A list of the best cinematographers is bound to include high profile names like Robert Richardson and Roger Deakins, but it’s also likely to include Christopher Doyle. The Australian-born Hong Kong cinematographer made a name for himself through his collaborations with Wong Kar-Wai, which famously include “Chungking Express,” “Happy Together,” “In the Mood for Love,” and “2046.” Doyle’s work on “In the Mood for Love” is often cited as some of the most notable cinematography of the 21st century. Doyle recently spoke with The Film Stage about the past and future of his career, and he did not mince words when it came to referencing filmmakers James Cameron and Michael Mann.
At one point in the interview Doyle talks about the various directors he has been fortunate enough to work with throughout his career, from Wong Kar-Wai to Gus Van Sant, Jim Jarmusch, and Edward Yang. The Dp...
At one point in the interview Doyle talks about the various directors he has been fortunate enough to work with throughout his career, from Wong Kar-Wai to Gus Van Sant, Jim Jarmusch, and Edward Yang. The Dp...
- 12/11/2019
- by Zack Sharf
- Indiewire
The 28th Annual Whitaker St. Louis International Film Festival (Sliff) — held Nov. 7-17 — provides St. Louis filmgoers with the opportunity to view the finest in world cinema: international films, documentaries, American indies, and shorts that can only be seen on the big screen at the festival. Sliff will screen 389 films: 81 narrative features, 63 documentary features, 227 shorts, and 18 film programs exclusive to the Cinema for Students program. The fest also will feature 12 special-event programs, including our closing-night awards presentation. This year’s festival has 63 countries represented.
Sliff will present our usual array of fest buzz films and Oscar contenders, including “The Apollo,” “Atlantics,” “The Chambermaid,” “Clemency,” “Cunningham,” “A Faithful Man,” “Frankie,” “A Hidden Life,” “Just Mercy,” “The Kill Team,” “Little Joe,” “Marriage Story,” “Nomad,” “Olympic Dreams,” “Portrait of a Lady on Fire,” “Premature,” “The Report,” “The Rest,” “Seahorse,” “The Song of Names,” “Sorry We Missed You,” “Synonyms,” “A Tramway in Jerusalem,” “The Traitor,...
Sliff will present our usual array of fest buzz films and Oscar contenders, including “The Apollo,” “Atlantics,” “The Chambermaid,” “Clemency,” “Cunningham,” “A Faithful Man,” “Frankie,” “A Hidden Life,” “Just Mercy,” “The Kill Team,” “Little Joe,” “Marriage Story,” “Nomad,” “Olympic Dreams,” “Portrait of a Lady on Fire,” “Premature,” “The Report,” “The Rest,” “Seahorse,” “The Song of Names,” “Sorry We Missed You,” “Synonyms,” “A Tramway in Jerusalem,” “The Traitor,...
- 10/15/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Ai Weiwei, Werner Herzog to particpate in extended conversations following screenings.
A Spotlight section of screenings followed by extended conversations is the major addition to the programme for this year’s Sheffield Doc/Fest (June 6-11), revealed today.
Chinese artist Ai Weiwei and German filmmaker Werner Herzog are among those attending the festival and participating in the section.
Ai Weiwei will present his film The Rest, about Europe’s refugee crisis and the disintegrating humanitarian aid system, which premiered at Cph:Dox in March.
Herzog will take part in a discussion with Patrick Holland, controller, BBC Two, following a...
A Spotlight section of screenings followed by extended conversations is the major addition to the programme for this year’s Sheffield Doc/Fest (June 6-11), revealed today.
Chinese artist Ai Weiwei and German filmmaker Werner Herzog are among those attending the festival and participating in the section.
Ai Weiwei will present his film The Rest, about Europe’s refugee crisis and the disintegrating humanitarian aid system, which premiered at Cph:Dox in March.
Herzog will take part in a discussion with Patrick Holland, controller, BBC Two, following a...
- 5/9/2019
- by Ben Dalton
- ScreenDaily
Something that tends to get lost in the political discourse around the European migrant crisis — as right-wing gatekeepers promote myths of hungry foreign invaders, countered by left-wing checking of privilege and opportunity — is that the ultimate goal of many a Syrian or Afghan refugee is not to forge a new life, but return to their old one. The day-to-day challenges of resettlement and the exhausting toll it takes on the homesick, however, are very much to the fore in “The Rest,” the second documentary on the crisis from Chinese superstar artist Ai Weiwei — and a more focused, intimately affecting one than his heaving 2017 panorama “Human Flow.” A full hour shorter than that film, though still covering substantial ground in its survey of refugees battling barbed wire and red tape from Calais to Lampedusa, this Cph: Dox premiere should match its predecessor’s popularity with festival programmers and arthouse buyers.
With...
With...
- 4/1/2019
- by Guy Lodge
- Variety Film + TV
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