Kurt Russell and Goldie Hawn are again spending the holidays at the North Pole in the trailer for the Netflix movie sequel The Christmas Chronicles 2, premiering Wednesday, Nov. 25.
“It’s been two years since siblings Kate (played by Darby Camp) and Teddy Pierce (Judah Lewis) saved Christmas, and a lot has changed,” reads the official synopsis. “Kate, now a cynical teenager, is reluctantly spending Christmas in Cancun with her mom’s new boyfriend and his son Jack (Jahzir Bruno). Unwilling to accept this new version of her family, Kate decides to run away. But when a mysterious, magical troublemaker...
“It’s been two years since siblings Kate (played by Darby Camp) and Teddy Pierce (Judah Lewis) saved Christmas, and a lot has changed,” reads the official synopsis. “Kate, now a cynical teenager, is reluctantly spending Christmas in Cancun with her mom’s new boyfriend and his son Jack (Jahzir Bruno). Unwilling to accept this new version of her family, Kate decides to run away. But when a mysterious, magical troublemaker...
- 10/20/2020
- by Vlada Gelman
- TVLine.com
Exclusive: Childrens Hospital alum Ken Marino, Milan Carter (Dolemite Is My Name), in a recasting, and Juliet Donenfeld (The Big Show Show) are set as series regulars opposite Julie Bowen and Stephanie Koenig in Wilde Things (fka The Big Bad Wolfes), CBS’ multi-camera comedy pilot from Will & Grace creators Max Mutchnick and David Kohan and Universal Television, a division of Universal Studio Group.
Written and exec produced by Kohan and Mutchnick, Wilde Things centers on Frankie Wilde (Bowen), a very successful and fiercely independent crisis manager whose world is turned upside down when she decides to let someone into her life for the first time — Quinn (Donenfeld), an 11-year-old girl whom she adopts and raises with the occasional help of her fragile, nervous wreck of a sister, Mary (Koenig).
Marino will play Joe, Frankie’s friend-with-benefits who is convinced he’s going to be the guy who finally will...
Written and exec produced by Kohan and Mutchnick, Wilde Things centers on Frankie Wilde (Bowen), a very successful and fiercely independent crisis manager whose world is turned upside down when she decides to let someone into her life for the first time — Quinn (Donenfeld), an 11-year-old girl whom she adopts and raises with the occasional help of her fragile, nervous wreck of a sister, Mary (Koenig).
Marino will play Joe, Frankie’s friend-with-benefits who is convinced he’s going to be the guy who finally will...
- 10/13/2020
- by Denise Petski
- Deadline Film + TV
Exclusive: Keenan Tracey (Bates Motel), Daniel Doheny (Alex Strangelove), Natalie Malaika (Fractured), newcomer Morgan Holmstrom and Kristy Dinsmore (Vikings) are set as series regulars in Syfy’s Day of the Dead, based on George A. Romero’s classic zombie film, from Abbott Street Films and Cartel Entertainment (Creepshow). Additionally, horror filmmaker Steven Kostanski is set to direct the first four episodes and executive produce. Production is currently underway on the 10-episode series in Vancouver.
Written by Jed Elinoff and Scott Thomas, who also will showrun, Day of the Dead is the intense story of six strangers trying to survive the first 24 hours of an undead invasion. This ode to Romero’s famous flesh-eaters reminds us that sometimes all it takes to bring people together is a horde of hungry zombies trying to rip them apart.
2020 Syfy Pilots & Series Orders
Tracey will play Cam McDermott, a high school senior and son...
Written by Jed Elinoff and Scott Thomas, who also will showrun, Day of the Dead is the intense story of six strangers trying to survive the first 24 hours of an undead invasion. This ode to Romero’s famous flesh-eaters reminds us that sometimes all it takes to bring people together is a horde of hungry zombies trying to rip them apart.
2020 Syfy Pilots & Series Orders
Tracey will play Cam McDermott, a high school senior and son...
- 10/13/2020
- by Denise Petski
- Deadline Film + TV
The Museum of Modern Art’s festival of film preservation, To Save and Project, "feels like a yearly miracle," writes R. Emmet Sweeney in an overview of this year's edition for Film Comment. Among the highlights: Otto Rippert's Homunculus, Norman Foster's Woman on the Run, Ewald André Dupont's Verieté, Michel Brault's Les Ordres, Helma Sanders-Brahm's Germany, Pale Mother, Mário Peixoto's Limite, William K. Howard's The Trial of Vivienne Ware, Chantal Akerman's I, You, He, She, Ebrahim Golestan's The Brick and the Mirror, Orson Welles's The Deep and Ahmed El Maanouni's Oh the Days!. » - David Hudson...
- 11/5/2015
- Fandor: Keyframe
The Museum of Modern Art’s festival of film preservation, To Save and Project, "feels like a yearly miracle," writes R. Emmet Sweeney in an overview of this year's edition for Film Comment. Among the highlights: Otto Rippert's Homunculus, Norman Foster's Woman on the Run, Ewald André Dupont's Verieté, Michel Brault's Les Ordres, Helma Sanders-Brahm's Germany, Pale Mother, Mário Peixoto's Limite, William K. Howard's The Trial of Vivienne Ware, Chantal Akerman's I, You, He, She, Ebrahim Golestan's The Brick and the Mirror, Orson Welles's The Deep and Ahmed El Maanouni's Oh the Days!. » - David Hudson...
- 11/5/2015
- Keyframe
Section to also include celebrations of Ingrid Bergman and Orson Welles as well as screenings of The Terminator and Jurassic Park 3D.
Costa-Gavras has been named guest of honour at this year’s Cannes Classics section of the Cannes Film Festival (May 13-24).
The Greek-French film director and producer won the Palme d’or with Missing in 1982, was member of the jury in 1976 that crowned Taxi Driver and picked up the award for best director with Section spéciale in 1975.
The filmmaker will be present for a screening of Z, which won the jury prize in 1969, and has had the original negative scanned in 4k and restored frame by frame in 2K, supervised by Costa-Gavras.
Orson Welles
Marking 100 years since the birth of Orson Welles, Cannes will screen restorations of films from the legendary Us actor, director, writer and producer, who died in 1985.
The titles include his staggering debut Citizen Kane (1941), which has received a 4k restoration completed...
Costa-Gavras has been named guest of honour at this year’s Cannes Classics section of the Cannes Film Festival (May 13-24).
The Greek-French film director and producer won the Palme d’or with Missing in 1982, was member of the jury in 1976 that crowned Taxi Driver and picked up the award for best director with Section spéciale in 1975.
The filmmaker will be present for a screening of Z, which won the jury prize in 1969, and has had the original negative scanned in 4k and restored frame by frame in 2K, supervised by Costa-Gavras.
Orson Welles
Marking 100 years since the birth of Orson Welles, Cannes will screen restorations of films from the legendary Us actor, director, writer and producer, who died in 1985.
The titles include his staggering debut Citizen Kane (1941), which has received a 4k restoration completed...
- 4/29/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
French-Canadian director and cinematographer who pioneered handheld camera techniques
Michel Brault, who has died of a heart attack aged 85, was one of the great unsung heroes of cinema. The French-Canadian director and cinematographer could have claimed, in all modesty, to have pioneered handheld camera techniques, leading to cinéma vérité in France (and thus to the Nouvelle Vague) and Direct Cinema in the Us.
It all began in 1958 with Les Raquetteurs (The Snowshoers), which Brault co-directed with Gilles Groulx and shot in 35mm with a relatively lightweight camera carried on his shoulder. The 15-minute film, which explores life in rural Quebec, was seen by Jean Rouch, the French anthropologist film-maker, who invited Brault to France to be chief camera operator on Chronicle of a Summer (1960), in which a cross-section of Parisians are asked to respond to the question: "Are you happy?"
Rouch and his co-director, the sociologist Edgar Morin, were not...
Michel Brault, who has died of a heart attack aged 85, was one of the great unsung heroes of cinema. The French-Canadian director and cinematographer could have claimed, in all modesty, to have pioneered handheld camera techniques, leading to cinéma vérité in France (and thus to the Nouvelle Vague) and Direct Cinema in the Us.
It all began in 1958 with Les Raquetteurs (The Snowshoers), which Brault co-directed with Gilles Groulx and shot in 35mm with a relatively lightweight camera carried on his shoulder. The 15-minute film, which explores life in rural Quebec, was seen by Jean Rouch, the French anthropologist film-maker, who invited Brault to France to be chief camera operator on Chronicle of a Summer (1960), in which a cross-section of Parisians are asked to respond to the question: "Are you happy?"
Rouch and his co-director, the sociologist Edgar Morin, were not...
- 10/10/2013
- by Ronald Bergan
- The Guardian - Film News
Reel-Important People is a monthly column that highlights those individuals in or related to the movies who have left us in recent weeks. Below you'll find names big and small and from all areas of the industry, though each was significant to the movies in his or her own way. Michel Brault (1928-2013) - Pioneer of the Direct Cinema style in Canada, specifically Quebec, who codirected the classic documentaries Les Raquetteurs [watch below], Pour la Suite de Monde and L'acadie, l'Acadie as well as the historical drama Les Ordres, for which he was named Best Director at Cannes in 1975. As a cinematographer, he also shot Jean Rouch's landmark documentary Chronicles of a Summer and the dramas Mon Oncle Antoine and No Mercy. He appears in the documentary...
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- 10/1/2013
- by Christopher Campbell
- Movies.com
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