Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe 49th annual New Directors/New Films (Nd/Nf) has been rescheduled from March to December 9-20, with films slated to premiere in the Film at Lincoln Center Virtual Cinema. The line-up includes Zheng Lu Xinyuan’s The Cloud in Her Room, Maya Da-Rin's The Fever, and Alexander Nanau’s Collective. Lynne Ramsay, who last directed You Were Never Really Here, will be adapting Steven King's psychological horror novel The Girl Who Loved Tom Gordon, about a young girl who becomes lost in the woods. Recommended VIEWINGAbel Ferrara's new documentary, Sportin' Life, which premiered out of competition at the Venice Film Festival in August, has gone an unusual premiere route, streaming first through Indiewire (currently unavailable), and now at The Film Stage. Shot by Sean Price Willaims, the documentary follows Ferrara as he...
- 11/18/2020
- MUBI
Werner Schroeter's Malina (1991) is exclusively on Mubi on October 22, 2020 in Mubi's Rediscovered series.Malina (1991), Werner Schroeter’s searing and serrated adaptation of Austrian writer Ingeborg Bachmann’s 1971 cult novel, begins with a flurry of typing and the scratching of pen against paper. An anonymous woman writer (Isabelle Huppert), surrounded by papers, scrawls the letters of a feminine name not her own: Malina. Or as Humbert Humbert wrote of Lolita—Lo-lee-ta—Malina’s hypnotic chain of vowels guides “the tip of the tongue [on] a trip of three steps down the palate.” Ma-Lee.-Na. Flushed with the heat of obsession, she takes the word apart and rearranges its letters: Malina. Anima. Animal. Animus. The figure on the page—Malina (Mathieu Carrière), the woman’s housemate—then enters. Through the mirrors on the walls and doors, his figure becomes distorted and projected across every surface while the camera circles the maze-like estate.
- 10/22/2020
- MUBI
Each month, we're commissioning a different artist to create a movie poster for a film exclusively playing on the platform. This October, Pablo Delcan has made a poster for Werner Schroeter's Malina, which is receiving an exclusive global online premiere on Mubi on October 22, 2020 in Mubi's Rediscovered series.***Pablo has also shared with us some behind the scenes photographs of his design process for the poster.
- 10/21/2020
- MUBI
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday.
“Tolkien” and “All Is True” are opening this weekend, and both films illustrate how difficult it can be to capture the writing process on screen.
This week’s question: What is the best movie about the writing process (or about a writer)?
Mae Abdulbaki (@MaeAbdu), The Young Folks, Movies with Mae
“Shakespeare in Love” probably doesn’t come to mind for most, but it is a great example of the ups and downs of writing. It strangely nails the writing process, while also tackling the business of theater. Simply put, “Shakespeare in Love” follows the journey of William Shakespeare’s writing of his famous play, “Romeo and Juliet.” The film strikes a balance between Shakespeare’s struggles with writer’s block and the maddening passion to write that comes after inspiration strikes:...
“Tolkien” and “All Is True” are opening this weekend, and both films illustrate how difficult it can be to capture the writing process on screen.
This week’s question: What is the best movie about the writing process (or about a writer)?
Mae Abdulbaki (@MaeAbdu), The Young Folks, Movies with Mae
“Shakespeare in Love” probably doesn’t come to mind for most, but it is a great example of the ups and downs of writing. It strangely nails the writing process, while also tackling the business of theater. Simply put, “Shakespeare in Love” follows the journey of William Shakespeare’s writing of his famous play, “Romeo and Juliet.” The film strikes a balance between Shakespeare’s struggles with writer’s block and the maddening passion to write that comes after inspiration strikes:...
- 5/6/2019
- by David Ehrlich
- Indiewire
Isabelle Huppert in Werner Schroeter's MalinaFresh off the triumph of her Golden Globe win and Oscar nomination for her performance in Paul Verhoeven’s Elle (2016), the French actress Isabelle Huppert is, at 63 and four decades into her career, starting to reap major American award season appreciation. The Golden Globe was a surprise win, but to those who are familiar with her work, it’s well-deserved. Her accumulation of critical acclaim and European awards has garnered her the title of the “French Meryl Streep,” but her career’s variety, international scope and pure nerve outstrip even Streep’s. “Fearless” could be the most commonly used descriptor applied to Huppert, who is known to take on roles that other major actresses won’t go near: insanity, depravity, crime, and other controversial subject matter are Huppert hallmarks. However, it’s not merely the nature of her characters that sets her apart, it...
- 2/21/2017
- MUBI
The Australian Film Television and Radio School has unleashed a new crop of talent on the industry with the 2015 Graduation Ceremony. . .
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
- 12/8/2015
- by Staff Writer
- IF.com.au
Flamboyant cult German director, belatedly appreciated
After a long, fallow period in German cinema, there emerged, in the late 1960s, a new wave of directors, including Werner Schroeter, who has died of cancer, aged 65. What separated Schroeter from most of his contemporaries, such as Rainer Werner Fassbinder, Wim Wenders and Werner Herzog, was his almost complete rejection of realism, social and political, and his espousal of high camp.
Schroeter lived by Oscar Wilde's dictum: "Moderation is a fatal thing. Nothing succeeds like excess." His mixture of flamboyant, gender-bending minimalism and stylised melodrama, inspired by 19th-century Italian bel canto opera and the music of German romanticism, often juxtaposed with popular song, blurred the distinction between art and kitsch. His eschewal of conventional narrative made him a marginal figure, but towards the end of his life, with several retropectives at festivals and cinematheques, he gained a wider audience of cinephiles. He kept a faithful,...
After a long, fallow period in German cinema, there emerged, in the late 1960s, a new wave of directors, including Werner Schroeter, who has died of cancer, aged 65. What separated Schroeter from most of his contemporaries, such as Rainer Werner Fassbinder, Wim Wenders and Werner Herzog, was his almost complete rejection of realism, social and political, and his espousal of high camp.
Schroeter lived by Oscar Wilde's dictum: "Moderation is a fatal thing. Nothing succeeds like excess." His mixture of flamboyant, gender-bending minimalism and stylised melodrama, inspired by 19th-century Italian bel canto opera and the music of German romanticism, often juxtaposed with popular song, blurred the distinction between art and kitsch. His eschewal of conventional narrative made him a marginal figure, but towards the end of his life, with several retropectives at festivals and cinematheques, he gained a wider audience of cinephiles. He kept a faithful,...
- 4/22/2010
- by Ronald Bergan
- The Guardian - Film News
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