Directed by
Polly Watkins |
Writing Credits (in alphabetical order)
Polly Watkins |
Cast (in credits order)
Diane Badcock | ... | Self | |
Anne Healey | ... | Self | |
Maggie Hopcraft | ... | Self | |
Jan McCarthy | ... | Self | |
Terrie Ross | ... | Self | |
Colleen Thurgar | ... | Self | |
Barry Morgan | ... | Self |
Produced by
Lizzette Atkins | ... | producer |
Beth Frey | ... | producer |
Music by
John Willsteed | ... | (as John Willstead) |
Cinematography by
Michael Williams |
Editing by
Tony Stevens |
Production Management
Martin Thiele | ... | production manager |
Art Department
Rose Draper | ... | graphic artist |
Sound Department
Livia Ruzic | ... | sound designer |
Mark Tarpey | ... | sound recordist |
Keith Thomas | ... | re-recording mixer |
Visual Effects by
Justin Heitman | ... | telecine colourist |
Camera and Electrical Department
Adam Arkapaw | ... | camera department attachment |
John Tsiavis | ... | still photographer |
Editorial Department
Justin Heitman | ... | telecine colorist |
Ben Joss | ... | assistant editor |
Henry Karjalainen | ... | assistant editor |
Sarah Robertson | ... | on-line editor |
Music Department
Christine Woodruff | ... | music consultant |
Script and Continuity Department
Anne Marie Allan | ... | post-production script |
Dennis K. Smith | ... | script editor |
Additional Crew
Anne Marie Allan | ... | transcriptor |
Barry Clarke | ... | radio announcer |
Adam Dickson | ... | production runner |
Atalanti Dionysus | ... | production coordinator |
John Handby | ... | mastering |
Matt King | ... | radio announcer |
Tony Nagle | ... | production accountant |
Dan Pearce | ... | legal advisor: Holding Redlich Solicitors |
Zoe Turner | ... | assistant to producer |
Wendy Tyrer | ... | publicity designer |
Christine Woodruff | ... | music consultant |