The Coen Brothers return with True Grit, their 4th consecutive film (starting from No Country from Old Men in 2007). Shot only earlier this year, the film contemplates the Southern plains following a feisty heroine Mattie along with the unscrupulous Rooster Cogburn and sidekick LaBoeuf. Along for the ride is vicious Ned Pepper and the dull Tom Chaney.
As the Coen brothers stated numerous times, True Grit is meant to be a more earnest adaptation of the source novel by Charles Portis. This is clearly presented in the film with its sometimes unintelligible dialogue and classic tropes. Unlike their darker No Country for Old Men, the film takes on a more unsophisticated tone. Mattie is clearly the hero and Chaney and Ned clearly the antagonists. Rooster's drunken stupor leads to comic effect, as does his verbal sparring with the self-righteous LaBoeuf.
What helps the Coens realize this goal so well is the support they garner by their more than capable cast. Jeff Bridges, Matt Damon, Josh Brolin, Barry Pepper, and newcomer Hailee Steinfeld are completely embrace their parts. And in this process of complete immersion in language and mannerisms, they all turn in remarkable performances. Bridges and Steinfeld are likely to receive Oscar nominations (the latter, unfortunately, in Supporting Actress) but the cast on the whole roundly performs. Damon in particular continues to show off impressive ability after his likewise humorous turn in The Informant!.
From a behind-the-scenes perspective, the Coen Bros. also rely on their trusty team. Roger Deakins proved his ability to master the Western landscape with The Assassination of Jesse James by the Coward Robert Ford and here proves once again his fateful eye. The compositions all feel completely appropriate. Sometimes Deakins channels the starry nights of The Night of the Hunter (also referenced through the older Mattie's narration in beginning and end) and like that earlier work, the film is visually entrancing. Carter Burwell also provides a solid score, frequently using "Leaning on Jesus" (also a nod to Night of the Hunter). And the Coen Bros., using their alias, masterly cut the work together so that it builds along nicely. Violence often erupts in True Grit with the filmmakers preferring to use the point-of-view of the characters rather than cutting to the potential victims.
If one can knock True Grit for anything, it's that the film sometimes feels longer than it needs to be. The epilogue, in particular, feels less necessary than it does tacky. But the Coens faithfulness to the source novel may have been a part of this, as well as their desire to tell a complete story. Along with a PG-13 rating, this is probably the most market friendly Coen Bros. film in quite a while but it still works due to their unquestionable talent.
To summarize, True Grit is a satisfying Western. It does not aim to subvert the genre like No Country for Old Men, but rather to please. And thanks to its solid performances and technical craft, True Grit succeeds.
As the Coen brothers stated numerous times, True Grit is meant to be a more earnest adaptation of the source novel by Charles Portis. This is clearly presented in the film with its sometimes unintelligible dialogue and classic tropes. Unlike their darker No Country for Old Men, the film takes on a more unsophisticated tone. Mattie is clearly the hero and Chaney and Ned clearly the antagonists. Rooster's drunken stupor leads to comic effect, as does his verbal sparring with the self-righteous LaBoeuf.
What helps the Coens realize this goal so well is the support they garner by their more than capable cast. Jeff Bridges, Matt Damon, Josh Brolin, Barry Pepper, and newcomer Hailee Steinfeld are completely embrace their parts. And in this process of complete immersion in language and mannerisms, they all turn in remarkable performances. Bridges and Steinfeld are likely to receive Oscar nominations (the latter, unfortunately, in Supporting Actress) but the cast on the whole roundly performs. Damon in particular continues to show off impressive ability after his likewise humorous turn in The Informant!.
From a behind-the-scenes perspective, the Coen Bros. also rely on their trusty team. Roger Deakins proved his ability to master the Western landscape with The Assassination of Jesse James by the Coward Robert Ford and here proves once again his fateful eye. The compositions all feel completely appropriate. Sometimes Deakins channels the starry nights of The Night of the Hunter (also referenced through the older Mattie's narration in beginning and end) and like that earlier work, the film is visually entrancing. Carter Burwell also provides a solid score, frequently using "Leaning on Jesus" (also a nod to Night of the Hunter). And the Coen Bros., using their alias, masterly cut the work together so that it builds along nicely. Violence often erupts in True Grit with the filmmakers preferring to use the point-of-view of the characters rather than cutting to the potential victims.
If one can knock True Grit for anything, it's that the film sometimes feels longer than it needs to be. The epilogue, in particular, feels less necessary than it does tacky. But the Coens faithfulness to the source novel may have been a part of this, as well as their desire to tell a complete story. Along with a PG-13 rating, this is probably the most market friendly Coen Bros. film in quite a while but it still works due to their unquestionable talent.
To summarize, True Grit is a satisfying Western. It does not aim to subvert the genre like No Country for Old Men, but rather to please. And thanks to its solid performances and technical craft, True Grit succeeds.
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