richardrandbman Reviews

Third Finger, Left Hand (1940)

Not exactly a side splitter

[6/10 · 2 February 2010]

Here is a good example of a film with good intentions that go slightly awry. One could presumably place it in the screwball comedy category but that may be overstating the case. It is intended to be amusing, and for the most part, it lives up that standard.While some may carp that Melvyn Douglas lacks the same credentials as a Cary Grant,he does have an expert sense of timing in his delivery that overcomes his essential lack of charisma.Myrna Loy gives it the old college try and never disgraces herself.(Although she didn't manage to hide her heavyset ankles in this one and we realize why she would never be considered a pin-up queen despite a face that always lit up the screen.) There is only one scene that goes on and on becoming less funny by the minute and that is between Douglas and the unfortunate Lee Bowman playing drunk.If it had been cut the continuity would have survived quite nicely. All told, you could spend time with this one and not feel badly cheated.Better than mediocre, less than scintillating.

How to Save a Marriage and Ruin Your Life (1968)

Surprisingly good

[8/10 · 22 January 2010]

Despite being a 30 year old dyed-in-the-wool film buff when this was released I don't remember hearing about it.That despite being a huge fan of Dean Martin and his "playboy" sensibility at the time. (Still am.) This was approximately the period when the country's sense of humor slowly began to change to that of irony and sarcasm.In less than 10 years it would be David Letterman, the Smothers Brothers, and Saturday Night Live.The humor extant in this film would be relegated to dreary TV sitcoms. Dean holds his own with Eli Wallach (no easy feat) and he really seems to be working a little harder than usual to get the laughs.While I'm not familiar with Stella Stevens' body of work (no pun intended)if this is representative then she bears closer examination(again no pun intended). The best way to put it? This is 1968's version of those great screwball comedies that dominated the 30's and early 40's and it doesn't do too badly by comparison.

Tall in the Saddle (1944)

Turning point for Duke's career tho most film historians ignore it

[8/10 · 21 November 2007]

Several things make this B western look and act like an A picture. Not least is the obvious 'chemistry' between Wayne and Ella Raines.For once a female dishes it out and Wayne loves it. But, the most important aspect of this film is the characterization Wayne imbues in his role as 'Rocklin', a somewhat mysterious cowpuncher. He seems able to make men stop in their tracks by a certain glare or tone of voice. He is no longer a sweet natured cowpuncher who somehow stumbles into his predicaments.This time he's rather mean and if he can answer you in one or no words he does.

In later years Wayne developed this "loner"/ "don't mess with me" type to such a degree that it has become part of movie lore.We take it for granted .This was the film where it burst full fledged on to the screen.And I believe the "macho walk" for which Wayne is so famous was displayed as never before in a showdown with his old nemesis in many 1930's films, Harry Woods. For me this was the obvious lead-in to his monumental performance in "Red River"

Too Many Husbands (1940)

surprisingly sprightly

[9/10 · 17 January 2007]

When I first heard the premise;a spouse declared dead comes back home after months alone on an island , only to find his beloved wife has re-entered marital bliss with his best friend, I thought 'it'll be interesting to see if they come anywhere near the brilliance of "My Favorite Wife"' And I also presumed this had to be a rather blatant rip-off of the Cary Grant-Irene Dunne classic released ,incidentally, in the same year. Boy was I wrong! For starters this appears to have been released months earlier and the screenplay,comic timing,and acting are easily in the same league as the best of the so-called 'screwball comedies'. When Jean Arthur is "on" there is no actress who can beat her and she looks about as good in this rarely shown film as she ever has . Fred MacMurry and Melvyn Douglas hold up their end, but the surprise, for me, was good old Harry Davenport who gets many lines , many chances to display bravado mugging and line readings, and never fails. This is a Jean Arthur film that needs immediate release on the DVD market!!

A Death in the Family (2002 TV Movie)

Superior drama provokes strong emotions

[19 January 2006]

Those of us in law enforcement are well aware of the strange syndrome in which those who witness the same event give wildly differing descriptions. So it is with films. Based on other critiques I've read, apparently "A Death In The Family" is as underwhelming for some as it was overwhelming for me. I find that, as usual, Annabeth Gish delivers the goods. One of the best kept "secrets" in recent film history, Ms Gish performs with abundant warmth and intelligence. She wisely underplays a role that in lesser hands might have contained an overbearing flurry of emotions. Outside of James Cromwell I was not familiar with any of the other actors but mention must be made of those portraying Gish's brother and aunt. The very title of the project obviously implies it is not going to be a Sunday school picnic.You will witness a disparate but inter-related group undergoing a severely traumatic event. It was a quick 91 minutes for me, and if you love and miss the golden age of film-making this is a more than adequate fill-in.

So This Is College (1929)

An Historical Artifact from MGM

[4/10 · 12 January 2006]

This film is one of a genre very popular in late-20's and early 30's;in which college boys agonize over "loving" the same girl. Usually a girl they've just met. Our movie explores this issue in a rather uninspired manner . A dedicated "cinemaphile" has to endure lots of abject silliness in order to stay with it. Of main interest is that Robert Montgomery makes his initial "talkie" appearance here;and later-to-be successful playwright Elliot Nugent is also on display as actor only. And for just a few moments toward the end of the film one can view a very charismatic Joel Mccrea in the stands of the football stadium with the lead actress.He even has a few lines to say.Incidentally, following the storyline is a tad difficult. Continuity is apparently of little importance to the film makers, thus scenes and characters pop up seemingly out of nowhere. The actors constantly say and do the same things over and over in different ways scene after scene. And it would be absolutely fascinating to know how the lead female was selected .The poor actress is given the thankless role of 'femme fatale ' despite the physical appearance of a chubby 15 year old. From an historical viewpoint if you care about movies you almost have to watch it, but be prepared for a "bumpy night"

Island in the Sky (1953)

I am a John Wayne fan and I love this movie

[15 August 2000]

I was fortunate enough years ago to see a very , very "poor condition" video of this film -Just why it is not available to TV or Video has never been made clear(other than the fact it is owned by the John Wayne "family" ).It is done in pseudo documentary style and has a fairly taut and suspenseful storyline-Well directed by William Wellman