Coming to theater on April 3rd is the film Effie Gray.
The film explores the fascinating, true story of the relationship between Victorian England’s greatest mind, John Ruskin, and his teenage bride, Euphemia “Effie” Gray, who leaves him for the Pre-Raphaelite painter John Everett Millais.
Effie Gray is the first original screenplay written by Oscar-winning screenwriter Emma Thompson. In this impeccably crafted period drama, Thompson delicately and incisively probes the marital politics of the Victorian Era, and beyond.
Dakota Fanning stars as Effie Gray Ruskin. The cast includes Emma Thompson, Julie Walters, Tom Sturridge, David Suchet, Greg Wise, Claudia Cardinale, James Fox, Sir Derek Jacobi and Robbie Coltrane.
The film is produced by Andreas Roald (Terrence Malick’s Voyage Of Time) and Donald Rosenfeld (Malick’s Tree Of Life and Voyage Of Time).
Producer Donald Rosenfeld spent 1987 to 1998 as President of Merchant Ivory Productions, in charge of the financing...
The film explores the fascinating, true story of the relationship between Victorian England’s greatest mind, John Ruskin, and his teenage bride, Euphemia “Effie” Gray, who leaves him for the Pre-Raphaelite painter John Everett Millais.
Effie Gray is the first original screenplay written by Oscar-winning screenwriter Emma Thompson. In this impeccably crafted period drama, Thompson delicately and incisively probes the marital politics of the Victorian Era, and beyond.
Dakota Fanning stars as Effie Gray Ruskin. The cast includes Emma Thompson, Julie Walters, Tom Sturridge, David Suchet, Greg Wise, Claudia Cardinale, James Fox, Sir Derek Jacobi and Robbie Coltrane.
The film is produced by Andreas Roald (Terrence Malick’s Voyage Of Time) and Donald Rosenfeld (Malick’s Tree Of Life and Voyage Of Time).
Producer Donald Rosenfeld spent 1987 to 1998 as President of Merchant Ivory Productions, in charge of the financing...
- 4/2/2015
- by Michelle McCue
- WeAreMovieGeeks.com
"In five features over two decades Christopher Munch has cultivated a singular career on the margins of the independent film world," begins Dennis Lim in the New York Times. "Although his debut, The Hours and Times (1991), was grouped with the emerging New Queer Cinema, Mr Munch, 49, has never fit in with a movement, and it's hard to think of another working American filmmaker with a similar sensibility or array of interests."
Writing in Filmmaker, Howard Feinstein suggests that Munch "explores that chaotic region where two forms of desire butt up against each other: the wish for a more perfect world, for one, usually depicted as majestic nature and whatever beauty man might have put into it (the old, deserted railroad in Color of a Brisk and Leaping Day [1996]) — an American version of classic German Romanticism, or blood and soil when taken to a nationalist extreme; and two, the physical attraction...
Writing in Filmmaker, Howard Feinstein suggests that Munch "explores that chaotic region where two forms of desire butt up against each other: the wish for a more perfect world, for one, usually depicted as majestic nature and whatever beauty man might have put into it (the old, deserted railroad in Color of a Brisk and Leaping Day [1996]) — an American version of classic German Romanticism, or blood and soil when taken to a nationalist extreme; and two, the physical attraction...
- 11/11/2011
- MUBI
American independent director Christopher Munch has been making movies now for over 30 years — longer if you count the award-winning short he directed for a PBS affiliate at age 15 about the San Diego Zoo — carving a niche for himself on the international festival circuit as a shape-shifting film artist with a highly idiosyncratic voice. In 1992, Munch won a Special Jury Prize at the Sundance Film Festival for his 57-minute black-and-white feature The Hours and Times, a talky, speculative film about an erotically charged weekend that John Lennon and his manager Brian Epstein purportedly spent in Barcelona in 1963. Four years later, the California native won the “Someone to Watch” Award at the Independent Spirit Awards for Color of a Brisk and Leaping Day, a gorgeously photographed period film about a Chinese-American man’s deep historical and spiritual connection to the Yosemite Valley Railroad, an old-world relic which he attempts to save from...
- 11/9/2011
- by Damon Smith
- Filmmaker Magazine - Blog
Movie lovers with a prolonged case of the Munchies could soon be sated. Indie-pure director Christopher Munch is back, in fine form, with his latest film, Letters From the Big Man.
Munch imbues his works with a distinct nostalgic longing. The Germans have a precise word for it: Sehnsucht. He explores that chaotic region where two forms of desire butt up against each other: the wish for a more perfect world, for one, usually depicted as majestic nature and whatever beauty man might have put into it (the old, deserted railroad in Color of a Brisk and Leaping Day) — an American version of classic German Romanticism, or blood and soil when taken to a nationalist extreme; and two, the physical attraction of one living being toward another. The latter might be a gay man’s unrequited feelings toward a disinterested straight man (The Hours and Times), or even two brothers...
Munch imbues his works with a distinct nostalgic longing. The Germans have a precise word for it: Sehnsucht. He explores that chaotic region where two forms of desire butt up against each other: the wish for a more perfect world, for one, usually depicted as majestic nature and whatever beauty man might have put into it (the old, deserted railroad in Color of a Brisk and Leaping Day) — an American version of classic German Romanticism, or blood and soil when taken to a nationalist extreme; and two, the physical attraction of one living being toward another. The latter might be a gay man’s unrequited feelings toward a disinterested straight man (The Hours and Times), or even two brothers...
- 11/6/2011
- by Howard Feinstein
- Filmmaker Magazine - Blog
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