39
Metascore
54 reviews · Provided by Metacritic.com
- 75USA TodayBrian TruittUSA TodayBrian TruittDoes a decent job living up to a legendary predecessor. Original star Ellen Burstyn returns in the latest film, which also goes all in exploring every parent’s deepest fears, but while it tries admirably, “Believer” is nowhere near as profoundly scary as William Friedkin’s genre-defining chiller.
- 60IGNTom JorgensenIGNTom JorgensenThough its predestined, blockbuster exorcism sequence just manages to provide a satisfying conclusion to the story, the underdeveloped synchronized possession element creates more problems than it solves and adds bloat to a movie which would have benefitted from a leaner, more measured approach.
- 60The GuardianBenjamin LeeThe GuardianBenjamin LeeLike with his Halloween reinvention, the film is trapped between the serious and the silly, a thinly etched tale of a father dealing with grief and faith jarring next to scenes of a demonic child screaming the C-word while spitting slime. It’s better when it leans into the latter, a schlocky night out at the movies made with more competence than most recent horrors but one that is unlikely to make a believer out of die-hard fans.
- 45SlashfilmWitney SeiboldSlashfilmWitney Seibold"Believer" is not the worst "Exorcist" film by any stretch, but it's certainly the least intriguing. It's a rote, choppy thriller that forgets to scare us.
- 45The Daily BeastNick SchagerThe Daily BeastNick SchagerThe Exorcist: Believer trots out Burstyn for continuity credibility and then treats her with stunning disrespect—the most brazen of many indications that the film is a soulless cash-in on an established name brand.
- 42ColliderChase HutchinsonColliderChase HutchinsonFor all the promising threads it pulls on surrounding a variety of faith traditions, The Exorcist: Believer doesn't earn your belief or your fear. Where Friedkin's classic will endure forever, this superficial sequel remains stuck in the past. It may try to speak all the same verses, but it doesn't add new life to any of them.
- 40The IndependentClarisse LoughreyThe IndependentClarisse LoughreyThis is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whittled down to a single ‘c***ing’, and any and all acts committed with crucifixes barely register a shock.
- 40And so it is that a film that was shaping up to be an intelligent and respectful homage to The Exorcist descends to the depths of a cheesy, straight-to-streaming rip-off. Viewers should do what Victor advises, and leave.
- 38Movie NationRoger MooreMovie NationRoger MooreAafter taking forever to open up the story (some good on location footage in Haiti) and stumbling a bit in setting the “growing sense of doom” tone, Green loses the plot and with it the power to land a big third act punch. Finishing with a swing and a miss can’t have been his intent.
- 25IndieWireDavid EhrlichIndieWireDavid EhrlichAn execrable film that’s redeemed by almost nothing besides Leslie Odom Jr.’s well-modulated lead performance and the ambient sense of unease that Green casts over the story’s first half, “Believer” is so creatively spineless and bereft of its own ideas that its entire concept of sacrilege is limited to imperiling its franchise’s legacy.