The War Room does a good job of extolling the skills of James Carville and George Stephanopolous. Clearly, their work had much to do with Clinton's victory. A little known fact about the film is that the actual campaign manager, David Wilhelm, refused to participate in it. He didn't like the idea of a camera crew roaming the headquarters and recording conversations that he felt should have been private. Clinton overruled him, of course. As a result, the documentary skews history a bit. The nuts and bolts of running a campaign are ignored while the craft of spin doctoring is glorified. In a visual medium, that's not altogether surprising, and it may even have been unavoidable. But the misrepresentation -- or rather, the selective representation -- has had the unintended consequence of contributing to public cynicism about political campaigns, which now appear to be all about the spin, the framing -- the very things that make voters feel like they're being manipulated. Perhaps a stronger emphasis on the heavy lifting of door-to-door canvassing, phone banking, meetings with interest groups, outreach to local officials, event set-up, and the like, would have given a more complete picture. Then again, those aren't exactly telegenic activities, and documentary filmmakers may have been hard-pressed to incorporate them even if Wilhelm had cooperated. But the troublesome implications remain, and are worth considering.
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