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ryandaniyaal
Reviews
Maryan (2013)
Awesome Movie, Bad Audience
Mariyaan is just-around-picture-perfect right from title to credits. {IMDB – 8.4 (singam – 5.9, 3 idiots – 8.3, batman begins – 8.3)}. The movie has four amazing elements that make it a visual treat: Parvathi, Mark, Dhanush and Rahman (in that order). Parvathi has put out a stellar performance. It is only a pity that much of the limelight is given only to the hero. Whether it is romance or her yearning for mariyaan's return, she has captured the emotions well and transferred it to the viewer. Secondly Mark has done a phenomenal work with his camera. The rolling scene in the desert and the scene under water with water on the lens are too good. A regular Tamil viewer will not notice the intricacies of the shots but a careful watch of Nenjae Ezhu will show some exquisite shots with panimalar's hair and water. Dhanush has canned out yet another good performance. Though the first half is more of a regulation character, the sufferings in the second half are well portrayed. The phone call scene and the imaginary treat stand out. Rahman, of course can simply not produce less-than-extraordinary music. Enga pona raasa, as I had said in my audio review, is simply the best in the album and he has used it widely in his background score. Uma Riyaz, Appukutty, Jagan and Annachi have done their roles perfectly. The only flaw in the movie is the editing and if some unwanted scenes had been trimmed, it would have been great. As far as the slow-screenplay is concerned, I think it suited the movie perfectly. The hallucinations are an awesome part of the movie. My final verdict is that it is a movie beyond Kollywood. PS: Just like all films where the heroine follows the hero (NEP etc.), this will not be acceptable to the local lads. Moreover, Tamil audience (in general) have no sense of appreciating art and hence they laugh (like idiots) when Dhanush speaks on the phone, when he calls out Aathaa in the climax, when Jagan looks into a mirror and the leopard scene. Bharath Bala deserves credit for the performances he has extracted, the story and for casting Parvathi.