Bottle Shock (2008)

User Rating:

7.4/10   

Director:

Randall Miller

Writers (WGA):

Jody Savin (screenplay) &
Randall Miller (screenplay) ...

Release Date:

19 September 2008 (Hong Kong)

Genre:

Comedy | Drama

Tagline:

Based on a true story of love, victory and fermentation.

Plot:

The story of the early days of California wine making featuring the now infamous, blind Paris wine tasting of 1976 that has come to be known as "Judgment of Paris". |

Plot Keywords:

Grape | Wine | Father Son Relationship | Paris France | Blow Out

Awards:

1 win

US Showtimes:

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Cast

Chris Pine	...	Bo Barrett
Alan Rickman	...	Steven Spurrier
Bill Pullman	...	Jim Barrett
Rachael Taylor	...	Sam
Freddy Rodríguez	...	Gustavo Brambila
Dennis Farina	...	Maurice
Eliza Dushku	...	Joe
Miguel Sandoval	...	Mr. Garcia
Bradley Whitford	...	Professor Saunders
Joe Regalbuto	...	Bill
Hal B. Klein	...	Shenky
Kirk Baily	...	Loan Officer
Philippe Bergeron	...	Pierre Tari
rest of cast listed alphabetically:
Frank Avila	...	Field Hand
Geoff Callan	...	Man #3
James Carraway	...	James / Vintner #3
Amiée Conn	...	Bo's friend
Mark Famiglietti	...	Waiter
Marcia Firesten	...	Winery Owner
Jean-Pierre Gillain	...	Pierre Brejoux
Mary Pat Gleason	...	Marge
Leslie Goodman	...	Wine Tasting Spectator
Richard Gross	...	Lt. Randall
Arlo Hemphill	...	French Waiter
James Hiser
Matthew Kimbrough	...	Vintner #1
Larry Kitagawa	...	Country Club Member
Krystal Landrum	...	TWA Ticket Agent
Al Liner	...	Hotel Clerk
Valerie Long	...	Vintner #2
Justin Malachi	...	Valet
Kathy McGraw	...	Ms. Relyea
Randall Miller	...	Patron
Deborah O'Brien	...	TWA Attendant
Jeff Redlick	...	Pedestrian
Jean-Michel Richaud
Luis Saguar
Karl-Heinz Teuber	...	German Tourist
Scott Updegrave	...	Attorney
Mario Vendetti	...	Valet

MPAA:

Rated PG-13 for brief strong language, some sexual content and a scene of drug use.

Runtime:

110 min

Country:

USA

Language:

English | French | German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:PG-13 | Netherlands:6 | Singapore:NC-16 | South Korea:15 | Hong Kong:IIA

Filming Locations:

Buena Vista Vinyards - 18000 Old Winery Road, Sonoma, California, USA

Company:

Intellectual Properties Worldwide (I)

Trivia:

The Parisian street scenes were filmed in Sonoma, CA using cars provided by members of the Arcane Auto Society car club. The automobile's owners were used as extras in the street scenes that showed their cars.

Goofs:

Anachronisms: The Russian Ural sidecar motorcycle ridden by Gustavo was not available in US spec trim as shown in the movie until 1996.

Quotes:

[first lines]
Jim Barrett: [voiceover] Before Paris, nobody drank our wine. Well, friends did. But their palates were... less discriminating.

The Hollywood Reporter loves BOTTLE SHOCK!!

Bottle Shock Bottom Line: "Rocky" for wine aficionados. By Stephen Farber Jan 29, 2008

Sundance Film Festival

PARK CITY -- When a film opens with the title, "Based on a true story," one wonders if the filmmakers are trying to bolster a flimsy premise with claims of authenticity.

But "Bottle Shock," which had its world premiere at Sundance, enshrines an irresistible story that happens to be (mainly) true. It takes place in 1976, the year of the American Bicentennial, and in these cynical times, it is nice to be reminded of an American victory that is actually worth celebrating. This might not have been a momentous world achievement, but it was a gratifying victory all the same.

The contest takes place in the world of wine, in a time when California wines competed for the first time in a prestigious competition in France. One of the competitors was Château Montelena, a vineyard owned by Jim Barrett, who dropped out of the corporate rat race to pursue his dream of cultivating grapes. Jim is just one of the engaging characters in this tale of American hayseeds taking on French connoisseurs. Because of the wine backdrop, some will compare the film to "Sideways," but the comparisons are not really fair. This is a different kind of movie, a classic underdog tale with lots of humor and heart. With the right handling, it could be a hit on the specialty circuit.

The film begins by introducing an intriguing ensemble. In the Napa Valley, Jim (Bill Pullman) is locked in constant battle with his slacker son, Bo (Chris Pine), who works for him at the vineyard. Another worker, Gustavo (Freddy Rodriguez), the son of a Mexican field hand, hopes to launch his own label. Both of the men are infatuated with Sam (Rachael Taylor), a new arrival in town. Meanwhile, in Paris, Steven Spurrier (Alan Rickman) hopes to revive his failing wine business by sponsoring a competition, and a friend encourages him to visit California to add a new gimmick to the contest.

The film is very leisurely in establishing all these characters -- a mite too leisurely. The first half would benefit from tighter editing. Another problem is that the characters -- the tyrannical father and the rebellious son, the snooty European wine connoisseur -- are a bit stock, and the personal stories are not as well developed as they might be. But the film keeps building in intensity, and the payoff sizzles.

As he showed in "Marilyn Hotchkiss Ballroom Dancing & Charm School," director Randall Miller has real affection for actors, and he brings out the best in performers who haven't always had an opportunity to shine. (Miller wrote and produced both films with his wife, Jody Savin.) Pullman has his best role in years, and he captures the fury as well as the passion of a man in thrall to a dream on the verge of collapse. Pine has enormous charm, and Rodriguez confirms the promise he showed on HBO's "Six Feet Under." Rickman also has one of his juiciest roles in recent years, and he's able to satirize British haughtiness without falling into caricature. Watch his reactions as he samples California cuisine -- first a vat of Kentucky Fried Chicken and then a glob of guacamole -- and you'll savor the mastery of a truly subtle actor. Two beautiful young actresses -- Taylor and Eliza Dushku as a ballsy bartender -- give equally winning performances.

Once the film gets past the exposition, it brings off a number of delectable scenes. A high point comes when Rickman and Pine inveigle a bunch of airline passengers to transport California wine in their carry-on bags. And the climactic competition, where the scrappy American interloper has to stand up against generations of French tradition, is as rousing as any finale you'll see this year. Cinematographer Michael J. Ozier magnificently captures the Napa countryside. This intelligent, affectionate, beautifully acted movie gives crowd-pleasers a good name.