Jay-z has released three new videos from “4:44,” which we can officially confirm bears no relation to Abel Ferrara’s underrated “4:44 Last Day on Earth.” Susan Sarandon, Ron Perlman, Emile Hirsch, and Jay-z’s mother Gloria Carter make appearances in the new videos for “Legacy,” “Smile,” and “Marcy Me.” Watch them on Tidal.
Read More:Harvey Weinstein Quotes Jay-z in Bizarre Statement on Sexual Abuse Allegations
“Legacy. That’s why I called y’all here, not ‘cause of skin color or some wistful dream of freedom. The story you leave for people who come behind you,” Perlman says in the video for “Legacy”; Jay-z’s thoughts on criminal justice can also be read in a New York Times op-ed he recently penned about the rapper Meek Mill being sent to prison for two years for violating the terms of his probation.
Read More:Alan Yang on Recreating ‘Friends’ for Jay-z’s ‘Moonlight’ Video,...
Read More:Harvey Weinstein Quotes Jay-z in Bizarre Statement on Sexual Abuse Allegations
“Legacy. That’s why I called y’all here, not ‘cause of skin color or some wistful dream of freedom. The story you leave for people who come behind you,” Perlman says in the video for “Legacy”; Jay-z’s thoughts on criminal justice can also be read in a New York Times op-ed he recently penned about the rapper Meek Mill being sent to prison for two years for violating the terms of his probation.
Read More:Alan Yang on Recreating ‘Friends’ for Jay-z’s ‘Moonlight’ Video,...
- 11/25/2017
- by Michael Nordine
- Indiewire
For the past two years, The Walking Dead has managed to keep its impassioned viewers on tenterhooks by fanning the flames of a war between Negan, his Saviors and our ragtag survivors.
Having brought together the communities of Hilltop and the Kingdom, Rick Grimes and the gang are ready to mount a full-frontal assault against Jeffrey Dean Morgan’s bat-wielding maniac, who has arguably become one of the show’s more memorable villains ever since his introduction in the season 6 finale, “Last Day On Earth.”
Much has changed since that fateful encounter, but at least according to PollyAnna McIntosh (Jadis), The Walking Dead‘s eighth season will bring a sense of closure to that long-brewing conflict. While discussing her upcoming role in Middle-earth: Shadow of War to ComicBook.com – for the record, she’ll play the mystical Shelob in Monolith’s video game sequel – McIntosh hinted at all of the...
Having brought together the communities of Hilltop and the Kingdom, Rick Grimes and the gang are ready to mount a full-frontal assault against Jeffrey Dean Morgan’s bat-wielding maniac, who has arguably become one of the show’s more memorable villains ever since his introduction in the season 6 finale, “Last Day On Earth.”
Much has changed since that fateful encounter, but at least according to PollyAnna McIntosh (Jadis), The Walking Dead‘s eighth season will bring a sense of closure to that long-brewing conflict. While discussing her upcoming role in Middle-earth: Shadow of War to ComicBook.com – for the record, she’ll play the mystical Shelob in Monolith’s video game sequel – McIntosh hinted at all of the...
- 8/1/2017
- by Michael Briers
- We Got This Covered
In The Overlook, A.V. Club film critic Ignatiy Vishnevetsky examines the misfits, underappreciated gems, and underseen classics of film history.
“The information highway is leading straight to hell…”
—Abel Ferrara
The films of Abel Ferrara are probably too anguished and tragic to be called hangout movies. To an extent, they wallow in states of sin, doom, and moral disrepair: a personal hell in Bad Lieutenant, the Lower East Side as it faces the end of time in 4:44 Last Day On Earth, a grueling film shoot in Dangerous Game. To the circles of Ferrara’s inferno, one can also add the indistinct cyberpunk future of his 1998 William Gibson adaption, New Rose Hotel. It’s a shame that Ferrara’s forays into the fantastic—such as Body Snatchers and the vampire film The Addiction—are more obscure than his crime films and psychodramas, as they interpret well-worn sci-fi ...
“The information highway is leading straight to hell…”
—Abel Ferrara
The films of Abel Ferrara are probably too anguished and tragic to be called hangout movies. To an extent, they wallow in states of sin, doom, and moral disrepair: a personal hell in Bad Lieutenant, the Lower East Side as it faces the end of time in 4:44 Last Day On Earth, a grueling film shoot in Dangerous Game. To the circles of Ferrara’s inferno, one can also add the indistinct cyberpunk future of his 1998 William Gibson adaption, New Rose Hotel. It’s a shame that Ferrara’s forays into the fantastic—such as Body Snatchers and the vampire film The Addiction—are more obscure than his crime films and psychodramas, as they interpret well-worn sci-fi ...
- 4/25/2017
- by Ignatiy Vishnevetsky
- avclub.com
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