As someone from Former Yugoslavia myself (not Serb though), it's hard not to automatically approach a film featuring the much-forgotten Bosnian conflict through a specific lens. After all, it was the first major war on European soil since WW2 (until the Russian-Ukrainian conflict in recent years) and caused over 100,000 deaths, displacements, and broken survivors still traumatised to this day. Though the majority of atrocities documented were committed by Serbs, innocent civilians from all sides were killed or tortured in vast numbers, and very few movies out there have been made (both from Western or Balkan media) that managed to depict the wars without some questionable sort of bias and agenda. Of course, being Hollywood in a much different era to now, the production for Behind Enemy Lines was inevitably going to be a film made about Americans, for Americans, with the incredibly complex Balkan situation merely serving as a convenient backdrop. Sure, there'd be some briefly touched-on *sympathy* for the Bosniaks, but otherwise viewers wanting a fun time won't care about authenticity here. It's clear as day which ethnicity are the bad guys (though judging by early-to-pre-2000s Hollywood standards, that could easily be anyone without an American accent), and you can already tell the US military by contrast is going to be portrayed in a heroic and near-invincible way - any faults of theirs that may occur are only due to external factors, not their own mistakes. You couldn't have a better method of motivating more recruitment applications for young simple minds that still think war is a Call Of Duty game.
Despite the poor ethics, I can still try to appreciate a film for its other aspects. But the ethics are not even the worst thing about the movie, far from it actually. The worst thing is the utterly comedic disregard for realism in almost every possible manner you can think of (plot, setting, physics, technology, action, hostile situations, you name it). How so many absurd scenes can market itself as a serious war film is beyond me. Now I don't expect even the most nuanced and carefully crafted of films to be 100% realistic, nobody does. Heck, I'm not even a historian or military scientist. But there's just so many moments in this film so laughably over-the-top it's impossible to suspend any disbelief. I'm not exaggerating when I say it puts the laws of physics of actual comedy parodies like Hot Shots to shame. When the scene occurred with the pilots ejecting from their plane many seconds apart from each other, I couldn't tell if the moment later - where their cockpit seats still somehow manage to collide and bounce of each other while high in the air with a BOING sound - was intentional or a lucky camera take. Either way, Abrahams and the Zucker brothers could take notes. And I haven't even gotten to the part yet where the protagonist is unscathed by explosions barely 2 metres next to him, or the fact that he still keeps getting off the hook despite his disobedient and cocky attitude towards his superiors (is this the military or not?), or how laughably incompetent the Ushanka-wearing "bad guys" are (Apparently they have a real habit of stepping on their own mines). Had this movie been classed as "comedy"; I would actually appreciate and enjoy it more. Even the film's epilogue looks and sounds like something you'd expect either from a documentary, or a parody, of which this film is neither.
I also never understood why it's so common to make the villains look so incompetent, because doing so usually diminishes, not enhances, the tension that an action/survival thriller like this is trying to invoke. I'm sorry, but having 3 helicopters take on an entire battalion with armoured vehicles barely meters away, with absolutely none of them getting shot down or damaged is laughable, even by Rambo sequel standards. Meanwhile, our hero literally slides with his legs on the ice towards dozens of enemy soldiers to retrieve some disc in his plane wreckage, firing his pistol like he's in a Matrix movie. Again, parody much?? Meanwhile, the *good guys* always seem to get it right. In situations that should have them utterly decimated, they not only survive with little to no consequences, but even go above and beyond in the success of their objective. It doesn't take long into the movie to pick this up and from then, any suspense that could have been conveyed is completely diminished.
To acknowledge some positives, I was actually surprised at how articulate the spoken Serbo-Croatian was for one or two of the *bad guys* given that almost none of them appeared to be Former-Yugoslav actors - of course, I'm judging merely by Hollywood standards, and the brokenness of the rest of the foreign speakers was blatantly obvious (Just picture a Brit talking in a Trans-Atlantic accent and claiming to be Texan, and you'll know how it feels). Still, it's better than having Serbian characters falsely converse in Hungarian. The VFX and cinematography are quite well-done in their own right, and pull off the bleak atmosphere of 90s Balkans. Gene Hackman is fine to watch as always, even if a movie like this is well beneath his station. I never cared much for Owen Wilson even as a comedic actor, but I must give him credit for nailing the serious role quite well. Unfortunately, that's about as far as the positives go, and still get ultimately overshadowed by the film's greater flaws.
Behind Enemy Lines is one of those movies that, give or take a few genuinely entertaining scenes, is only enjoyable if you either switch your brain off fully or use it to pick apart and tease all the absurd aspects appearing throughout the film with your friends. Admittingly, there were a few times I was drawn into what I was watching. But even when overlooking the jingoistic nature of the movie, it's hard to overlook the absurdly unrealistic tone. Movies don't need to be realistic to be fun or even good, but there is a line (pun not intended) and the movie catapults itself way past it. This film may serve as a good time for some, but whether as a profound take on the Bosnian/Yugoslav Conflict or an intense and engaging action/thriller, it fails in both departments.
Despite the poor ethics, I can still try to appreciate a film for its other aspects. But the ethics are not even the worst thing about the movie, far from it actually. The worst thing is the utterly comedic disregard for realism in almost every possible manner you can think of (plot, setting, physics, technology, action, hostile situations, you name it). How so many absurd scenes can market itself as a serious war film is beyond me. Now I don't expect even the most nuanced and carefully crafted of films to be 100% realistic, nobody does. Heck, I'm not even a historian or military scientist. But there's just so many moments in this film so laughably over-the-top it's impossible to suspend any disbelief. I'm not exaggerating when I say it puts the laws of physics of actual comedy parodies like Hot Shots to shame. When the scene occurred with the pilots ejecting from their plane many seconds apart from each other, I couldn't tell if the moment later - where their cockpit seats still somehow manage to collide and bounce of each other while high in the air with a BOING sound - was intentional or a lucky camera take. Either way, Abrahams and the Zucker brothers could take notes. And I haven't even gotten to the part yet where the protagonist is unscathed by explosions barely 2 metres next to him, or the fact that he still keeps getting off the hook despite his disobedient and cocky attitude towards his superiors (is this the military or not?), or how laughably incompetent the Ushanka-wearing "bad guys" are (Apparently they have a real habit of stepping on their own mines). Had this movie been classed as "comedy"; I would actually appreciate and enjoy it more. Even the film's epilogue looks and sounds like something you'd expect either from a documentary, or a parody, of which this film is neither.
I also never understood why it's so common to make the villains look so incompetent, because doing so usually diminishes, not enhances, the tension that an action/survival thriller like this is trying to invoke. I'm sorry, but having 3 helicopters take on an entire battalion with armoured vehicles barely meters away, with absolutely none of them getting shot down or damaged is laughable, even by Rambo sequel standards. Meanwhile, our hero literally slides with his legs on the ice towards dozens of enemy soldiers to retrieve some disc in his plane wreckage, firing his pistol like he's in a Matrix movie. Again, parody much?? Meanwhile, the *good guys* always seem to get it right. In situations that should have them utterly decimated, they not only survive with little to no consequences, but even go above and beyond in the success of their objective. It doesn't take long into the movie to pick this up and from then, any suspense that could have been conveyed is completely diminished.
To acknowledge some positives, I was actually surprised at how articulate the spoken Serbo-Croatian was for one or two of the *bad guys* given that almost none of them appeared to be Former-Yugoslav actors - of course, I'm judging merely by Hollywood standards, and the brokenness of the rest of the foreign speakers was blatantly obvious (Just picture a Brit talking in a Trans-Atlantic accent and claiming to be Texan, and you'll know how it feels). Still, it's better than having Serbian characters falsely converse in Hungarian. The VFX and cinematography are quite well-done in their own right, and pull off the bleak atmosphere of 90s Balkans. Gene Hackman is fine to watch as always, even if a movie like this is well beneath his station. I never cared much for Owen Wilson even as a comedic actor, but I must give him credit for nailing the serious role quite well. Unfortunately, that's about as far as the positives go, and still get ultimately overshadowed by the film's greater flaws.
Behind Enemy Lines is one of those movies that, give or take a few genuinely entertaining scenes, is only enjoyable if you either switch your brain off fully or use it to pick apart and tease all the absurd aspects appearing throughout the film with your friends. Admittingly, there were a few times I was drawn into what I was watching. But even when overlooking the jingoistic nature of the movie, it's hard to overlook the absurdly unrealistic tone. Movies don't need to be realistic to be fun or even good, but there is a line (pun not intended) and the movie catapults itself way past it. This film may serve as a good time for some, but whether as a profound take on the Bosnian/Yugoslav Conflict or an intense and engaging action/thriller, it fails in both departments.
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