janiceferrero Reviews

American Hustle (2013)

Amerian Hustle with the benefit of hindsight

[7/10 · 12 November 2018]

The performances are the safeguard for this movie to have a very long life. I couldn't care less about the characters but I loved the actors playing them. They, the characters, make choices that are as coarse as their wardrobe. Thank God for the people wearing them .Christian Bale is absolute perfection. His character is disgusting and irresistible at the same time. brilliant performance. Amy Adams is superb and Bradley Cooper an unnerving hoot - also the brief moment with Robert de Niro is simply delicious but it is Jennifer Lawrence who made me want to see the movie again as if to confirm what I seem to remember. Yes indeed. She is spectacular. A performance of such maturity - her laughter alone belongs to one of the great ones of yesteryear. - Totally present. A character actress/star.

The Post (2017)

Crystal Clear

[9/10 · 27 December 2017]

Economic, specific, brilliant. That should be enough to sing the praises of a work of art but in "The Post" there is more. much more. We can't ignore the fact imposed by the historical moment we're living right now. The press under attack. Belittled, insulted but not ignored. No, never that. Steven Spielberg puts everything at the service of the story and the magic stroke is Meryl Streep. She creates a real life woman again, after Margaret Thatcher, Julia Childs, Lindy Chamberlain and once again she creates a fully fledged human being and this time she plays a woman without a known voice until she finds it and when she does, she uses it. I'm absolutely transfixed and moved very moved by her performance

West Side Story (1961)

Nothing like it, before or since.

[10/10 · 10 December 2017]

This masterpiece is already 56 years old and as it happens with masterpieces, it has kept intact all of its energy all of its power and it remains a mind blowing novelty. "Singin'n'the Rain" has those qualities but the setting is a natural for the infections musical numbers. In "West Side Story" we visit Romeo And Juliet in New York among feuding street gangs. Robert Wise and Jerome Robbins create an experience for the ages. Natalie Wood is devastatingly gorgeous and even if the singing voice is not hers she manages to make it hers. The blandness of Richard Beymer works wonders for his Tony and Russ Tamblyn is a dynamo of youthful exuberance. But perhaps, Rita Moreno and George Chakiris steal the limelight. They are spectacular - As Oscar time they won Oscars over Judy Garland and Montgomery Clift in "Judgement At Nuremberg" To conclude let me reiterate "West Side Story" is a film to visit and revisit.

What Ever Happened to Baby Jane? (1962)

Baby Jane 2017 a whole other story

[10/10 · 23 July 2017]

I've always being a fan of What Ever Happened To Baby Jane. I saw it for the first time as a teenager and Bette and Joan became my obsession. I tried to see everything they had done and did I? All About Eve, The Little Foxes, Now Voyager as well as Mildred Pierce, Humoresque. I warmed up quicker to Bette. Her horrible women were priceless and she was fearless. Joan Crawford kept me at a distance, I think the cosmetics got in the way. But now, watching Baby Jane in 2017 - thanks to the amazing Ryan Murphy series "Feud" - I saw a very different Crawford and her performance has grown in scope and depth. I know I shall see this film again. Fascinating to realize there is still so much to discover.

Apartment Zero (1988)

Chilling and Thrilling

[10/10 · 2 July 2011]

What a treat! But, like most great things, it's not for everyone. Some people don't get it at all, just I don't get other films that people love. The strange thing about "Apartment Zero" is that it seems to talk directly to the outsider looking in. The 'non participant" who goes through life escaping and without noticing that he is actually participating. Colin Firth gives a performance of such maturity that I feel he was ripe for Oscar consideration even then, 23 years ago.The idea of a recluse opening his world against his will and letting the devil into his world has been explore many times in the movies but never quite like this. Sometimes is like a British play, a comedy of manners, some others is like Roman Polanski. "The Tenant" comes to mind. The simple opening of a door can be so frightening. Hart Bochner is also terrific as he lays, consciously or unconsciously, the trap for Colin Firth. Dora Bryan and Liz Smith are priceless pieces from a Terence Rattigan play. Fabrizio Bentivoglio, an ambiguous dream and James Telfer creates a unique transvestite. The film shook me up, disturbed me and entertained me no end. My only reservation is its length. That's why a 9 and not a 10

Il Divo (2008)

Impossible To Love

[8/10 · 30 September 2009]

A film to admire but impossible to love. Not an ounce of humanity to cling on to. Splendidly put together but only with the intellect so, for non Italians a puzzle that seems like a figment of someone's imagination and to be taken as a sort of intellectual metaphor. How can a creature from hell in good terms with the Catholic Church can survive all this years and when I say survive I mean survive from every possible angle. Italians know that is not only true but normal. I'm half Italian so I know what I'm talking about. Andreotti is played by Paolo Servillo in a performance that is part caricature, part faithful portrait, a work of genius and I suspect that the slightly surreal, grotesque undertones, allowed the movie to be made and succeed in the way it did, at least in Italy. I saw it in New York where I was the only spectator in the theater. I can't wait to see where director Sorrentino will take us next.

Queen Bee (1955)

Sunset Showcase For Miss Crawford

[7/10 · 30 September 2009]

A guilty pleasure if I ever saw one. Directect by Ranald McDougall, even his name reads like a misspell, he was the writer of Mildred Pierce and clearly Crawford trusted him. Look at her entrance, from a distance, a subtle and no so subtle game of light and music. The turgid tale of evil and deception suffers from holes in every angle but this is not the sort of picture that can afford that kind of scrutiny. This is a showcase for the late term Crawford die hard fans. You wont be able to help but admire her devastating self confidence. She knew every trick in the book as an actress as well as a character. Queen Bee goes bye fast very fast and the moral compass is determined by Lucy Marlow when in fact it needed a sort of Anne Baxter or someone with a bit more gravitas. To be seen with a bunch of like minded friends and laugh out loud.

All Fall Down (1962)

The sensational Angela Lansbury

[9/10 · 29 September 2009]

One forgets what a sensational actress Angela Lansbury was, is and always will be. Her success as Jessica Fletcher in TV's "Murder She Wrote" have distracted audience's attention from the real Lansbury. To see "All Fall Down" in 2009 is quite an experience. All the clues about Warren Beatty's complex character are discovered in Angela Lansbury's extraordinary cinematic face. We discover everything visually without any exposition. I don't want to spoil it for you so I'm not going to pinpoint the moments I mean because part of the pleasure is to discover them by ourselves. Brandon De Wilde is another shattering presence on the screen. He died at 30 years of age and I can't help wondering what he could have become. He was the young kid from "Shane" remember? But, let's got back to Lansbury, she plays Warren Beatty's mother, although in real life they are only a few years apart, she is fearless and enthralling as she was in another collaboration with John Frankenheimer: "The Manchurian Candidate" I keep thinking that Tilda Swinton won an Oscar for her performance in °Michael Clayton" and Angela Lansbury was not even nominated for this. I confess to you that I saw "All Fall Down" twice in a row. I was overwhelmed by Lansbury's performance and her strange and compelling chemistry with Karl Malden, her husband, Warren Beatty, her eldest son and Brandon De Wilde, her youngest son. I highly recommend it.

Picnic (1955)

Small Town America According To William Inge

[7/10 · 11 November 2007]

There is so much to enjoy in this American melodrama with a deliciously miscast William Holden and a gelid, beautiful Kim Novak that the film can be seen again and again without being disturbed by the 40 year old Holden playing the drop out stallion trying to make amends with his past forging a sort of future for himself, at least that's what I think he wants and I'm sticking with that notion. Holden plays the loser with his shiny boots and smallish brain and that's what reminds us this is just a romantic drama thought by William Inge with a patina of reality and that's all that is real, the patina. I didn't care that emotionally couldn't play because emotionally worked for me thanks to the sexual power of the miscast star. William Holden is a sort of God who awakes the (seemingly) heavily sedated Novak into a towering passion. I would have too. The supporting cast is sensational. Rosalind Russell is a jarring masterpiece of an over the top clichè. The old maid, school teacher with a taste for alcohol and an understandable terror of her own future, overtaking her at an incredible speed. Susan Strasberg, in the part created by Kim Stanley on the Broadway stage is delightful but made me wonder what Kim Stanley may have done with that part. Betty Field is the one character that expresses the most saying the least. She, as per usual, is outstanding. All in all, a film/play that shouldn't be dismissed.

State of the Union (1948)

A Masterful Chemistry Class

[9/10 · 12 August 2007]

Politics then and now, what's the difference? "People are beginning to think that there is no difference between the Republican and the Democratic party" Sounds familiar? Special interests groups, lobbyists, mercenaries and somewhere in the middle of it all Spencer Tracy and Katharine Hepburn, projecting the hopes of all well meaning Americans, or earthlings in general for that matter. The chemistry between Tracy and Hepburn is so all consuming that whatever we see them do or hear them say we believe, we believe totally. As if this was not enough, Adelph Menjou gives his character a truth that is as relevant and uncomfortable as it is entertaining. But the crowning jewel of this wonderful film is Angela Lansbury - she was barely 20 years old when she made this movie and look at her, just look at her. Not merely holding her own with seasoned stars like Tracy and Hepburn but at times, overshadowing them. This is considered a minor Capra, I just say, you must be kidding.