The Dark (2005)

User Rating:

5.3/10   

Director:

John Fawcett

Writers (WGA):

Simon Maginn (novel)
Stephen Massicotte (screenplay)

Release Date:

May 2005 (Canada)

Genre:

Horror | Mystery | Thriller

Tagline:

One of the living for one of the dead.

Plot:

In mourning over the tragic drowning of their daughter Sarah (Stuckey), James (Bean) and Adèle (Bello) are visited by Ebrill (Stone), a young girl who claims she died 60 years ago ... and bares a startling resemblance to Sarah.

Plot Keywords:

Husband Wife Relationship | Underwater Scene | Flashback Sequence | Missing Daughter | Back From The Dead

Cast

Maria Bello	...	Adèlle
Sean Bean	...	James
Maurice Roëves	...	Dafydd
Sophie Stuckey	...	Sarah
Abigail Stone	...	Ebril
Richard Elfyn	...	Rowan
Casper Harvey	...	Young Dafydd
Eluned Jones	...	Doctor
Gwenyth Petty	...	Librarian
Robin Griffith	...	Police Inspector
Mike Keggen	...	Rib Skipper
Tonya Smith	...	Main Stumblehead Martyr

Also Known As:

The Dark (Germany)

MPAA:

Rated R for some violent/disturbing images and language.

Runtime:

93 min | Philippines:92 min (cut)

Country:

Germany | UK

Language:

English | Welsh

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Ireland:16 | Singapore:PG | USA:R | Brazil:14 | Germany:16 | Malaysia:18SG (uncut version) | Malaysia:U (cut version) | Australia:MA | Finland:K-15 | Philippines:R-13 | Hong Kong:IIB | Portugal:M/16 | Iceland:16 | Argentina:16 | France:-12 | UK:15

Filming Locations:

Bray Studios, Down Place, Oakley Green, Berkshire, England, UK

Company:

Constantin Film

Trivia:

The concept of "Annwn" (Annwyn) is not made up especially for the film or the book on which it was based. "Annwn" is an underworld or other world found in Welsh legend, a land of the dead. It is said to lay far in the west and could be accessed by the living through a door located at the mouth of the Severn once a year. Surviving from pre-Christian Celtic mythology, it's neither Heaven nor Hell in the Christian sense, humans can enter spiritually or corporeally. This is the first film about Annwn.

Genre-by-numbers Saturday night shocker

Can a horror film be scary and boring at the same? The Dark has an extremely good effort – about equivalent to lifting one's little finger. The plot shows all the attention span of someone reading a Welsh mythology after smoking several reefers. Formulaic scare-mongering knocks you out of your seat at regular intervals, though without enlivening the story or characters much, the most interesting of which, a girl called Ebrill, is temporarily back from the dead after a number of misled churchgoers and nigh on a flock of sheep have been offered in her place.

Young Sarah arrives with her mum at a remote cottage on the Welsh coast where her dad is staying. Legends, hallucinations, nightmares of sheep and people going over a nasty bit of cliff abound and we hear of how it might be possible for some people to pop back and forth between this world and the next – at a price.

Director John Fawcett, who showed promise and originality with Ginger Snaps, has here gone for banality enlivened by the most unashamed editing. If you flash a very sudden, very bright image at someone, and simultaneously make a very loud noise, they will jump. Traditionally, filmmakers have used this technique to emphasise a plot turn – the appearance of the bogey-man, monster, serial killer. Fawcett doesn't bother, he just inserts it. One minute you're watching the sleep-inducing story and the next you are shocked awake by a loud crash together with a bright light. Explain it to yourself as a deep insight into the unsteady mind of one of the characters? Well if I was a character in such an insipidly put together movie I'd probably need to be deranged for fun too. The trouble with this technique is that there is no plot momentum to keep you excited until the next loud bang. After the first two, I started trying to predict the next one (wait for a false alarm, then a lull, then the bang) and with reasonable accuracy till I lost interest.

It picks up a bit towards the end, and the scares are scary, however contrived. All in all it's standard Saturday night horror fare, nothing that special. If you don't mind the clichés, sit back and go whaaaaaa (as I did!)