Catalan films routinely punch above their weight at high-profile international festivals: Think 2022 Berlin Golden Bear winner “Alcarràs.” That trend looks primed to continue in 2024.
Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and Lacima, with Ideale Audience and Tardes de Soledad.
A fall fest bet, “They Will Be Dust,” from Carlos Marqués- Marcet, is produced by Catalonia’s Lastor Media alongside Chile’s Alina Film and Kino Produzioni in Italy.
Few regions boast a lineup of female filmmakers as impressive as Catalonia. This year, new films from Goya Award winners Pilar Palomero (“Glimmers”) and Belén Funes (“The Turtles”) are strong contenders for festival recognition.
With the backing of Catalonia’s Minority Co-Production Fund, four international co-prods are poised to make a significant impact on this year’s festival circuit. Keep an eye out for Javier Rebollo’s “Close to the Sultan”, Calia Atan...
Catalan auteur Albert Serra will debut “Afternoons of Solitude,” co-produced by Catalan companies Andergraun Films and Lacima, with Ideale Audience and Tardes de Soledad.
A fall fest bet, “They Will Be Dust,” from Carlos Marqués- Marcet, is produced by Catalonia’s Lastor Media alongside Chile’s Alina Film and Kino Produzioni in Italy.
Few regions boast a lineup of female filmmakers as impressive as Catalonia. This year, new films from Goya Award winners Pilar Palomero (“Glimmers”) and Belén Funes (“The Turtles”) are strong contenders for festival recognition.
With the backing of Catalonia’s Minority Co-Production Fund, four international co-prods are poised to make a significant impact on this year’s festival circuit. Keep an eye out for Javier Rebollo’s “Close to the Sultan”, Calia Atan...
- 5/14/2024
- by Jamie Lang
- Variety Film + TV
Over the last seven years or so, the ever more capitalized Catalan industry, much based in capital Barcelona, has driven into domestic co-production with other parts of Spain. One result: an exciting new generation of young directors and producers, often women, which have scored a Berlin Golden Bear (Carla Simon’s “Alcarràs”) and best lead performance.
The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.
In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.
In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.
The Catalan film-tv industry is now, however, in the throes of a gathering industry makeover which is showing its first fruits. One driver, as so often in Europe, is public sector funding.
In 2019, total allocated Catalan government audiovisual funding stood at €12.6 million ($13.7 million). It rose to €40.8 million ($44.5 million) in 2022 and will rise again to an estimated €50 million ($54.5 million) in 2024, if the Catalan Parliament approves the budget, says Edgar Garcia, director of the governmental culture industry unit Icec.
In response to ramped-up funding, Catalonia industry has grown vibrantly. 130 execs and talent, representing 80 companies, attend 2024’s Berlin Film Market.
- 2/15/2024
- by John Hopewell
- Variety Film + TV
Madrid, Spain — Industry prizes will be announced on Friday, Festival awards one day later. Yet even by Thursday evening, as this year’s Malaga Festival’s Mafiz-Spanish Screenings headed into its home straits, Spain film and TV industry was sending strong signs of their consolidation as an international market power.
That cut multiple ways. Following, 10 provisional takes on this year’s event:
The Biggest Malaga Ever, By a Head
Final attendance has blasted past last year’s 1,600, in itself a massive hike on years prior, tracking by Thursday at 1,700 attendees from 61 countries at Mafiz, Malaga’s industry arm. The Spanish Screenings alone account for getting on half of those accreditations. “The market’s been very good,” said Vicente Canales at Film Factory. “There’s been enough buyers, spending more time watching Spanish films. At Berlin and Cannes, they just don’t have the time. And Screenings attendance has been high.
That cut multiple ways. Following, 10 provisional takes on this year’s event:
The Biggest Malaga Ever, By a Head
Final attendance has blasted past last year’s 1,600, in itself a massive hike on years prior, tracking by Thursday at 1,700 attendees from 61 countries at Mafiz, Malaga’s industry arm. The Spanish Screenings alone account for getting on half of those accreditations. “The market’s been very good,” said Vicente Canales at Film Factory. “There’s been enough buyers, spending more time watching Spanish films. At Berlin and Cannes, they just don’t have the time. And Screenings attendance has been high.
- 3/16/2023
- by John Hopewell, Emiliano De Pablos and Ed Meza
- Variety Film + TV
International co-production is led by Tono Folguera at Spain’s Lastor Media.
Carlos Marques-Marcet, who took the top prize at the Málaga Film Festival in 2014 with 10,000Km, is readying his new project, the musical drama They Will Be Dust.
The film will be a co-production beteen Spain’s Lastor Media, Switzerland’s Alina Film and Italy’s Kino Produzioni. Backing is in place from Eurimages, Icaa and the Catalonia film institute Icec.
They Will Be Dust is about a woman diagnosed with an incurable brain tumor who decides to undertake a last trip to Switzerland to decide how and when...
Carlos Marques-Marcet, who took the top prize at the Málaga Film Festival in 2014 with 10,000Km, is readying his new project, the musical drama They Will Be Dust.
The film will be a co-production beteen Spain’s Lastor Media, Switzerland’s Alina Film and Italy’s Kino Produzioni. Backing is in place from Eurimages, Icaa and the Catalonia film institute Icec.
They Will Be Dust is about a woman diagnosed with an incurable brain tumor who decides to undertake a last trip to Switzerland to decide how and when...
- 3/15/2023
- by Emilio Mayorga
- ScreenDaily
Exclusive: Proximity Media, the company behind Judas and the Black Messiah, is pushing further into podcasts with the hire of Pushkin Industries’ Paola Mardo.
Mardo joins the company, which is run by Ryan Coogler, Zinzi Coogler, Sev Ohanian, Ludwig Göransson, Archie Davis and Peter Nicks, Kalia Booker King and Rebecca Cho as SVP and Head of Audio.
She was previously an executive producer at Malcolm Gladwell’s company, where she produced the Apple Fitness+ audio series Time to Walk. Before that, she produced podcasts including The Los Angeles Times’ Asian Enough, Kcrw’s Good Food and Kpcc’s The Frame and she created and hosted Long Distance, a series about stories in the Filipino diaspora.
Mardo will build out a full audio team with the goal of producing multiple original podcasts as well as podcasts designed to supplement and support its films and television series. The company is behind the...
Mardo joins the company, which is run by Ryan Coogler, Zinzi Coogler, Sev Ohanian, Ludwig Göransson, Archie Davis and Peter Nicks, Kalia Booker King and Rebecca Cho as SVP and Head of Audio.
She was previously an executive producer at Malcolm Gladwell’s company, where she produced the Apple Fitness+ audio series Time to Walk. Before that, she produced podcasts including The Los Angeles Times’ Asian Enough, Kcrw’s Good Food and Kpcc’s The Frame and she created and hosted Long Distance, a series about stories in the Filipino diaspora.
Mardo will build out a full audio team with the goal of producing multiple original podcasts as well as podcasts designed to supplement and support its films and television series. The company is behind the...
- 3/22/2022
- by Peter White
- Deadline Film + TV
Rapidly emerging as one of Spain’s foremost hothouses for new producer and creative talent, the Ecam Madrid Film School’s Incubator program has chosen five titles for its 2022 program:
“Last Night I Conquered the City of Thebes,” “Disposable,” “Macrame,” “Festina Lente” and “Ripli.”
Launched to connect early career talent in Spain with Europe’s film industry, the 5th Incubator runs from Feb. 23 through July.
The program will be overseen by writer-director Rafa Alberola, who serves as the new manager of The Screen, Ecam’s industry initiative umbrella.
This year’s lineup announcements comes as one Incubator project, Alauda Ruiz de Azúa’s “Lullaby,” is set to world premiere in Berlin’s Panorama section later this week.
Chema García Ibarra’s “Sacred Spirit” proved a standout at August’s Locarno Festival, another Incubator debut, Javier Marco’s Javier Marco’s “Josefina” was for many the most notable Spanish feature debut...
“Last Night I Conquered the City of Thebes,” “Disposable,” “Macrame,” “Festina Lente” and “Ripli.”
Launched to connect early career talent in Spain with Europe’s film industry, the 5th Incubator runs from Feb. 23 through July.
The program will be overseen by writer-director Rafa Alberola, who serves as the new manager of The Screen, Ecam’s industry initiative umbrella.
This year’s lineup announcements comes as one Incubator project, Alauda Ruiz de Azúa’s “Lullaby,” is set to world premiere in Berlin’s Panorama section later this week.
Chema García Ibarra’s “Sacred Spirit” proved a standout at August’s Locarno Festival, another Incubator debut, Javier Marco’s Javier Marco’s “Josefina” was for many the most notable Spanish feature debut...
- 2/8/2022
- by Emilio Mayorga
- Variety Film + TV
“Why don’t you come around for dinner?,” Barcelona lifeguard Gerard Casals (Dani Rovira) asks his boss, Oscar Camps (Eduard Fernández), at the beginning of “Mediterráneo: The Law of the Sea.”
“I’ve got other plans,” says Camps. Cut to his sitting on his sofa, eating a warmed-up microwave dinner watching TV on his laptop.
Then Camps catches a news report featuring the horrific images of 3-year-old Syrian toddler Alan Kurdi, his lifeless body lying on a Turkish beach, washed by waves, after the dingy he was in capsized.
Two days later, Oscar and Gerard are sitting on a beach in Lesbos, Greece, looking across at the hulking headlands of Turkey, just seven miles away across a strait that separates Asia from the European Union. “People are dying in the sea; we’re lifeguards,” he says. So begins Camps and Casals’ life mission, which becomes the now celebrated Ngo Open Arms,...
“I’ve got other plans,” says Camps. Cut to his sitting on his sofa, eating a warmed-up microwave dinner watching TV on his laptop.
Then Camps catches a news report featuring the horrific images of 3-year-old Syrian toddler Alan Kurdi, his lifeless body lying on a Turkish beach, washed by waves, after the dingy he was in capsized.
Two days later, Oscar and Gerard are sitting on a beach in Lesbos, Greece, looking across at the hulking headlands of Turkey, just seven miles away across a strait that separates Asia from the European Union. “People are dying in the sea; we’re lifeguards,” he says. So begins Camps and Casals’ life mission, which becomes the now celebrated Ngo Open Arms,...
- 10/20/2021
- by John Hopewell
- Variety Film + TV
Libertad
Another title we thought would appear in 2020 was the debut of screenwriter Clara Roquet, who co-wrote Carlos Marques-Marcet’s 10,000km (2014), Jaime Rosales’ Petra (a Cannes 2018 in Directors’ Fortnight selection) and upcoming films such as Antonio Méndez Esparza’s horror flick Que nadie duerma and Mounia Akl’s debut Costa Brava Lebanon. The highest ranked directorial debut on our list, Roquet’s film stars Nora Navas, Vicky Pena, Nicolle Garcia, Maria Rodriguez Soto and David Selvas. Libertad, was produced by Tono Folguera, Sergi Moreno, Stefan Schmitz and Maria Zamora through Barcelona’s Lastor Media, Madrid’s Avalon and Snowglobe. The film (which landed a prize at the San Sebastian’s 7th Europe-Latin America Co-Production Forum) is lensed by Gris Jordana.…...
Another title we thought would appear in 2020 was the debut of screenwriter Clara Roquet, who co-wrote Carlos Marques-Marcet’s 10,000km (2014), Jaime Rosales’ Petra (a Cannes 2018 in Directors’ Fortnight selection) and upcoming films such as Antonio Méndez Esparza’s horror flick Que nadie duerma and Mounia Akl’s debut Costa Brava Lebanon. The highest ranked directorial debut on our list, Roquet’s film stars Nora Navas, Vicky Pena, Nicolle Garcia, Maria Rodriguez Soto and David Selvas. Libertad, was produced by Tono Folguera, Sergi Moreno, Stefan Schmitz and Maria Zamora through Barcelona’s Lastor Media, Madrid’s Avalon and Snowglobe. The film (which landed a prize at the San Sebastian’s 7th Europe-Latin America Co-Production Forum) is lensed by Gris Jordana.…...
- 1/3/2021
- by Nicholas Bell
- IONCINEMA.com
A beloved astrologer’s spiritual and sexual influence is lovingly recounted in Mucho Mucho Amor: The Legend of Walter Mercado.
“Love is the essence of everything,” we read in the first Mucho Mucho Amor trailer, and the new Netflix Original Documentary has nothing but love for the iconic astrologer Walter Mercado. Mucho Mucho Amor: The Legend of Walter Mercado will hit the streamer globally on July 8.
The documentary was directed by Cristina Costantini (Science Fair) and Kareem Tabsch (The Last Resort), and produced by Alex Fumero (I Think You Should Leave with Tim Robinson). They got “unprecedented access to Walter during his post-fame seclusion” and were invited into “his home and interior world,” according to the press release. The documentary captures the psychic entertainer’s final two years, “when the pioneering icon grappled with aging and his legacy, as he prepared for one last star-studded spectacle.”
During his long career,...
“Love is the essence of everything,” we read in the first Mucho Mucho Amor trailer, and the new Netflix Original Documentary has nothing but love for the iconic astrologer Walter Mercado. Mucho Mucho Amor: The Legend of Walter Mercado will hit the streamer globally on July 8.
The documentary was directed by Cristina Costantini (Science Fair) and Kareem Tabsch (The Last Resort), and produced by Alex Fumero (I Think You Should Leave with Tim Robinson). They got “unprecedented access to Walter during his post-fame seclusion” and were invited into “his home and interior world,” according to the press release. The documentary captures the psychic entertainer’s final two years, “when the pioneering icon grappled with aging and his legacy, as he prepared for one last star-studded spectacle.”
During his long career,...
- 6/30/2020
- by John Saavedra
- Den of Geek
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