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Reviews
Gawain and the Green Knight (1991)
And now for two things completely different
Having just watched back-to-back two version of Gawain and the Green Knight, that of Stephen Weeks (1973) and that of David Rudkin/John Phillips (1991) it seemed like a good idea to write one review covering both. The difference is basic and simple: Rudkin's is a faithful and highly literate rendering of the text, while Weeks's is more of a fun romp based loosely on the same material. I find both equally enjoyable in their different ways, and can't understand the opprobrium heaped on the 1973 version. It's charming and delightful, with nice music and graphics, and features some great one-off (if over the top) performances from the likes of Nigel Green (who seemed born to play his namesake the Green Knight), Geoffrey Bayldon and Murray Melvin. Both benefit from some marvellous Welsh locations with which I am personally familiar. Perhaps one of the greatest advantages I have in appreciating it is the fact that I'm probably the only person in the world who has never seen Monty Python and the Holy Grail, and has no intention of ever doing so. Rudkin's more earnest and serious screenplay, with its hypnotically alliterative iambs, has made me want to go back and reread the original.
Gawain and the Green Knight (1973)
And now for two things completely different
Having just watched back-to-back two version of Gawain and the Green Knight, that of Stephen Weeks (1973) and that of David Rudkin/John Phillips (1991) it seemed like a good idea to write one review covering both. The difference is basic and simple: Rudkin's is a faithful and highly literate rendering of the text, while Weeks's is more of a fun romp based loosely on the same material. I find both equally enjoyable in their different ways, and can't understand the opprobrium heaped on the 1973 version. It's charming and delightful, with nice music and graphics, and features some great one-off (if over the top) performances from the likes of Nigel Green (who seemed born to play his namesake the Green Knight), Geoffrey Bayldon and Murray Melvin. Both benefit from some marvellous Welsh locations with which I am very familiar. Perhaps one of the greatest advantages I have in appreciating it is the fact that I'm probably the only person in the world who has never seen Monty Python and the Holy Grail, and has no intention of ever doing so. Rudkin's more earnest and serious screenplay, with its hypnotically alliterative iambs, has made me want to go back and reread the original.
French Dressing (1964)
Thoroughly re-enjoyed
Having read the less pleasant reviews of French Dressing I've just re- watched it after an absence of 20 years, and thoroughly enjoyed it. I thought it utterly charming and delightful. It's very much a filmed seaside postcard and looks as if everyone loved making it up as they went along. I certainly appreciated the surrealist humour and wasn't at all surprised to see Ken Russell named as director. Bits of it reminded me of Jonathan Miller's Alice in Wonderland (made two years later!), and the burning of the inflatable models, bizarrely, put me in mind of Invasion of the Body Snatchers. And I found Alita Naughton irresistible. Pity its reception so upset Ken Russell.