70
Metascore
4 reviews · Provided by Metacritic.com
- 80The New York TimesGlenn KennyThe New York TimesGlenn KennyWhile the last third of Butterfield’s life is tragic, spending the better part of 90 minutes with the man and his music is exhilarating. The picture may get at least a few people talking about him again.
- 80Wall Street JournalJoe MorgensternWall Street JournalJoe MorgensternIt’s full of music that makes the case for its subject’s pre-eminence—he played with the intensity of a highest-category hurricane—and has an interesting slant on the issue of cultural appropriation; Butterfield was white, and the blues he played were, and remain, indelibly black.
- The anecdotes weave an entrancing narrative, though the movie could have benefited from more vintage performance footage of Butterfield’s band at the height of its powers.
- 50The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeAnderson, who previously made several Beach Boys/Brian Wilson video docs, is attentive to chronology and to Butterfield's legacy, but isn't making the kind of film that might win the artist new fans or magically transport older ones back to the moment when he was at the top of his field.