As Good as It Gets (1997)

User Rating:

7.8/10   

Director:

James L. Brooks

Writers (WGA):

Mark Andrus (story)
Mark Andrus (screenplay) ...

Release Date:

25 December 1997 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

Brace yourself for Melvin.

Plot:

A single mother/waitress, a misanthropic author, and a gay artist form an unlikely friendship

Plot Keywords:

Artist | Neighbor | Writer | Dog | Waitress

Awards:

Won 2 Oscars. Another 23 wins & 25 nominations

Cast

Jack Nicholson	...	Melvin Udall
Helen Hunt	...	Carol Connelly
Greg Kinnear	...	Simon Bishop
Cuba Gooding Jr.	...	Frank Sachs
Skeet Ulrich	...	Vincent Lopiano
Shirley Knight	...	Beverly Connelly
Yeardley Smith	...	Jackie Simpson
Lupe Ontiveros	...	Nora Manning
Jill the Dog	...	Verdell (as Jill)
Timer the Dog	...	Supporting Dog (as Timer)
Billy the Dog	...	Supporting Dog (as Billy)
Bibi Osterwald	...	Neighbor Woman
Ross Bleckner	...	Carl
Bernadette Balagtas	...	Caterer
Jaffe Cohen	...	Partygoer

Also Known As:

Old Friends (USA) (working title)

MPAA:

Rated PG-13 on appeal for strong language, thematic elements, nudity and a beating.

Runtime:

139 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

SDDS | DTS | Dolby Digital

Certification:

Philippines:PG-13 | Argentina:13 | Australia:M | Austria:6 | Belgium:KT | Brazil:Livre | Canada:G (Quebec) | Canada:PG | Chile:TE | Finland:K-12 | France:U | Germany:6 (bw) | Hong Kong:IIA | Iceland:L | Italy:T | Mexico:B | Netherlands:12 | Norway:11 | Portugal:M/12 | Singapore:PG | South Korea:15 | Spain:T | Sweden:11 | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:15 | USA:PG-13 (certificate #35079) (re-rating on appeal) | USA:R (original rating)

Filming Locations:

1 Windsor Place, Prospect Park, Brooklyn, New York City, New York, USA

Company:

TriStar Pictures

Trivia:

In one scene the dog starts mimicking Jack Nicholson by stepping over the cracks in the sidewalk. The filmmakers accomplished this by placing little obstacles on the cracks so that the dog had to step over them. They then removed the obstacles digitally in post-production.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): When Carol takes the train to see Melvyn, after getting out of bed and for the sole purpose of telling him she won't sleep with him, the LED sign on the subway car she is riding says, "Subway Shuttle: Out of Service."

Quotes:

Carol's Date: Just a little too much reality for a Friday night.

Movie Connections:

References An American in Paris (1951)

Soundtrack:

TEMPLE (SANCTUARY MIX)

A superior Hollywood piece of sentimentality

Melvin is a romantic novelist who is a selfish manic compulsive who is rude and insulting to all he meets. When Melvin's gay neighbour is beaten up and robbed, Melvin agrees to look after his dog. The dog gives Melvin something to care about other than himself and his life is approaching normal until his regular waitress has to leave work to look after her asthmatic son and his neighbour wants his dog back. Melvin starts to realise that his life needs others for more than just selfish reasons.

The big Oscar winner for Jack is recent years is enjoyable if you come to it knowing what to expect. The film is very sentimental but in a good way. The film is gently comic and amusing and the characters (although exaggerated) are winning and involving. The telling is a little long winded at times and the film could have been shorter but it is still enjoyable. It does tip over into sickly sentimentality at times and can be a bit syrupy but it comes with the territory.

Nicholson is excellent and is the main reason it all works well. His un-PC Melvin is funny but also a character that you can hate and pity on several occasions. Kinnear is good because he is a solid understated character and not hammy or OTT like he can be. Hunt is good but is left with the majority of the syrup and sentiment where the other characters get more share of the laughs. Gooding Jr continues his trend of being good in over the top roles and is funny and happily avoids becoming a flaming gay stereotype.

Overall this is a sentimental romantic comedy that is typical for the genre. The story wanders to it's point but the good cast, led by a great Nicholson, hold the whole thing together. A superior piece of sentimentality.