaucratic stupidity and oppression comes from the government itself, since without government funding such films would never see the light of day.
What better symbol of bureaucracy is there than the post office, which serves as the setting for "Nada+." Carla Perez (Thäis Valdés) is a young, beautiful and supremely bored clerk who spends each day rubberstamping incoming mail while listening to music on a portable radio at her desk.
To relieve the tedium, she has begun to steal letters in order to get into the lives of the writers, who function as characters in soap operas for her. Taking things one step further, she begins to write back letters to the sender in the name of the original recipient. But her letters are more compassionate, more loving and more sensitive than anything that they would be capable of, with an impact that is often highly dramatic.
One of the unsuspecting recipients is a Cuban equivalent of Doctor Phil, who has an afternoon talk show proffering advice to the unhappy, but he himself is far more tormented than any of his callers. He throws a tantrum one day at Carla's office when no letters are found in his mailbox, accusing the workers of stealing his mail. In this instance, however, Carla had nothing to do with it. Taking pity on him, she decides to write him a fan letter assuming the identity of one of his viewers. So deeply moved is he by her words that he confesses to his audience that he has been living a lie, tears off his toupee and attempts to strangle himself with a microphone cord!