Directed by
| Greg Durbin | ||
Writing Credits (in alphabetical order)
| Greg Durbin | ... | (screenplay) |
| Fernando Sorrentino | ... | (story "El hombre de Paraguas") |
Cast (in credits order)
Produced by
| Susan Bailey | ... | executive producer |
| Doug Bania | ... | line producer |
| Sergio Damesceno | ... | assistant producer |
| Greg Durbin | ... | producer |
| Mary Miller | ... | associate producer |
| Eduardo Montiel | ... | associate producer |
Music by
| Jon Close | ||
Cinematography by
| Christopher Bishop | ||
Editing by
| Greg Durbin | ||
Art Direction by
| Tal Rubin | ||
Set Decoration by
| Stacy Hall | ||
Makeup Department
| Dahn Denton | ... | hair stylist |
Second Unit Director or Assistant Director
| Jim Cran | ... | assistant director |
Art Department
| Tal Rubin | ... | property master |
Sound Department
| Peter Carpentier | ... | sound mixing engineer |
| Mauricio Chernovetzky | ... | boom operator |
| James A. Corbett | ... | re-recording mixer |
| Jim Corbett | ... | re-recording mixer |
| Dave Earl | ... | boom operator |
| Geof Gibson | ... | sound mixing engineer |
| Maria Elena Jordá Langfeldt | ... | sound editor (as M.E. Jordá Langfeldt) |
| David Kudell | ... | audio post consultant / post-production sound consultant |
| Rick Linkowski | ... | sound recordist |
| Greg Penetrante | ... | avid consultant |
| Chris A. Peterson | ... | boom operator (as Chris Peterson) |
| James Ray | ... | avid consultant |
| Tal Rubin | ... | boom operator |
| David Rudell | ... | audio post consultant |
| Steven P. Wilt | ... | audio post consultant (as Steve Wilt) / sound recordist (as Steve Wilt) |
Special Effects by
| Ely Rubin | ... | mechanical effects |
Visual Effects by
| Ted Purvis | ... | video effects |
Stunts
| Navid Negahban | ... | stunt coordinator |
Camera and Electrical Department
| Christopher Bishop | ... | gaffer |
| Diego Carro | ... | grip |
| Alex Chernovetzky | ... | still photographer |
| Robert Clamage | ... | grip |
| William Dablaing | ... | grip |
| Joel Deutsch | ... | additional cinematographer |
| Greg Durbin | ... | additional cinematographer |
| Dave Earl | ... | grip |
| York Funston | ... | additional cinematographer |
| Anthony Glass | ... | camera loader |
| Tim Kachler | ... | additional cinematographer |
| Darren Kawasaki | ... | grip (as Daren Kawasaki) |
| Ted McLaren | ... | camera loader |
| Arlene Muller | ... | camera loader / still photographer |
| Gene Sivé | ... | additional cinematographer |
| Warren Wolf | ... | gaffer |
| Grant Yellen | ... | first assistant camera / gaffer |
Editorial Department
| Richard E. Flores | ... | negative cutter |
| Maria Elena Jordá Langfeldt | ... | assistant editor (as M.E. Jordá Langfeldt) |
Music Department
| Miles Anderson | ... | composer: trombone music and violin theme / musician: trombone |
| Russ Caldwell | ... | musician: percussion |
| Jon Close | ... | music arranger / musician: piano |
| Hank Easton | ... | musician: guitar |
| Glen Fisher | ... | musician: bass |
| Erica Sharp | ... | musician: 5 string electric violin |
Script and Continuity Department
| Stacy Hall | ... | script supervisor |
Additional Crew
| Enna Osborne | ... | craft service |
| Rebecca Romani | ... | craft service |