Night at the Golden Eagle (2001) Poster

User Reviews

Review this title
27 Reviews
Sort by:
Filter by Rating:
7/10
Good Depiction of dead end life
dobandray8 February 2005
Warning: Spoilers
I saw this movie the other night on IFC. I think this movie is meant to show you what life is like at seedy hotel like The Golden Eagle, rather then concentrate on Mic and Tommy's bid for a better life in Las Vegas.

I know first hand what these hotels are like, because in the late summer of 1987, I did a research paper for school and stayed at a place called The Imperial located at 208th and Broadway in NYC. I spent 5 nights as part of my project, and some days was never more scared in my life. There were all kinds of low life and scum that lived there. Most of the room were rented by the hour, for $18 by the owner, a dirt bag named Pablo, at least that was what he was called. He sat behind 3 inch bullet proof glass and everything cost something. There was a nice touch where Rifkin has the front desk guy at the Golden Eagle selling cigarettes for $1 per smoke. Pablo rented you the room for the hour and then charged you for the key, sheets, towels. Prostitutes that lived there or used the rooms all had to report to the pimp who stood in the lobby, who was about 6'6 , covered with tattoos, was missing an eye and carried one of those 'Crocodile' Dundee knives. I think Vinnie Jones character Rodan was tame compared to this guy. I never got his name, but I tried often to avoid this guy. The 3rd night I was there, he really smashed some John's head in.

I paid $8.25 a night for a room the 1st two nights, and $15 a night for the last 3 for a "delux room" which meant it had a bathroom in it and black & white TV. Most of the other rooms where rented out to the bums who washed windshields and managed to get $8.25. Pablo on several nights allowed anyone to sleep on a couch for $5 and could use a bathroom for $3,each time. The garbage was piled high and the place was rank. I learned from an old guy named Walt, who had lived there 10 yrs, Think of Mr. Maynard, that the place was once great in the 40s and 50s. Some of the old timers where just cursed with living too long, as their pensions and social security was not enough to sustain any sort of life.

I befriended a hooker named Isablla, who about 15, maybe 16 who crashed in my room 2 nights, then followed me home after my week was up. I sent her away with $200 and drove her to NJ. I can't say if any ex-cons or recently released cons lived among the others, several residents were minimum wage employees. Minimum wage in 1987 was $3.35 per hour. A bunch were old, some really old. There were bathrooms at the end of all halls which were the only ones on the floors accept for the 4th floor where 'delux rooms" where offered. Hardly any showers worked, and most of the toilets were over flowing.

I thought the movie moved slowly, but I think that was intentional to show the dead end life. There is nothing to do there, most residents are too afraid to venture out side and trouble is everywhere. The part with the dead body in the back alley is so true and Tommy's line "she's a hooker, no one is gonna miss er' " is true. There was one OD while I was there and another wino dead in the stairwell. The cops were nearly invisible, occasionally showing up to harass a pusher or hooker. The last night, one guy ran up the fire escape to get away from the cops and jumped from one roof to the next. Most of the windows were broken and the IRT was running all night. Remember " The Blues Brothers"? I went back 10 years later in 1998, and found that the place was now in control of the Catholic Church and was still a flop house, where bums could only stay a few nights then had to move on. The nuns kept the place as clean as can be, at least the stench was replaced by a Strong disinfectant smell. One nun told me that the building was a crack den before it was raided and then abandoned for almost a year before the church took over. Nowbody had an idea what happened to Pablo, or Walt or if Isabella ever came back.

If you want to know what life is like in cities where this can be your only housing alternative, then I recommend this movie.
16 out of 18 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Not a fun movie
lduperval18 June 2003
This is definitely not your typical family fare. It's the story of a smalltime thug (Mic) with a bad temper, who gets released from jail. He's greeted at the gate by his longtime buddy (Tommy) who has decided to reform. He wants to go to Las Vegas and bring Mic along. Well, the fact that Mic has a bad temper and is an ex-con should tell you enough to know what will go on. The Golden Eagle is a rundown hotel full of poor, depraved people. A place where dreams come to die an ugly death.

None of the characters was very appealing, the filming is very dark and the story moves slowly. It's an exercise in character definition and acting. If that's what you're looking for in a movie, then this is the movie for you. However, my main problem with it, and the reason I rate it a 6, is that it's not entertaining. When I pulled the DVD out of the player, I didn't feel like I enjoyed myself, The movie didn't move me or make me think and that's a big failure in my book.
8 out of 11 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Solidly middle of the road
slake092 December 2007
The story of small time crooks, low-income senior citizens and others on the fringe, Night at the Golden Eagle shows one night in their sorry lives. From the ex-con just getting out of prison to the loser desk clerk, everyone in the hotel has some large or small drama going on.

While other reviewers chose to see this as gritty and realistic, I didn't think so; street walkers, for example, are seldom as good looking as Natasha Lyonne, or as articulate. You could expect a lot more drug use and a lot fewer pretty faces in a flea bag hotel, the characters living there wouldn't be nearly as interesting.

The movie is shot in dark tones with a distinct style, presumably to give it more atmosphere; that works, it doesn't distract from the action. The production values are as high as anything else, this isn't a B movie at all.

The film misses the mark, though, it's a decent movie but not a real slice of life as it aims to be. With a couple of quick edits it could easily be the movie of the week on TV.
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
TRULY MEMORABLE NIGHT
george.schmidt29 April 2002
NIGHT AT THE GOLDEN EAGLE (2002) ***1/2 Donnie Montemarano, Vinny Argiro Natasha Lyonne Ann Magnuson, Vinnie Jones, Sam Moore, Fayard Nicholas, Miles Dougal, Badja Djola, James Caan (Cameo) . Character driven piece of pulp fiction with career criminal Montermarano recently released from a stint in the joint and hooking up with his old cronie Argiro whose plans on going straight including his newly returned to society buddy to a jaunt to Las Vegas ends up with some cruel twists of fate on a sweltering night in the titular Los Angeles flophouse. With the feel of a novella come to life the ensemble cast of misfits, losers and degenerates set in this moldy enclave of despair permeates like a rotting carcass thanks largely to filmmaker Adam Rifkin's vision of hell on Earth (kudos to the ace cinematography by Checco Verese for his seamy look at the underbelly of humanity at its worst). Grim, uncompromising and deftly cutting to the bone of contrition.
13 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Home to drunks and prostitutes
soundry31 October 2006
"Night at the Golden Eagle" is just a few steps away from being a perfect film, we don't get the opportunity to absorb the climax before it ends, so by the time the credits roll it felt incomplete.

The story isn't about resolutions, but instead the opposite, if you ever wondered where the people who don't "make it" go after they've failed, or where society's unwanted leftovers collect, or where those with potential ultimately find themselves on the wrong side of fate's door there are a lot of them out there right now on the streets, and they're getting younger and younger, get your teen to see it they might learn something.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
Unpleasant and Depressing Feature
claudio_carvalho23 June 2014
After spending more seven years in prison, the criminal Tommy (Donnie Montemarano) is released and his former partner Mick (Vinny Argiro) is waiting for him to take him home. Mick is an ex-convict that is straight now, working as a janitor in a porno shop and living in the decadent and filthy Golden Eagle hotel in Los Angeles. He tells Tommy that he has saved 2.5 thousand dollar and has bought two tickets to Las Vegas for them. Mick's intention is to find a job in a casino and begin a new life with his old friend in a nice place. The dirty Golden Eagle is a joint where prostitutes meet clients and losers and decadent people live.

When Mick goes to work his last night in his job, Tommy brings the prostitute Amber (Natasha Lyonne) to the room to have sex with her. Amber works with her friend Sally (Ann Magnuson) on the streets and their pimp is the strong Rodan (Vinnie Jones) that is luring the fifteen year-old runaway Loriann (Nicole Jacobs), promising that she will become a cinema actress. Tommy fails with Amber and she mocks him. Tommy gets angry and kills Amber. When Mick returns to his room, he finds her body. Will that be the end of Mick's dreams?

"Night at the Golden Eagle" is a depressing feature with unpleasant characters. The story is awful, without humor or moral, and the subplots are repulsive. The lead plot refers to Mick and Tommy and is neither good nor interesting; the subplot with the young prostitute is depressive; the plots with the lonely old tapper and his dog and the television viewer are melancholic. In the end, "Night at the Golden Eagle" is a movie that will make you feel completely down. My vote is four.

Title (Brazil): "A Iniciação" ("The Initiation")
6 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Sleeze of life
TDeMona22 April 2017
The stench of neon lights in a sinful city street are always interesting to me, and these are the elements this film promised. On that front it absolutely delivered, but what else? The movie takes place, as the name suggests, on one night in a decrepit hotel. One positive I can say is that the hotness of the summer night is absolutely palpable in this piece.

The story is about an old crook who gets out of the prison. His best friend, our main protagonist, has a plan to move to Las Vegas and start a new, legit life with the money he has managed to save. But the old jailbird's blood flow's too hot and he kills a prostitute in anger. Now the duo must get rid of the body before the buss leaves and before this messes their shiny new future before it even begins.

That's a nice premise and all, but few things stuck up like a sore thumb. First of all, the recently released character is a complete jerk, and thus as a watcher it was rather difficult to accept our main character's necessity to keep this parasite out of responsibility just because, we are told, they used to be mates. The main dude himself was fine, but a more three dimensional sidekick would have made a more balanced double act so that a viewer would not want anything bad to happen to either of them.

Secondly, neither of these old crooks really develop as characters throughout the thing. The movie just ends and doesn't really resolve anything - as if they would have started to free ball the script without any idea where they were heading.

Actually much more interesting than the main story is a B-plot about a young, empty headed girl whom a slippery tongued pimp (Vinnie Jones) half cons to become a prostitute. The girl is completely at lost inside her tough interior, but luckily meets an older harlot who takes her under her wing. This particular hooker is the best and most positive character in the film. Their plot line actually goes somewhere, which is welcome.

Other good stuff: the world of the film is made nicely pathetic and slimy. This is good. The drunken idiot who works the hotel's reception is a fun character. The almost "Weekend at Bernie's" -style corpse charade by the main duo at the end part of the film goes into a total farce. This, and other humour is good to balance out the darkly lit nihilism.

Unfortunately, in the end the result is still somewhat forgettable. The drama never ascends the smallness of it's characters which became rather numbing after a while. Also we had slowness and nothing really happening at times. It isn't, by no means, a horrible film and one can still do much worse.
1 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Wow, really bad acting
vichercules@yahoo.com4 February 2005
This movie looks great if you like stereotypical flop house sets. Every character every set, every bit of body language is a cliché. From the dancing hooker to the stilted poorly delivered dialog. The movie feels as if there were no rehearsals and the actors were either reading their lines off of cue cards or checking their scripts between takes. I found it impossible to suspend disbelief long enough to embrace the story. The rushed line delivery alone dooms this film.

The film stock looks good and some of the shots are great, but while the girls tears from the closet start to seem like good film making, the sex scene she watches is too abstract and blurry to be disturbing enough to draw a reaction from the viewer. The murder that the film hinges on is cut away from after a few short seconds. And the attempts to violate our sensibilities with a corpse are straight out of weekend at Bernies. It is clear that the director wanted to disturb the audience, but did not have the guts to take it to a level that could possibly inspire an emotional response.

Save your valuable time and watch something better. If you are looking for gritty and disturbing, take it as far as you can go and check out Irreversible (The most difficult to watch film I know of). If you are looking for a well acted character piece, try American Buffalo. If you want realistic hard edged urban drama, see Fresh. Any of these films will be a far better use of your time.
1 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
excellent gritty stuff. What indie film-making should be
tbyrne44 May 2006
I'm not a fan of Adam Rifkin's lighter, more commercial stuff ("The Chase", "Detroit Rock City") but I was blown away by "The Dark Backward", which is one of the darkest, most transgressive contemporary films I've seen and that made me seek out "Night at the Golden Eagle", which I also really liked. Golden Eagle has the same obsession with darker than dark, hell-on-earth textures as Dark Backward. I'm not sure how Rifkin does it, but I've seen few other filmmakers who really capture that sense that you are truly looking into the bowels of hell. Even David Lynch doesn't quite go this far down.

Basic plot involves two old-time cons, one having just been released from prison. The other has been living a straight life at the titular fleabag motel, home to prostitutes, geriatric Hollywood hoofers, and other assorted weirdos and drug addicts. The two old cons have a plan to head to Vegas in the morning and start fresh lives as blackjack dealers, but when a hooker ends up dead in their room, things get complicated. There's also a subplot involving a very young prostitute being shown the tricks of the trade by a motherly older prostitute (played by Ann Magnuson).

The film is actually a pretty big downer. Some definite shades of Bukowski and Hubert Selby Jr. Comic relief comes in the form of a b.s.-spouting, television obsessional (played wonderfully by old-time soul great Sam Moore) and a much put-upon desk clerk ("EVERYONE needs something! I'm out of milk, fer Christ's sake!").

More than anything this makes me wish Rifkin would stick to the darker, textural stuff he has such an undeniable gift for creating.
7 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Spend a night at the Golden Eagle
videorama-759-85939120 January 2016
I love low budget films that pay off and are very entertaining, especially Indie ones. Take Clerks as one example. Director Rifkin, is a very interesting movie maker. Just go back The Dark Backward- original genius, or Look, which had some very disturbing and realistic themes, like this one. At the end, of this 90 minute viewing, you feel like you've been slapped around the face a few times. Speaking of slapping: Vinnie Jones's performance here as a brutal and uncompromising pimp, who lures really young girls off the bus, with dreams of stardom, then turns them out on the street, is electric, playing one of the most scariest pimps I've seen, and I've seen a few. Another great pimp playing performance was that of Brian Tarantina in the little but potent straight to video drama, Runaway Dreams. Jones also plays the charm of the pimp, wonderfuly. ANATGE takes place in a run down, but kind of legendary old hotel, that caters for a lot of tricks, a few old people, ex cons, and we see at first sight, how pimps, pros work it, but too as people, we get underneath the characters, and see them as real people. Ann Marguson (Panic Room) is great as the worn hooker who really puts so much into her character, her and Jones really shine in this, while American Pie's Lyonne, really shows us, she can really act, and act up a storm she does. To say there's bad acting in this film, truly warrants 50 floggings. Newbie, Nicole Jacobs (what happened to her) with her fresh hot fifteen old looks, and fresh off the bus, completes the talent chain of great acting, for she really shines as Lorrianne, pimp Rodan's (Jones) newest profitable discovery, and he's a really smooth operator, where the little lass, busts her cherry the same night. Also exuding hotness, sexiness, Lyonne must be praised as the slightly older teen hooker, Amber, blowing us way with her presence. The performances are so believable, where a lot happens in one night, the plot involving two ex cons, one recently released, where they get involved in a real pickle, in an accidental manslaughter, and try to cover it up, which kind of backfires for one of them. The film has been shot in that grainy, brown swarthy color ala: 187 film, and it really works, especially for the atmosphere, where the nights are really hot and a lot indeed, happens over the night, in this low key movie, another gem that must be sought out. It's painfully evident, there was a lot of struggle to make this movie, whether production, or financial, but I'm glad the struggle was overcome. The movie though has more straight to video appeal. Not everyone will like this movie, but again, Rifkin, shows you don't need much moolah, to pull off something engaging or visually viable, and this movie really has moments that affect, with some real moments of unease, thanks to Jones. The outcome of the Lorianne character, coming to accept her life here as a popped virgin pro, is one of those affecting and sadly realistic moments.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
There's some problems.
tarbosh2200013 February 2004
This movie is slow, boring, pretentious and very unexciting. The cameo by James Caan is just a smile and everybody else looks bored. The razor- thin plot consists of a couple of Italian gangsters who are looking to escape a hotel after a murder. Why they can't escape the hotel is not explained. The very similar "Million Dollar Hotel" is better because it has Mel Gibson and Tim Roth. And that movie is really boring and talky as well.

The movie has no virtually no action. I don't mind a talky movie once in a while if its good, but "Mindwalk" this is not.

For more insanity, please visit: comeuppancereviews.com
1 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Riveting, Mesmerizing, Disturbing and Traumatic...See it!
stewart060224 February 2005
"Night at the Golden Eagle" is the kind of work that grabs your package and squeezes for 90 minutes. It's like careening around your own subconscious during night terrors. The film smacks of the depths of loneliness, despair and the threads of pure survival, filtered through a sublimely artistic prism of the characters' self-delusional hopes and desperate dreams. The direction is crisp, the cinematography excruciatingly magnificent, the acting expertly banal, and the characters out of some finely honed noir nightmare. A cheap indie full of unknown players exquisitely cast, with the awesome kick of an "L.A. Confidential" or "Seven". I couldn't look away, as much as I wanted to. A coarse gem for anyone who believes that movies can actually be art. Watch it very late at night, and then take an Ambien...otherwise you won't sleep.
6 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
A movie goulash
MBunge18 June 2010
Warning: Spoilers
Imagine taking a 1970s sitcom about a couple of senior citizen petty criminals, splicing it together with a 1980s TV movie about the hazards of being a street corner hooker and sprinkling in bits of a 1990s indy flick about the dysfunctional dwellers of a squalid hotel lobby that tries to get all heartfelt and meaningful at the end. If you can imagine that, what you come up with is almost certainly better than Night at the Golden Eagle.

This isn't by any means the worst movie I've ever seen, but this type of bad movie is probably the worst kind of film to sit through. It's not really stupid or pretentious or incompetent enough for you to have fun with how much it sucks. It's merely so ill conceived that nothing about it works.

There are three separate elements to this story. One focuses on Tommy (Donnie Montemarano) and Mick (Vinny Argiro). They grew up together as street thugs who were never good enough to be real gangsters. Instead, they became the sort of small time hoods who stick up ice cream trucks and that's all they've ever been, even though they're both on the wrong side of 60 as this movie opens. Tommy is just getting out after a 7 year stint in prison and Mick surprises him with a plan to move out to Las Vegas and, once and for all, go straight. That plan pretty much goes up in smoke when Tommy brings a prostitute back to Mick's room at the Golden Eagle hotel and kills her.

Another aspect of this film shows us 15 year old runaway Loriann (Nicole Jacobs) as she falls in with a disgusting pimp named Rodan (Vinny Jones) and his aging whore, Sally (Ann Magnuson). Rodan works on Loriann's neediness and insecurity before handing her over to let Sally show her the ropes. We see a maternal bond form between Sally and Loriann, until Loriann emotionally ages about 20 years in 15 seconds and becomes even harder and more broken than Sally. This part of the movie made me wonder two things.

1. Is the character of Rodan named after the artist or the flying Japanese movie monster?

2. Is Vinny Jones a wholesome family man in real life? If he is, the guy deserves an Academy Award because on screen he is absolutely convincing as the sleaziest, most soulless piece of human excrement you can imagine.

The final thread to this cinematic tapestry is the interactions between the desk clerk (Miles Dougal) and the denizens of the Golden Eagle hotel lobby. All of them are no more than a half-step up from the gutter and none of them are reaching for the stars. This is the stuff where we're supposed to be impressed with how gritty and realistic things are and at the ironic detachment that turns these people's mental and emotional wounds into sources of humor. Yet it spoils all its cynical aspirations by trying to wring a tear out of the audience by having the lovable, old black buy die.

Can you see how mushing all of that together becomes a problem? The comedy can never be that comedic, the drama can never that dramatic and the snarky can never be that snarkful because it's all sloshing together in a movie goulash.

Like a great many independent films, I don't think Night at the Golden Eagle was ever meant to entertain anyone. This is the sort of thing where the filmmaker hopes it gets shown at film festivals and people applaud because the folks there convince themselves that it must be art. Well, I don't know art but I know what I like and it ain't this movie.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Down! Waaay Down.
HyperPup20 May 2004
That is how I felt after watching this spectacle of humanity. Completely down. Like I was damaged and left for refuse on the side of the curb. Rifkin did a wonderful job of giving us a side of humanity that we usually see but not at its gritty and gnarly best. This film is right up there with Aronofsky's "Requiem for a Dream" only it feels slightly more polished. The locale for one lent a perfectly hopeless air to the mise en scene. Rifkin played with the color saturation in such a way that it also added an extra layer of desperation to the visuals. Perfection, and this movie is right up there with other modern despair epics like Atlantic City and Requiem for a Dream.
9 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
Weak
daddyrifle6 August 2003
Another movie that starts out with potential but delivers a weak ending. Firstly why is James Caan credited on this movie on the DVD box package? He was in it for all of a few minutes. Cheater! The movie is just average, though Vinnie is above average. Needed a spark on the hour mark. OK to rent.
0 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
3/10
Dreary, ugly and without merit.
Tiger_Mark11 November 2003
Geez, what a dark picture! I mean, this film tries to be as ugly as humanly possible. We are either seeing sweaty old men trying to dispose of dead hookers or we are seeing a 15 year old girl sell herself to hideous looking bums. The seedy dump where it all takes place looks and feels like a septic tank. Just watching what transpires here makes you want to take a long hot shower. I suppose I was semi-interested in the movie and that is sad. Because there was nothing redeeming in it. Just a base tale for people with morbid curiosities. I am not sure if that is art or just pathetic. Moreover, I do have some problems with some of the technical aspects. I mean you have these two guys screaming at each other on how to get rid of this dead body in this dive. They are worried that people will find them out, yet they are screaming in a dive with obvious paper thin walls. I also have a problem with our young white hooker, who seems to be soiling herself, not just because she is selling her body, but because she loses her virginity to a very dark black man and then a hispanic. It seems somewhat racist in that regard. As if selling herself to an attractive, young white man would not have been as bad? No, this film just wants to be ugly. There are no promises or hope for redemption. There is no brighter future, just an abyss.
0 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Powerful Drama shows Rifkin's chops
reeelcobra2 July 2004
This is a film that never found it's place in the market and that's too bad because it is a powerful and solid piece of film-making.

Everything from the film's stark look, to the excellent acting works on a number of levels, and hopefully the studios will take notice and start handing Rifkin dramas to direct. The screenwriting is also superb and compelling.

If you like films about hard subjects and harder people don't miss this rental.

Hookers and ex-cons hooking up can't be all bad until it gets all bad, which it does.
6 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Saddening but relevant.
richard-buckman9 February 2005
You may see a lot of comments out there about this film simply being gratuitous doom and gloom, racist, etc. But don't buy it. This film is legit and is meaningful. If you have ever remotely experienced, witnessed or have known anyone associated with the scenarios outlined in this gritty film, then you will understand. It's characters are believable including the brief cameo by pornography actress Kitten Natividad, who probably knows more about that life style than anyone else on the set. If you are a bleeding heart looking for life's answers through political correctness or stereotypical "substantitive" films, do not watch this one. You will be disappointed.
6 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Offbeat, gritty film focusing on the down-and-out characters that inhabit every big town
sstmodels15 April 2006
This film is a gritty little piece that is both repulsive and intriguing, a work that offers a glimpse into the sleazy world of the skid row types as they interact within the confines of a seedy flophouse. The acting is sometimes a bit stiff and wooden, but the overall effect of the film is unforgettable and unsettling. The characterizations are generally archetypical, but the film is well directed and the camera work adds to the gloomy, depressing mood that the film captures in the characters' personas and daily lives. The film's flashback sequences add to the overall sense of decline while evoking a sympathetic reaction to the characters' spiritual and psychological dissipation. In some ways, this film brings a compassionate sensibility to the plight of the characters, while exploiting those same human frailties for shock effect and cinematic punch. The young, nubile hooker wannabe is an especially sad and depressing character who embodies the sense of a complete waste of a human life and potential, a point even more pronounced through her completely senseless death near the film's conclusion. Overall, I think this film is a very fascinating piece of indie film-making. Well worth seeing!
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
This is a Night You Will Never Forget! Performances A++++
antimax1 May 2002
Director Adam Rifkin captures the dark "sweaty" world of Downtown L.A. in this remarkable effort. With a miniscule budget and limited resources, he manages to pull off a film that reminds me of the stuff that made movies like Midnight Cowboy great. As a professional in the film industry, I totally appreciate the way he develops and breathes life into the slowly dying characters and the dispassionate surroundings. This is a movie that couild have only been done WITHOUT the help of the damn studios and their team of girls and girly-boys who wouldn't know character development or good dialogue from a rats ass -- this is due to the fact that they live and breathe the idiot box and watch crap like Friends and Ally MacSqueal and Sex in the City. Attention studio executives and underpaid development folk! Watch this film and understand there is a need for movies with REAL characters.

PS Vinny Argiro and Donny Shacks are ass-kicking!!!! A performance that will knock you on your azzz.

ANTIMAX (CJG)
2 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Can Americans Make Great Human Drama?
molsmith134 August 2012
I am a fan of European movies because the film makers there seem to be able to create human inspired dramas which explore the realistic side of life at a microscopical level. Their films dive deep into the human condition - hopes, shattered dreams, past memories, sex, hopes, love, and despair.

This movie does exactly that! Well done to all the cast, the crew, the story teller, and everyone involved to create a telling story against all the prevailing forces which consider entertainment as a business only enterprise.

This is a brilliantly executed classic of the best of American film making. I am stunned that everyone involved managed to achieve such excellence in their art against the enormous pressure at the time it was made to produce bucks-only cinema.

If you are a fan of serious story-telling and you appreciate the fine art which the cinema medium allows when Great story-tellers are involved, then you are going to discover an absolute classic of brilliance here.

See it. Talk about it. Think about it. Many people have yet to enjoy this extraordinary excursion into the heart of human darkness, and to learn where real life is lived by the masses.

mol
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
This is a real "Pulp Indie"
objesguy6 June 2005
Night at the Golden Eagle is a gritty film, yet gritty isn't half the word to describe it. Even though films such as Pulp Fiction, Reservoir Dogs, The Usual Suspects and even the mediocre Way of the Gun have all been praised for their gritty atmosphere, Night at the Golden Eagle blows them all away with a gritty atmosphere that perfectly replicates the locations depicted in great novels from pulp legends such as Mickey Spillane and Dashiell Hammett. Night at the Golden Eagle is pure pulp, with an emphasis of illustrating the means streets and back alleys themselves rather than the story of the two old ex-convicts and the other people in between. The result is a fantastic movie, that utterly shows what life in a slum is like and the lives it creates for the poor people that cross upon its path.

However, viewers seeing this movie should not look for story, because it is non-existent or weak at best. The story of the two-old ex-cons is never really developed and leaves the audience somewhat confused since the director wants to be "Tarantino-like" and ambitious and switches between three sets of characters. While the story of the whores, both old and young, is a nice interlude, the emphasis on the two old black men is rather pointless. It is nice the director decided to show the laziness of some people, yet a good chunk of the movie is just dedicated to the old man watching TV, which deprives the audience of further understanding the more important characters such as the whores and ex-cons.

Yet despite this strange blunder by the director/writer with the story, the acting is great. The two men do a great job at their parts, giving great and quite believable performances as the two ex-cons, with both giving great mixtures of cynicism and paranoia in their dialog. Their acting is truly enjoyable, and makes the audience only yearn for more. The young girl does an admirable job as the young whore, for she constantly is the only reminder of innocence throughout all the chaos and sleaziness of the hotel. Hence, her performance sticks out greatly and is a sleeper performance that deserves some recognition, but probably won't because of the serious holes in the plot.

It's a shame this movie isn't more recognized because it is a fantastic film with a fantastic atmosphere that literally puts the settings in Tarantino and Guy Ritchie flicks to shame. While movies these days tend to be more glamorous and over the top, this movie is the epitome of an indie film, breaking the rules in all sorts of ways in order to depict an environment that only great pulp authors dream about. The story is disappointing, yet after watching the film, the audience really doesn't care about the film. The only thing stuck in their minds is the maniacal characters, the sleazy hotel and its dirty surroundings. This is truly a masterpiece "pulp indie" film that should be seen by any kind of "crime fiction" lover, and shows audiences there is more to "pulp" than a few guns, broads and some "Tarantino-esque" dialog. Not to say that I don't love the man, but a little variety is necessary, and this film fits the bill perfectly.

My analysis: If you consider yourself a fan of the "Pulp" genre, see this or you're truly a "pulp" poser.
0 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A Film but not a Movie
los-chupacabras25 July 2005
Warning: Spoilers
This film leaves a mark. Don't watch it to be entertained though; what this film sets out to do is show you something unrelentingly grotesque. There is no gloss here, and no hope.

Hollywood has a problem. Frequently we see "powerful movies" about the world's poorest and most down-and-out people. The problem is that in real life, the lives of the poorest and most-down-and out people are often banal and undramatic. The Hollywood answer is to inject redemption into the script in order to mask the stink of reality. The results is the Space Mountain of movies, a tamed-down roller coaster experience that deliberately pulls the punches to retain a family--or at least, a hopeful--atmosphere. There's nothing wrong with this approach as long as we remember that what we're seeing is a projection. The problem becomes when we start to believe our own myths.

Night at the Golden Eagle is a film that shatters some of those myths. These are the lives of people most of us would rather forget, people with no hope, no future, and only shattered dreams to keep them company. It's rightfully disturbing stuff. Anyone looking to be entertained should stay far away, because Night is a film that is guaranteed to leave you feeling dirty.

For all that, it never feels exploitive. Night draws you close to the stench of decay but never cheapens it. There are no false redemptions, no heroes charging in to save the day, not even an "everyman" to ease us into the proceedings, nor are any of the developments glamorized as they might be in a film by Tarantino and his ilk.

This film is not perfect. It is so dank that it is almost overwhelming, and not quite close enough to a documentary to shake the need for plot. However, the sets and costumes are incredible. The acting ranges from fantastic to mediocre but never sinks to the level of a WB horror movie.

Another reviewer mentioned "racist" content in this film and I am slightly inclined to agree, in that movies of this kind so frequently demonstrate the fall of a young white woman as synonymous with her sleeping with a black or Latino man. This is an example of a theme that might not be as jarring were not a prominent feature in at least 4 films released between 1999 and 2002. I first noticed it in Requiem for a Dream and Traffic and am disappointed to see it featured here as well.

My rating: 8/10, but not for everyone.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
great stuff.
powderedstranger25 December 2007
i caught this movie on 1/5th of the way through, and i thought every second was good. i thought some shots brought forth more of a horror/drama, but some parts were more comedic and meant to lighten you up before the next scene. i think the director also did a good job twisting almost every part, leaving the watcher baffled, but itching for more. i recommend anybody who likes movies to watch this at least once. the only issue with this movie is the storyline, which goes flat about 4/5th's in, and eventually it looked like the writer was getting lazy and needed to end the movie fast. the casting was amazing, as well. everybody on the set really seemed to act as who they were, and portray it amazingly.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Good indie flick
scottmar26 April 2002
I saw the first L.A. screening at the Nuart. Adam Rifkin, Ann Magunson, and Nicole Jacobs did a Q&A discussion.

It was a pretty good flick. Good performances. Good writing and directing. And the beach bypass gives it a good look.

It was good to see one of the Nicolas Brothers as one of the quirky characters.

First time actors Donnie Montemarano and Nicole Jacobs do a pretty good job.

It's definetly worth checking out.
0 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
An error has occured. Please try again.

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed