"Tales from the Crypt" Judy, You're Not Yourself Today (TV Episode 1990) Poster

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5/10
Terribly overacted and confusing
bellino-angelo201414 June 2021
Judy and Donald are a married couple that at the beginning bicker. While Donald is out for work she receives the visit from a door-to-door cosmetics saleswoman that is a witch in disguise. This witch sells Judy a necklace that gives the power of swap bodies with the ones that wear it. Her body is swapped also with another woman and when Donald returns home he is very confused because he can't distinguish his real wife from the witch. The result was very baffling too.

The acting was very bad by everyone and it looked even worse than that seen in a high school recital... it was THAT amateurish! And I was really confused when it was over because of its situation. Another hit and miss episode.
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5/10
Weird one
Dodge-Zombie8 August 2022
Not terrible. Not great. Kind of unfinished really. Based on Lovecraft who I'm a big fan of and Also staring Carol Kane who I'm a big fan of.

Just seemed like something was needed that didn't happen.
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7/10
Tonally weird
shellytwade1 April 2022
I have to admit this episode grows on you. It has such a strange tone that feels heavily inspired by David Lynch or something. At first I hated it but after seeing it a few times, I actually really like watching it. It won't be everyone's cup of tea but it might be yours.
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Unique Little Episode
mattressman_pdl31 August 2011
Judy, You're Not Yourself Today may stand as one of the most provocative, unique offerings from the crypt. It's eccentric style and over the top performances make for a highly unusual experience. Is it good? Well, that's up for debate.

A kooky, pretentious couple find their relationship tested by a body-switching witch. One can't blame the actors as they're all immensely watchable and take the show to maniacal levels. There are actually a few laughs to be had here, folks.

But it's just quite uneven, jarringly so. It feels like one of the more obscure Tales from the Darkside episodes...and thats not a compliment. It's still better than most of today's television, at least.
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7/10
An underrated Tales from the Crypt
SleepTight6663 July 2009
Warning: Spoilers
An underrated Tales from the Crypt. What makes it so much fun to watch is the soundtrack. It's excellent and the episode doesn't take itself too seriously.

The acting is also quite good. I loved Donald and Judy, both are very silly but very likable.

The story is about a witch taking over the body of a young beautiful girl. Her husband is kind of weird and ends up shooting the witch. Which eventually leads up to killing his wife.

The episode is very fun and jumpy, but ends up dramatically. All around, a very fun episode to watch.
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5/10
"Get a grip on reality you have a witch buried in your basement." Average tale from the crypt.
poolandrews5 April 2007
Warning: Spoilers
Tales from the Crypt: Judy, You're Not Yourself Today starts as Judy (Carol Kane) gets a knock on the door from an elderly door-to-door cosmetics saleswoman (Frances Bay) who happens to be a witch, she lets Judy wear one of her matching necklaces which when worn allows the wearers to swap bodies. In no time at all the witch has a nice new young attractive body & sets off for the train station, meanwhile Judy's husband Donald (Brian Kerwin) gets home & sees the old witch with Judy's personality in it & he is determined to get his wife's old body back...

This Tales from the Crypt story was episode 11 from season 2, directed by Randa Haines this is one of the low points of the generally fab season 2 & was average at best. The script by Scott Nimerfro was based on a story from the 'Tales from the Crypt' comic book & lacks a good premise, it lacks any proper horror & ends up feeling like a Disney style body swapping comedy with a few swear words & a zombie thrown in there to spice things up a bit but it didn't really feel like a Tales from the Crypt episode which is typified by the none event of a twist ending which is dull, totally forgettable & has no punch whatsoever. Then there's the shoddy storytelling, would someone phone someone up just because their wife was in a bad mood? Why did Donald shoot the witch so quickly? Why did it take three months for Judy to put the necklace back on? Why did she put it back on? I'm sorry but this is a distinct low point in season 2 but at only 30 odd minutes long it's still worth a watch if your bored & it's on TV for free.

This one feels like it was set in the 50's for some reason, there's no scares, there's no tension, there's no atmosphere & there's no blood, gore or violence. I must also mention the excruciatingly bad retro piano music playing constantly throughout this episode which is highly annoying & sounds both far too upbeat & jovial. The acting is OK but totally forgettable like the episode in general.

Judy, You're Not Yourself Today not only has an awful title but it's perhaps the worst Tales from the Crypt episode from season 2 that I have seen although I will admit I haven't seen them all yet, a disappointment & one for the fans really.
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8/10
A hysterical tongue-in-cheek episode
Woodyanders21 February 2011
Warning: Spoilers
Flaky gun fanatic Donald (a nicely quirky turn by Brian Kerwin) and his equally eccentric spouse Judy (a winningly kooky and zesty performance by the always delightful Carol Kane) are an oddball couple whose lives are made weirder after a crafty witch (a splendidly sly performance by veteran character actress Frances Bay) takes over Judy's body. Director Randa Haines, working from a cheerfully wacky script by Scott Nimerfro, relates the story at a constant brisk pace and adroitly mines in an extremely funny line in inspired zany humor (Donald and Judy are hilariously loopy characters). The enthusiastic acting from the able cast helps a lot, with Kane a stand-out as Judy (Kane's especially sidesplitting after her body is possessed by the witch and starts acting in the most slutty and vulgar manner imaginable). While it comes out from left field, the genuinely sad and surprising tragic ending is nonetheless quite moving and effective. Paul Elliott's sharp cinematography and Michael Convertino's sprightly piano-driven score further enhance the infectiously nutty merriment. A total hoot.
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2/10
"Big gun." Warning: Spoilers
Although thar be many a stinker in the annals of this mostly fine show, this one really feels to me like it could be the worst tale of them all... As a child, I once had to have two of my rear molars extracted at the same time. That was more fun than this. The plot is so simple and idiotic that it barely keeps the attention, it tries too hard to be all cute and funny, and oh god, that music! It's just revolting, overbearingly loud, and completely wrong for this type of show. It sucks dry whatever potential fun any scene had. Usually a good ending can make up for a poor episode and make it worth watching. But the ending to this one is just weak and senseless. It seems to me that the director of "Judy, you're not yourself today",(CATCHY) had mainly directed grand romantic dramas. So why were the directors like her allowed anywhere near this kind of programme? It was obviously done by somebody with zero knowledge of the macabre. There's no memorability to the episodes like this. Why, I could feel it fading from my head before it was even finished! It's a vile excuse for a tale from the crypt - there's nothing to be found here folks. ::: Enter the pair of horrible eccentric twits. When I first saw their 'home' at the start, a hideous doll's house of a house, with all of the colourful pictures, china dolls and knick knacks, I naturally wondered who the heck kind of freaks live here? And they didn't disappoint. You can practically smell the potpourri in the air.. I did actually like the knick knacks. A lot of people don't care for knick knacks, but I for one am a knick knack appreciator. Give the dog a bone! I really didn't care for Brian Kerwin's performance as the obnoxious gun-totin' Donald. What was supposed to be wrong with the guy? Was he just completely insane? About the only thing I could gleam of the character of his character was that he certainly loved his guns. And it eventually turns out before the end that he can't shoot the broad side of a barn! I found the scene where he shoots the witch and starts talking about what a "rush" it was downright disturbing, and that nonsense he utters at the end about "James Bond" and "being a very bad boy", how was that supposed to go with what I thought was a fairly well done dramatic final scene? What a joke. Nice pyjamas, though! Shweet! ::: I didn't enjoy the pouty performance of Karol Kane as the annoying titmouse of a wife neither. The delicate Judy liked her pretty things in her pretty world. I was impressed a little by the change in her demeanour in the few brief scenes where she's possessed by the witch, but that's all. The only thing I did enjoy was Frances Bay as the witch. RIP. The 'ole switcheroo" trick has been done many times before, better than here I'd imagine. You do have to pay attention to the plot to fully get the vice-versa thing. I thought she was pretty much wasted here. She didn't have a whole lot to do, and I know that wasn't her in that crappy zombie makeup! I really loved her in Pit and the Pendulum. (and Critters 3!) ::: What's the moral meant to be, don't be a crazy gun nut or a consumer-obsessed nitwit? Some kind of klunky commentary on gun lovers? Totally absurd. Eat dirt and die, nasty old forgettable trash episode of beloved horror tales TV show!!!
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8/10
Another Looney Tunes from this series
roxphox17 February 2021
Horrible overacting, comical silent-film style music throughout the episode. Nonsense and slapstick trash. What more appropriate tale could anybody ask for from the crypt?
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1/10
The looney tunes of the series
nickryanaudio3 March 2019
Horrible overacting, comical silent-film style music throughout the episode. Nonsense and slapstick trash.
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5/10
Pipe Down Judy
callanvass10 February 2014
Warning: Spoilers
A bored housewife Judy (Kane) is fed up of her husband's behavior. He tots a gun, smokes, and does everything possible to irritate her. One day, a strange elderly woman arrives. She happens to be a cosmetic saleswoman. She manages to convince Judy to enter her house. She is secretly witch and switches bodies with Judy. Her husband comes home to find Judy in an elderly body, but doesn't believe it at first. Another disappointing episode from season two. This seems to be a recurring theme for season two. After watching a very good episode called "The ventriloquist Dummy" we're back to square one. There is nothing that stands out about this one and it's a tad mundane as well. It doesn't help that I didn't give a damn about anyone in this episode. Carol Kane's whiny performance did it no favors. Frances Bay does well, but she can't do much with the material. There is an OK twist at the end, but it was too little too late.

5.4/10
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4/10
It's OK
BandSAboutMovies26 January 2024
Warning: Spoilers
"Oh, hello there, fright fans. I've just been sitting here waiting for my blood pack to harden. My cosmetologist said I was starting to look a little lifeless. Much better, eh? Which reminds me, tonight's poison parable is about a couple who take their appearance very seriously. Needless to say, they're going to end up trying to save face. I call this one "Judy, You're Not Yourself Today.""

Directed by Randa Haines (Children of a Lesser God) and written by Steven Dodd and Scott Nimerfro (who wrote eleven episodes of this show), "Judy, You're Not Yourself Today" is about possibly MAGA couple Donald (Brian Kerwin) - who walks around their house armed and dangerous - and his wife Judy (Carol Kane), who speaks with a fake English accent. One day, a door-to-door saleswoman/witch (Frances Bay) comes to sell her a magic necklace that allows her to steal her body.

The story comes from Tales From the Crypt #25 and was written by Al Feldstein and William Gaines and drawn by probably the best of all EC artists, Wally Wood. Like many EC stories, it's inspired by - sometimes Gaines and company would outright rip off stories - H. P. Lovecraft's The Thing On The Doorstep.

It has some prestige talent in front of and behind the camera, but is just fine. It's a quick story and at least Kane and Bay are fun in it.
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