As the reader may be aware, respected science fiction writer and hardcore misanthrope Harlan Ellison obtained a large cash settlement and a film credit from James Cameron and the producers of the 1984 classic "The Terminator." Ellison's attorneys threatened Cameron et al. with a lawsuit alleging plagiarism of their client's work in that the opening sequences of "The Terminator" were unauthorized copies of segments of a 1964 Harlan Ellison script for the science fiction anthology series "The Outer Limits" titled "Soldier".
The case never when to court because James Cameron offered to settle even before Ellison's lawyers filed suit. If it had come to court Cameron had a good chance of winning because the differences between the 1984 movie and the 1964 TV show are much more numerous than the rather vague similarities. However, this movie resembles Harlan Ellison's "Outer Limits" script very strongly indeed.
To summarize, the 1964 television episode starts on a distant future Earth where soldiers are bred for their vocation and trained from birth to be ruthless, unrepentant killers who are nonetheless totally obedient to their masters. Two of these soldiers are shown taking shelter on a devastated battlefield subjected to a constant barrage of energy beam weapons fire. They are very similar in their uniforms and equipment, but they are in fact deadly enemies. Each soldier receives orders to find and destroy his enemy. They charge each other but are caught together in a time warp created by the energy beam barrage. One soldier materializes in an alley off a busy urban street in an American city. The other also materializes in 1964 but at a considerable distance away. The first soldier runs afoul of the police and is arrested. The authorities have no idea who or what he is except that he is equipped with fighting technology far more sophisticated than 1964 science can comprehend. Nor can they understand the soldier's speech which apparently corresponds to no known language. A linguistics expert is called in to help analyze and decode the soldier's language and to learn as much as possible about his origins. The linguist makes some progress, learning for example that Qarlo Clobregnny (that's his name) speaks a form of English and that he claims to be a native of Planet Earth. However, the linguist, Tom Kagan, demands the soldier be released into his custody so that Qarlo can learn to trust others and thus reveal more about himself and his culture. The authorities reluctantly agree and Qarlo goes to live with Kagan and his family. The experience in the Kagan family's suburban home is very tense. Kagan's wife fears Qarlo, but their teenaged son takes to the soldier immediately, even adopting some of his language. The episode ends with an attack on the Kagan home by the other soldier from the future who has found his enemy, Qarlo, by using some sort of tracking mechanism. Qarlo counterattacks and both soldiers are killed by the enemy's directed energy gun. The closing narration speculates about Qarlo's motives. Did he counterattack to protect his adoptive family or out of pure conditioned reflex?
Given my summary, which I believe is both accurate and comprehensive, the resemblance to the 1998 film, also titled "Soldier" and ostensibly written by David Webb Peoples, is striking. One of the few significant differences is that Qarlo Clobregnny is an unwilling time traveler, while Sergeant Todd 3465 is an unwilling space traveler. Another is the relationship between the soldiers and their host families. Qarlo is invited into the Kagan family home because Tom Kagan wants to befriend hi, and is relentlessly curious about the alien soldier and his culture. The colonist of "Garbage World" aren't curious about SGT. Todd. They know who and what he is. They fear him, but tolerate him - at least at first. Later Todd is exiled from the colony as irredeemably violent and dangerous. Otherwise this movie plays out as if it were an authorized adaptation of the original television script.
Maybe Ellison didn't bother because "The Terminator" was hugely successful at the box office and in the home video market, consequently, there were huge mounds of cash for Ellison and his lawyers to plunder. "Soldier", on the other hand, flopped badly. The lawyers probably weren't interested in 50% of nothing.
The case never when to court because James Cameron offered to settle even before Ellison's lawyers filed suit. If it had come to court Cameron had a good chance of winning because the differences between the 1984 movie and the 1964 TV show are much more numerous than the rather vague similarities. However, this movie resembles Harlan Ellison's "Outer Limits" script very strongly indeed.
To summarize, the 1964 television episode starts on a distant future Earth where soldiers are bred for their vocation and trained from birth to be ruthless, unrepentant killers who are nonetheless totally obedient to their masters. Two of these soldiers are shown taking shelter on a devastated battlefield subjected to a constant barrage of energy beam weapons fire. They are very similar in their uniforms and equipment, but they are in fact deadly enemies. Each soldier receives orders to find and destroy his enemy. They charge each other but are caught together in a time warp created by the energy beam barrage. One soldier materializes in an alley off a busy urban street in an American city. The other also materializes in 1964 but at a considerable distance away. The first soldier runs afoul of the police and is arrested. The authorities have no idea who or what he is except that he is equipped with fighting technology far more sophisticated than 1964 science can comprehend. Nor can they understand the soldier's speech which apparently corresponds to no known language. A linguistics expert is called in to help analyze and decode the soldier's language and to learn as much as possible about his origins. The linguist makes some progress, learning for example that Qarlo Clobregnny (that's his name) speaks a form of English and that he claims to be a native of Planet Earth. However, the linguist, Tom Kagan, demands the soldier be released into his custody so that Qarlo can learn to trust others and thus reveal more about himself and his culture. The authorities reluctantly agree and Qarlo goes to live with Kagan and his family. The experience in the Kagan family's suburban home is very tense. Kagan's wife fears Qarlo, but their teenaged son takes to the soldier immediately, even adopting some of his language. The episode ends with an attack on the Kagan home by the other soldier from the future who has found his enemy, Qarlo, by using some sort of tracking mechanism. Qarlo counterattacks and both soldiers are killed by the enemy's directed energy gun. The closing narration speculates about Qarlo's motives. Did he counterattack to protect his adoptive family or out of pure conditioned reflex?
Given my summary, which I believe is both accurate and comprehensive, the resemblance to the 1998 film, also titled "Soldier" and ostensibly written by David Webb Peoples, is striking. One of the few significant differences is that Qarlo Clobregnny is an unwilling time traveler, while Sergeant Todd 3465 is an unwilling space traveler. Another is the relationship between the soldiers and their host families. Qarlo is invited into the Kagan family home because Tom Kagan wants to befriend hi, and is relentlessly curious about the alien soldier and his culture. The colonist of "Garbage World" aren't curious about SGT. Todd. They know who and what he is. They fear him, but tolerate him - at least at first. Later Todd is exiled from the colony as irredeemably violent and dangerous. Otherwise this movie plays out as if it were an authorized adaptation of the original television script.
Maybe Ellison didn't bother because "The Terminator" was hugely successful at the box office and in the home video market, consequently, there were huge mounds of cash for Ellison and his lawyers to plunder. "Soldier", on the other hand, flopped badly. The lawyers probably weren't interested in 50% of nothing.
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