Change Your Image
richreader
After a few years, I was as a commercial artist working with large format cameras and photographic silkscreens to make displays for museums and business expositions. I owned and operated a fine art gallery. Later I turned to industrial art, and produced silkscreens for printing electronic circuit boards.
After graduate school in Boston, I worked as a marketing executive in cable television, an economist, and a computer systems analyst.
Currently, I work with video, music, surround sound editing, still photography, special visual effects, compositing, editing, rotoscoping, motion stabilization, Maya 5 3D modeling, animation, shading, dynamics, and rendering.
In my other life, I am a business analyst, funding advisor, financial & operations modeler, planner, and process re-engineering consultant.
Reviews
Skinwalker: Curse of the Shaman (2005)
In a careless moment, fates are sealed
Dysfunctional families struggle to hide their troubled past & to forget a misunderstood tragedy.
The heroine, Brooke Carter, subconsciously answers the call from the spirit world, which stirs the pot beyond the boiling point.
The local Anglos cannot bear Brooke's presence, because she digs into the past.
Brooke cannot disengage from the forces which have brought her to the vortex of an erupting power center. The only way out is through the bottom.
Amanda Paytas (Brooke) sets the screen on fire with her drop-dead gorgeous great looks. James Doohan ("Scotty" from Star Trek) turns in a fine performance as the retired Judge.
Stuff That Bear! (2003)
Is the grass really greener on the other side?
tension mounts between one brother's romantic desire to create new possibilities within his milieu, and the other brother's pecuniary compulsion to escape into a new world of deep pockets and streets paved with gold.
Stuff That Bear! works well because of its' universal truth, and because of the Bucharest environment that looks so much like all of the romance language countries.
As good as the story is, the killer gem is the cinematography, shot artfully in available light, giving the audience an intimate connection to the conflicted characters.