"The Borgias" The Poisoned Chalice (TV Episode 2011) Poster

(TV Series)

(2011)

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8/10
The best of the new season so far!
Clemontine5 April 2011
Loved it! Everyone seemed to think it would be along the lines of The Tudors, likely because they are both Showtime, and because The Borgias takes place only about 50 years before The Tudors. But I found it to really be more similar in feel to Rome with a touch of NBC's Kings, two great shows. I love shows that feature a lot of conspiracies, betrayal, intrigue, and suspense. I have heard some were disappointed with the premiere because it did not feature as much sex and murder as they had hoped. I am not a fan of those unless they are necessitated by the story. And although I thought it had a fair amount of sex and murder, it was not gratuitous, so I am pleased. Of the three big shows that premiered recently, The Borgias, Camelot, and The Killing, this is so far my favourite.

I suspect only until Game of Thrones premieres. :P
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9/10
Gorgeous televisual monster
igoatabase5 April 2011
Note : This is a review of the two episodes premiere, The Poisoned Chalice and The Assassin.

Even with Jeremy Irons as lead, Showtime and Michael Hirst (The Tudors) as producer I still had doubts about The Borgias. Indeed recently Episodes, at least its pilot, proved that the network can pick shows that should have never been filmed in the first place. Enduring it was even more painful considering their Dexter is my all time favorite TV series. It's not like if Showtime had to redeem itself but many viewers like me worried that The Borgias would turn into a televisual orgy or at least something superficial and inconsistent. Now that I have sinned its premiere I see a magnificent white dove flying in the blue sky and a giant black bird about to devour it.

There was nothing surreal about it but the production was so immersive that you should instantly feel like traveling back in time. Right when the opening credits began I knew I would enjoy my journey. As creative and artistic as Dexter or True Blood's one I found them quite inspiring and original. It was the perfect appetizer before the feast. And what a feast ! The first part, The Poisoned Chalice, was just flawless and from its sets to its well designed costumes I can't see anyone who wouldn't believe these fictional elements actually existed. From time to time I also noticed the music and I'm convinced it discreetly contributed to the premiere success. The digital renderings, a city flyby and large crowd for instance, were also marvelously blended with real ones. There were also some interesting ideas used to interrogate the viewer. Who's the distorted figure in the mirror ? And what about the first person view right before the procession ended ? Still despite these many astounding qualities I feel the need to point out how the second part, The Assasisin, disappointingly jarred with the first. That's when you should notice some questionable lighting and audio recording. Nothing disastrous but it means the upcoming episodes won't be as well produced as The Poisoned Chalice. The issue is not new but I'll never get used to it. However people who taste the bait shouldn't bite the dust !

If I had to compare the show with an other one that would be Rome. They're similar in many ways. First the acting is really convincing and I didn't spot any weak link in the casting chain. But of course Jeremy Irons shined among them like a living god. His performance in Lolita and Fatale was so brilliant that I really anticipated his charismatic portrayal. The transformation of his character was intense and almost grotesque at times, a smart way to criticize how a simple mortal can be turned into a living god with unlimited power. Second most characters, if not all, have tremendous potential and their first encounters were quite thrilling. The assassin should send gamers straight to heaven. His controversial role reminded me of Ashur from Spartacus : Blood and Sand. He was just unpredictable and made the story even more twisted and shocking ! Actresses and specially Joanne Whalley also did a good job. The last plays the mother and she's so easy on the eyes that I couldn't believe it when they dared question her mature and natural beauty. Blasphemy ! It leads us to the third element, not the fifth. Indeed the connections between characters, their relationships, shouldn't be as spectacular as in Lost but their realism can only move and make the viewers even more uncomfortable. For example the early chasing game between the sister and the brother has a dual meaning, specially considering what the last had just done. The last shot above the forbidden grass was also probably a direct reference to Christianity. And the contrast between the pure and innocent young daughter and corrupted older son made it even more spiritual.

To sum things up Neil Jordan can be proud of the show he created. The last time I was so impressed by a pilot was after watching Boardwalk Empire. However I think The Borgias has more potential. There was almost something hypnotic about the white versus red costumes. It's simple, most scenes were both interesting and entertaining. For example the painting one in the garden was educative. Using beauty as a weapon of mass seduction ? Sharping wit and intelligence ? Sequences were also tainted by sins and the one you should appreciate the most could be luxury. Indeed I was gladly surprised by the subtle way sexually oriented scenes were written and filmed. Far from crude productions like Spartacus there was something both substantial and sensual about them. The angles were shy on nudity and the tension peaked during the confession. Of course greed was also covered considering the opulence of their society and their obsession with the soul, tormented and scared by their own doing.

The masquerade of all masquerades has begun. Let you manipulate like a wooden puppet because the show's masters clearly know what they're doing. Already intriguing with its many opened plots, from the conspiracy to the upcoming war, I can't see anyone who could resist The Borgias. The religion, the beauty and the beast. What a happy family painting !
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8/10
"But I will not forgive failure from you or your brother"
TheLittleSongbird3 May 2019
Have a love for historical period dramas, the cast here is an immensely talented one (seeing Jeremy Irons' name on any cast list has me sold) and the period depicted of the Borgias and the Renaissance is truly interesting. Absolutely loved 'The Borgias' when first seeing it, re-watching it after finally getting the box-set my opinion on the most part has not changed. Do feel though now, something that wasn't noticed as much before, that it was a slow starter, the pacing and writing not settling straight away.

Will say having said that that there was enough to make 'The Borgias' addictive viewing, and it got better and better all the time and when it was at its best it was utterly riveting. Later on the characters that weren't interesting straight away were so, and the pace and writing tightened. The production values were without complaint through the entire show, most characters and interactions fascinated and more so on rewatch and Jeremy Irons never disappointed. Also took more notice of things loved before but on re-watch was shocked at how special they were, primarily the music and the opening titles sequence. The inaccuracies will have some up in an uproar, and they are numerous, but didn't watch 'The Borgias' expecting a history lesson, instead wanting a series that was exceptionally well made, fun and intriguing amongst other things and got that and it actually does it better than a lot of historical dramas that aren't accurate.

"The Poisoned Chalice" was a very promising start to 'The Borgias'. Not perfect and understandably, with the episode being basically setting things up, not everything feels settled. What was meant by understandably is that a lot of shows take a while to settle when they first start.

So much to like here in "The Poisoned Chalice". It is exceptionally well made, just one example of 'The Borgias' being one of the best-looking shows in recent years in my opinion. Even some period drama films don't look this good. It is just so exquisitely shot, whether in more intimate scenes or the more expansive ones. In the more intimate (in scale that is, but no less dramatic) scenes, like between Rodrigo and Cesare, it doesn't feel claustrophobic, while faring even better in the grander moments. The costumes, interiors and scenery left me in awe in their rich colours and attention to detail, as well as their authenticity. Having the feel of stepping into a Renaissance painting. Standing out visually to me when it comes to individual scenes is when Rodrigo is made pope, everything about that scene was exquisite but the photography just took my breath away.

Always did love the music on 'The Borgias', watching "The Poisoned Chalice" on my recent re-watch it made me realise how special it is. It manages to be sweeping and dramatic without being intrusive, suiting all the emotions here to a tee. In "The Poisoned Chalice", the most striking use of music, and it's one of the best uses of music of the whole show to me, is in the parade and crowning of Rodrigo. That scene is a perfect marriage of visuals, music and emotional impact, a beautiful scene in every sense. Am amazed at having not mentioned in my review for the show the opening titles sequence, a glaring over-sight. The main theme is incredible, the sheer intensity, grandeur and drama (already sending chills down the spine before the episode's only begun) makes it one of my favourite main themes for any show. Matched by splendidly and cleverly designed visuals, it makes for one of my all-time favourite opening title sequences.

Did like much of the storytelling here. Everything with the election, or more the aftermath, later on intrigues, while the episode ends on an unsettling note and loved much of the character interaction. The one between Rodrigo and Cesare (also the two most interesting characters in the episode, Rodrigo's complexity already showing) dominating, intense and beautifully (one of the assets that did feel settled straight away, Jeremy Irons and Francois Arnaud have very good chemistry together) though just as interesting is that between Cesare and Michelotto which gave off a degree of suspense. The direction is secure and keeps things intriguing generally and gets strong performances from most the cast.

Just the first episode and Jeremy Irons, even if he doesn't fit the role physically (he actually nearly didn't the role on initially for that reason), embodies Rodrigo's personality and traits and throws himself into the role. He relishes every line he is given, and he has pretty much all the best ones in "The Poisoned Chalice", and brings gravitas and sometimes menace to Rodrigo. Yet he also excels in the quieter moments, using just his expressive eyes and understated facial expressions when not saying a single word when crowned. Francois Arnaud would grow more confident as the show progressed and Cesare would become more complex, but the character does fascinate in his dark core already and Arnaud is charismatic enough. Colm Feore, Della Rovere showing here potential of being one of the show's more interesting characters, and Derek Jacobi are solid support. Sean Harris is a very scary Michelotto.

On the other hand, the pacing is, even for a deliberately paced show like 'The Borgias', is rather slow. Particularly early on, where more tension generally would have been more welcome. Holliday Grainger, though she does not have an awful lot to do in the episode, is somewhat bland at this stage as Lucrezia but a lot of it is to do with the character not being fully fleshed out yet.

Felt as well that the dialogue was uneven. Some of it was very thought-provoking, other parts were soapy.

In conclusion, very promising first episode. 7.5/10
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