This Friday (September 15), The Metroraph in New York City and the UCLA Film And Television Archive team up for what is bound to be one of 2017’s great repertory film series.
As part of their mission statement if you will, the UCLA Film And Television Archive strives to bring back to life some of cinema’s great forgotten masterworks. Be it social activist documentaries from the Civil Rights era or long lost silent masterpieces, the group’s Festival Of Preservation is a bi-annual series and subsequent national tour of new restorations spanning the history of film. With past festivals include titles as wide ranging as Too Late For Tears and God’s Little Acre, these series are some truly exciting restorations and the perfect way to discover your new favorite film.
After a run in La earlier this year, the series is now set to hit The Big Apple this week,...
As part of their mission statement if you will, the UCLA Film And Television Archive strives to bring back to life some of cinema’s great forgotten masterworks. Be it social activist documentaries from the Civil Rights era or long lost silent masterpieces, the group’s Festival Of Preservation is a bi-annual series and subsequent national tour of new restorations spanning the history of film. With past festivals include titles as wide ranging as Too Late For Tears and God’s Little Acre, these series are some truly exciting restorations and the perfect way to discover your new favorite film.
After a run in La earlier this year, the series is now set to hit The Big Apple this week,...
- 9/15/2017
- by Joshua Brunsting
- CriterionCast
Arri Media to handle international sales on feature.
Jonathan Rhys Meyers has joined Vanessa Redgrave and Joely Richardson in The Aspern Papers, an adaptation of Henry James’s novella of the same name.
Jon Kortajarena, Poppy Delevingne, Morgane Polanski, Alice Aufray and Barbara Meier have also joined the cast.
Set in Venice in 1885, Morton Vint (Rhys Meyers), a young writer and publisher fascinated by iconic romantic poet Jeffrey Aspern, strives to get his hands on the letters Aspern wrote to his beautiful mistress, Juliana Bordereau.
Now, decades later, Juliana lives in a Venetian palazzo with her niece, whom she dominates and Morton tries to seduce.
Julien Landais is directing from an adaptation he wrote with Jean Pavans and Hannah Bhuiya. Production is currently underway in Venice, Italy.
Meyers won an Emmy and a Golden Globe for his role in Elvis and has since starred in The Tudors, Dracula, and Vikings. His film credits...
Jonathan Rhys Meyers has joined Vanessa Redgrave and Joely Richardson in The Aspern Papers, an adaptation of Henry James’s novella of the same name.
Jon Kortajarena, Poppy Delevingne, Morgane Polanski, Alice Aufray and Barbara Meier have also joined the cast.
Set in Venice in 1885, Morton Vint (Rhys Meyers), a young writer and publisher fascinated by iconic romantic poet Jeffrey Aspern, strives to get his hands on the letters Aspern wrote to his beautiful mistress, Juliana Bordereau.
Now, decades later, Juliana lives in a Venetian palazzo with her niece, whom she dominates and Morton tries to seduce.
Julien Landais is directing from an adaptation he wrote with Jean Pavans and Hannah Bhuiya. Production is currently underway in Venice, Italy.
Meyers won an Emmy and a Golden Globe for his role in Elvis and has since starred in The Tudors, Dracula, and Vikings. His film credits...
- 8/4/2017
- ScreenDaily
Jonathan Rhys Meyers has been tapped to star opposite Vanessa Redgrave and Joely Richardson in the Julien Landais-directed period drama The Aspern Papers, based on based on Henry James's novel. Jon Kortajarena, Poppy Delevingne, Morgane Polanski, Alice Aufray and Barbara Meier are also set to co-star in the film, which is shooting in Venice, Italy, where the film’s 19th century plot is set. It follows Morton Vint (Rhys Meyers), a young writer and publisher fascinated by…...
- 8/4/2017
- Deadline
Maisie goes to Manhattan in this fine modern-day adaptation of Henry James's novel of irresponsible parenting
Henry James famously failed in his attempts to become a popular playwright in the 1890s and apparently never thought, like his friend Joseph Conrad, to engage with the new medium of the cinema. But starting some 30 years after his death, his fiction has reached a larger audience as a source of screenplays. Immediately after the second world war The Aspern Papers, shot in Hollywood on stylised Venetian sets, became the underrated The Lost Moment (the only film directed by the actor Martin Gabel) and was followed by William Wyler's highly regarded The Heiress (a version of Washington Square). Since then there have been a dozen or more James movies, adapting such complex books as The Golden Bowl, The Portrait of a Lady and The Wings of the Dove, and "the Master" has...
Henry James famously failed in his attempts to become a popular playwright in the 1890s and apparently never thought, like his friend Joseph Conrad, to engage with the new medium of the cinema. But starting some 30 years after his death, his fiction has reached a larger audience as a source of screenplays. Immediately after the second world war The Aspern Papers, shot in Hollywood on stylised Venetian sets, became the underrated The Lost Moment (the only film directed by the actor Martin Gabel) and was followed by William Wyler's highly regarded The Heiress (a version of Washington Square). Since then there have been a dozen or more James movies, adapting such complex books as The Golden Bowl, The Portrait of a Lady and The Wings of the Dove, and "the Master" has...
- 8/24/2013
- by Philip French
- The Guardian - Film News
"I felt the past closing around me like a fog, filling me with a nameless fear..."
A cinema tragedy: the phrase can probably best be exemplified by the fact that Charles Laughton directed only one film, and that film is so great that one can only wonder at what we've been deprived of.
Another actor, Martin Gabel, a character thesp with a bulbous head and a genuine talent for playing creeps, likewise directed one film only: the blacklist put paid to his career. The level of tragedy is harder to assess, since Gabel's only movie as director is very good, but not a masterpiece on the level of Night of the Hunter. But The Lost Moment (1947) is mysterious, romantic, atmospheric and altogether intriguing; and if Gabel were set to build on this starting point and improve still further, we may well have been deprived of a truly major cinematic talent.
A cinema tragedy: the phrase can probably best be exemplified by the fact that Charles Laughton directed only one film, and that film is so great that one can only wonder at what we've been deprived of.
Another actor, Martin Gabel, a character thesp with a bulbous head and a genuine talent for playing creeps, likewise directed one film only: the blacklist put paid to his career. The level of tragedy is harder to assess, since Gabel's only movie as director is very good, but not a masterpiece on the level of Night of the Hunter. But The Lost Moment (1947) is mysterious, romantic, atmospheric and altogether intriguing; and if Gabel were set to build on this starting point and improve still further, we may well have been deprived of a truly major cinematic talent.
- 11/21/2012
- by David Cairns
- MUBI
Argentinian director whose films drew heavily on the stories of Jorge Luis Borges
Although the Argentinian director and screenwriter Eduardo de Gregorio, who has died aged 70, had lived in Paris since 1970, his work was always identifiably South American. This can be attributed to the overpowering influence of the labyrinthine stories of Jorge Luis Borges on a generation of South American artists.
De Gregorio brought this Borgesian aura to bear on the five features he directed, and on the screenplays he wrote with Jacques Rivette and Bernardo Bertolucci. In fact, for the latter's The Spider's Stratagem (1970), De Gregorio adapted the Borges story Theme of the Traitor and the Hero, smoothly transposing it from Ireland to Italy. It was an elaborate piece of Oedipal plotting in which, revisiting the village in the Po valley where his father was murdered in 1936, a young man discovers that his father was not a hero, but a traitor.
Although the Argentinian director and screenwriter Eduardo de Gregorio, who has died aged 70, had lived in Paris since 1970, his work was always identifiably South American. This can be attributed to the overpowering influence of the labyrinthine stories of Jorge Luis Borges on a generation of South American artists.
De Gregorio brought this Borgesian aura to bear on the five features he directed, and on the screenplays he wrote with Jacques Rivette and Bernardo Bertolucci. In fact, for the latter's The Spider's Stratagem (1970), De Gregorio adapted the Borges story Theme of the Traitor and the Hero, smoothly transposing it from Ireland to Italy. It was an elaborate piece of Oedipal plotting in which, revisiting the village in the Po valley where his father was murdered in 1936, a young man discovers that his father was not a hero, but a traitor.
- 10/19/2012
- by Ronald Bergan
- The Guardian - Film News
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