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Wonderful Days (2003)
A triumph of visuals hampered by a failure of storytelling
"Wonderful Days" strives for so much, it's almost a tragedy that it actually achieves so little. The problem with the film isn't that the plot is thin, nor is it that we've seen these ideas before. The term "variations on a theme" exists for a reason.
Rather, the problem lies with the poorly conceived story and characters that get left out in the cold with horrible dialogue and about as much depth as a kiddie pool.
The opening, for instance, tells us of a gigantic, man-made refuge known as ECOBAN, which is owned and operated by the ruling class. ECOBAN runs on pollution, which of course means that ruling class prey on the beleaguered proletariats to create more pollution to sustain ECOBAN. We are, of course, never told -how- ECOBAN manages to transform pollution into a power source, nor are we told why anyone smart enough to build something like ECOBAN would want to create something that necessitates -more- pollution. I presume it is to keep the upper class fed, but seeing as they already had the resources to build something like ECOBAN in the first place....
But I digress. The point is that ECOBAN exists as nothing more than a plot contrivance to set up some admittedly fantastic visual sequences later on. But you wouldn't know that from the way the movie treats it. Given the background, I would gather that ECOBAN was meant to be a symbol of the upper class' greed and arrogance. That's all well and good, but the very idea of ECOBAN is so implausible and the story thread so inadequate that it quickly becomes nothing more than a neat-looking playground.
This is not the film's only shortcoming. The characters are woefully underdeveloped and uninteresting, so much so that right after I watched the film, I could barely remember their names. When they're not fighting, leaping, driving, or shooting, they're spending most of their time occupying the frame, doing and saying things of absolutely no consequence. New friendships and alliances pop up literally out of nowhere, and some characters disappear and reappear as if the writers had forgotten about them and then remembered just 15 minutes before deadline.
It goes without saying that the animation is great. In general, the CG meshes with the 2D animation quite well, and the action sequences are frenetic and imaginative. While the filmmakers might be brilliant action choreographers, however, they are not writers. Not here, anyway.