Directed by
| John Dingwall | ||
Writing Credits
| John Dingwall | ... | (written by) |
Cast
| Gosia Dobrowolska | ... | Renata Simmons | |
 |
Sean Scully | ... | David Simmons |
Produced by
| John Mandelberg | ... | producer |
Music by
| Ross Edwards | ||
Cinematography by
| Steve Newman | ||
Editing by
| John Mandelberg | ||
Casting By
| Alison Barrett | ||
Production Design by
| Robert Michael | ||
Costume Design by
| Ali Wais | ||
Makeup Department
| Wendy Freeman | ... | make-up and hair |
Art Department
| Peter Davies | ... | assistant art director / stand-by props |
Sound Department
| Michael Gissing | ... | sound mixer |
| Brett Heath | ... | sound recordist |
| Averill Nicholl | ... | boom operator |
| Jay Turner | ... | sound assistant |
Camera and Electrical Department
| Ray Anderson | ... | grip |
| Mic Collis | ... | gaffer |
| Brigid Costello | ... | clapper loader |
| Mike Kelly | ... | focus puller |
| Steve Newman | ... | camera operator |
Editorial Department
| Karen Clark | ... | negative matching |
| Wayne Hopkinson | ... | color grading |
| David Howitt | ... | second assistant editor |
| Tony Manning | ... | color grading |
| Lynda Newland | ... | rushes |
| Basia Ozerski | ... | first assistant editor |
| Ian Russell | ... | laboratory liaison |
Script and Continuity Department
| Alison Goodwin De Araujo | ... | continuity (as Alison Goodwin) |
Additional Crew
| Barbara Armstrong | ... | production secretary |
| Lynda Burke | ... | production assistant |
| Michael Egan | ... | runner |
| Sally Steele | ... | caterer |
Thanks
| Pauline Chan | ... | special thanks |
| Anne Deveson | ... | special thanks |
| Michael Edols | ... | special thanks |
| Sue Murray | ... | special thanks |
| Paul Thompson | ... | special thanks |
| Bruce Williamson | ... | special thanks |
