Baby Killer
- Episode aired Nov 17, 2000
- TV-14
- 43m
IMDb RATING
8.4/10
1.2K
YOUR RATING
The tragic shooting death of a young girl leads investigators to a little boy. They soon realize that the gun used has been used in another crime scene.The tragic shooting death of a young girl leads investigators to a little boy. They soon realize that the gun used has been used in another crime scene.The tragic shooting death of a young girl leads investigators to a little boy. They soon realize that the gun used has been used in another crime scene.
Photos
Nicolas Salgado
- Elias Barrera
- (as Nicolas Marti Salgado)
Jaliyl Lynn
- Jamal Morales
- (as Jaliyl Ali Lynn)
Storyline
Did you know
- TriviaWhen Stabler and Benson arrest "Machete" he shows Benson and Stabler a large sum of cash and tells them that he is a business man and they should take it and walk away, just call it the cost of doing business. After looking at the money and walking away Stabler says "call it a class B felony." Stabler is referring to the fact that "Machete" was committing the crime of bribery in the first degree, which is a class B felony and carries a minimum sentence of five years in prison and a maximum sentence of 25 years in prison. First degree bribery is charged when a person who is guilty of committing, or has been accused of committing, a class A felony attempts to influence a police officer or government official to ignore their offense in exchange for something of value. "Machete" was being arrested for murder in the second degree, which is a class A-I felony, so attempting to offer Benson and Stabler money in exchange for letting him go constituted bribery in the first degree.
- GoofsWhen Cabot makes her statement on the courthouse steps about the cycle of violence, her lips very visibly do not match the words she is saying.
- Quotes
Lorena Jackson: [to a crowd of people outside of the courthouse] I'm Carly Jackson's mother. I know you're all here out of concern and I thank you, but I have a favor to ask. Go home. Take care of your children.
Featured review
Wrenches the gut
'Law and Order: Special Victims Unit', and the original 'Law and Order', often excelled in tackling difficult and complex subjects and when a character/the characters battle their conscience and face conflicted moral dilemmas and how to go about solving the case. It is more than just straight up procedural work, solving murder and forms of sexual abuse and courtroom scenes and is often unsettling to view because of the subjects it takes on.
"Baby Killer" is one such episode. One of the best episodes of Season 2 and one of the most touching and gut wrenching of not just this particular season but of the early seasons overall too. It is one of those that leaves one in tears, disturbed and angry, personally felt all those emotions by the time it ended on the unexpectedly shocking note it does. "Baby Killer" is a classic case of a 'Special Victims Unit' episode that doesn't make one hate the perpetrator and is shocked by how he was capable of what he did and why, despite that it doesn't look that way at first.
The subject matter is a difficult and controversial one, with the characters having to battle one of Season 2's biggest moral dilemmas. "Baby Killer" handled it with tact and sensitivity, with no real bias, complete with don't-see-it-coming twists. Being an episode where it was not too hard to see both sides. The outcome induces initial outrage and one on first watch may not find it realistic, but when thinking about it afterwards it is not too hard to understand why it turned out that way. It is one of the few episodes to not to have many characters to hate, apart from Cabot's jerk of a boss, and where there are no real villains at the end.
All the characters are well-written, Elias being the most interesting. It was great though to see Cabot being given respect and to see her have a heart after all, having been somewhat of a near-cold fish up to this point. This is especially apparent in a truly powerful and brilliantly acted courtoom scene, with Stephanie March giving some of her best acting of her earlier appearances as the character. The biggest standout in the acting department is Nicolas Salgado in one of the show's most note-worthy child performances, portraying a wide range of emotions that the viewer also feels.
It is well shot and edited once again and the music doesn't get too melodramatic, even in revelations and dramatic moments. The writing is intelligent and lump-to-the-throat-worthy, without being over-serious, soapy, sentimentalised or rambling.
Summing up, wonderful and both unsettling and extremely moving. 10/10
"Baby Killer" is one such episode. One of the best episodes of Season 2 and one of the most touching and gut wrenching of not just this particular season but of the early seasons overall too. It is one of those that leaves one in tears, disturbed and angry, personally felt all those emotions by the time it ended on the unexpectedly shocking note it does. "Baby Killer" is a classic case of a 'Special Victims Unit' episode that doesn't make one hate the perpetrator and is shocked by how he was capable of what he did and why, despite that it doesn't look that way at first.
The subject matter is a difficult and controversial one, with the characters having to battle one of Season 2's biggest moral dilemmas. "Baby Killer" handled it with tact and sensitivity, with no real bias, complete with don't-see-it-coming twists. Being an episode where it was not too hard to see both sides. The outcome induces initial outrage and one on first watch may not find it realistic, but when thinking about it afterwards it is not too hard to understand why it turned out that way. It is one of the few episodes to not to have many characters to hate, apart from Cabot's jerk of a boss, and where there are no real villains at the end.
All the characters are well-written, Elias being the most interesting. It was great though to see Cabot being given respect and to see her have a heart after all, having been somewhat of a near-cold fish up to this point. This is especially apparent in a truly powerful and brilliantly acted courtoom scene, with Stephanie March giving some of her best acting of her earlier appearances as the character. The biggest standout in the acting department is Nicolas Salgado in one of the show's most note-worthy child performances, portraying a wide range of emotions that the viewer also feels.
It is well shot and edited once again and the music doesn't get too melodramatic, even in revelations and dramatic moments. The writing is intelligent and lump-to-the-throat-worthy, without being over-serious, soapy, sentimentalised or rambling.
Summing up, wonderful and both unsettling and extremely moving. 10/10
helpful•172
- TheLittleSongbird
- Feb 20, 2020
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