The Story: On Io, Jupiter’s moon, miners have begun randomly committing suicide in gruesome ways. This is chalked out to their grueling working conditions, but the outpost’s new marshal, William O’Niel (Sean Connery) becomes convinced something else is afoot. Soon, he discovers the deadly truth, that the miners are being given stimulants with the nasty side effect that they cause psychosis. His pursuit of the truth lands him on the hit list of the outpost’s general director, Sheppard (Peter Boyle), who hires professional hit men to deal with the pesky marshal. Knowing that skilled gunmen are on the way, and without anyone to turn to, O’Niel waits to face the men alone.
The Players: Starring: Sean Connery, Peter Boyle, and Frances Sternhagen. Music by Jerry Goldsmith. Directed by Peter Hyams.
I wanted to do a Western. Everybody said, ‘You can’t do a Western; Westerns are...
The Players: Starring: Sean Connery, Peter Boyle, and Frances Sternhagen. Music by Jerry Goldsmith. Directed by Peter Hyams.
I wanted to do a Western. Everybody said, ‘You can’t do a Western; Westerns are...
- 1/31/2024
- by Chris Bumbray
- JoBlo.com
October’s here and it’s time to get spooked. After last year’s superb “’70s Horror” lineup, the Criterion Channel commemorates October with a couple series: “Universal Horror,” which does what it says on the tin (with special notice to the Spanish-language Dracula), and “Home Invasion,” which runs the gamut from Romero to Oshima with Polanski and Haneke in the mix. Lest we disregard the programming of Cindy Sherman’s one feature, Office Killer, and Jennifer’s Body, whose lifespan has gone from gimmick to forgotten to Criterion Channel. And if you want to stretch ideas of genre just a hair, their “True Crime” selection gets at darker shades of human nature.
It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...
It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...
- 9/24/2021
- by Leonard Pearce
- The Film Stage
Sidney Lumet’s harrowing film is a true-life account of a NY narcotics detective- turned government informant; its length and intensity can be emotionally overpowering. Treat Williams is the idealistic cop who blows up his whole life and ends up betraying all the people he hoped to protect. He doesn’t seem to understand the ruthless, opportunistic nature of ‘systemic reform’ as he goes from good guy to the object of hate for both crooks and cops, and a target for the very same system that welcomed his help. The Wac made an excellent choice with this one — it’s one of the most deserving, underappreciated films of the early 1980s.
Prince of the City
Blu-ray
Warner Archive Collection
1981 / Color / 1:85 widescreen / 167 min. / Available at Amazon.com / Street Date August 24, 2021 / 21.99
Starring: Treat Williams, Jerry Orbach, Richard Foronjy, Don Billett, Kenny Marino, Carmine Caridi, Tony Page, Norman Parker, Paul Roebling, Bob Balaban,...
Prince of the City
Blu-ray
Warner Archive Collection
1981 / Color / 1:85 widescreen / 167 min. / Available at Amazon.com / Street Date August 24, 2021 / 21.99
Starring: Treat Williams, Jerry Orbach, Richard Foronjy, Don Billett, Kenny Marino, Carmine Caridi, Tony Page, Norman Parker, Paul Roebling, Bob Balaban,...
- 9/14/2021
- by Glenn Erickson
- Trailers from Hell
With only a couple of months left, 2020 cruelly claimed yet another silver screen icon. Reuters broke the news this past Sunday:
Scottish movie legend Sean Connery, who shot to international stardom as the suave, sexy and sophisticated British agent James Bond and went on to grace the silver screen for four decades, has died aged 90.
“Father Time” seemingly took our first (and for many the favorite) incarnation of the ultimate super spy (tough break you Spectre creeps and megalomaniacs). For much of the 1960s, he was the most popular movie star on the planet. We Movie Geeks respectfully raise a martini glass to his long career.
That’s Sean in the middle, number 24.
His journey to movie stardom started fairly humbly across “the pond”. After stints as a coffin-polisher (really), milk delivery man, and bodybuilder (he competed in the 1950 Mr. Universe contest), Connery took up acting, first on stage in...
Scottish movie legend Sean Connery, who shot to international stardom as the suave, sexy and sophisticated British agent James Bond and went on to grace the silver screen for four decades, has died aged 90.
“Father Time” seemingly took our first (and for many the favorite) incarnation of the ultimate super spy (tough break you Spectre creeps and megalomaniacs). For much of the 1960s, he was the most popular movie star on the planet. We Movie Geeks respectfully raise a martini glass to his long career.
That’s Sean in the middle, number 24.
His journey to movie stardom started fairly humbly across “the pond”. After stints as a coffin-polisher (really), milk delivery man, and bodybuilder (he competed in the 1950 Mr. Universe contest), Connery took up acting, first on stage in...
- 11/2/2020
- by Jim Batts
- WeAreMovieGeeks.com
To those of a certain generation, James Bond 007 will forever be defined by the way the original movie Bond, Sean Connery, played him. Recalling where you were when you saw Goldfinger for the first time has almost the same impact as many other momentous events in our young lives. As I was reminded this morning in an email from Darryl, my school buddy, “Remember when Bob Barr, you, and me went to see Goldfinger at the Palos Verdes Fox theater? We sat through it twice. Great memories.”
Ah, yes. He didn’t have to remind me. It seems like yesterday. We also sat through the Goofy cartoon short playing with it in order to do that. At that point I hadn’t even seen the first Bond film, Dr. No, and I do recall liking the second one, From Russia With Love, a lot. But Goldfinger was something else. It was,...
Ah, yes. He didn’t have to remind me. It seems like yesterday. We also sat through the Goofy cartoon short playing with it in order to do that. At that point I hadn’t even seen the first Bond film, Dr. No, and I do recall liking the second one, From Russia With Love, a lot. But Goldfinger was something else. It was,...
- 10/31/2020
- by Pete Hammond
- Deadline Film + TV
Every actor wants to work. And a small percentage of those actors get to work in films that people remember; and a much smaller percentage get to play an iconic character over the course of several films; and an infinitesimal percentage manage to find success by tackling other roles after becoming famous as that iconic character. Which brings us to Sean Connery, who died this week at the age of 90.
His portrayal of super-spy James Bond was as essential to the 1960s as The Beatles. He wasn’t technically the first Bond — Barry Nelson played the Ian Fleming character in an American TV adaptation of “Casino Royale” in 1954 — but Connery invented an action hero who was overtly sexual in a way that his predecessors hadn’t been, although still able to dispatch the bad guys with ruthless efficiency, all the while never spoiling the crease in his tuxedo.
Connery himself came from working-class origins,...
His portrayal of super-spy James Bond was as essential to the 1960s as The Beatles. He wasn’t technically the first Bond — Barry Nelson played the Ian Fleming character in an American TV adaptation of “Casino Royale” in 1954 — but Connery invented an action hero who was overtly sexual in a way that his predecessors hadn’t been, although still able to dispatch the bad guys with ruthless efficiency, all the while never spoiling the crease in his tuxedo.
Connery himself came from working-class origins,...
- 10/31/2020
- by Alonso Duralde
- The Wrap
Sean Connery, the Oscar-winning Scottish actor who first brought James Bond to the big screen, died on Saturday at the age of 90. Over a career that spanned six decades, Connery also co-starred in films like Indiana Jones and the Last Crusade, The Untouchables, The Hunt for Red October and The Rock.
Connery’s family confirmed the actor’s death to the BBC, noting he died in his sleep while in the Bahamas. A cause of death was not revealed, but Connery had been “unwell for some time,” the BBC reports.
Connery’s family confirmed the actor’s death to the BBC, noting he died in his sleep while in the Bahamas. A cause of death was not revealed, but Connery had been “unwell for some time,” the BBC reports.
- 10/31/2020
- by Daniel Kreps
- Rollingstone.com
Margaret Hamilton with Ray Bolger and Jack Haley in an MGM promotional photo for "The Wizard of Oz".
Movie lovers associate actress Margaret Hamilton almost exclusively with her immortal portrayal of the Wicked Witch in the 1939 MGM classic "The Wizard of Oz". However, as writer Veronika Bondarenko points out in a column for Pocket Worthy, there was much more to the woman and her talents. Hamilton was proud of her performance in "Oz" but ultimately resented the fact that her other career achievements were largely ignored by the public and critics. She appeared in such diverse productions as "The Adventures of Tom Sawyer", "13 Ghosts", "My Little Chickadee", "The Red Pony", "Brewster McCloud" and "The Anderson Tapes". She was also a veteran of stage productions and appeared in countless hit TV shows.
To read about her remarkable life and career, click here.
Movie lovers associate actress Margaret Hamilton almost exclusively with her immortal portrayal of the Wicked Witch in the 1939 MGM classic "The Wizard of Oz". However, as writer Veronika Bondarenko points out in a column for Pocket Worthy, there was much more to the woman and her talents. Hamilton was proud of her performance in "Oz" but ultimately resented the fact that her other career achievements were largely ignored by the public and critics. She appeared in such diverse productions as "The Adventures of Tom Sawyer", "13 Ghosts", "My Little Chickadee", "The Red Pony", "Brewster McCloud" and "The Anderson Tapes". She was also a veteran of stage productions and appeared in countless hit TV shows.
To read about her remarkable life and career, click here.
- 8/14/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Right now, in this galaxy… featuring Lloyd Kaufman, Brad Simpson, Gilbert Hernandez, Grant Moninger and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
- 5/15/2020
- by Kris Millsap
- Trailers from Hell
Mubi and Sony Pictures Television have struck a content deal that will see the streamer get access to 100 Sony-owned feature films in India.
Titles in the deal include Django Unchained, Dr Strangelove, Taxi Driver, Stand By Me, Big Fish, Volver, The Anderson Tapes, Punch-Drunk Love and Crouching Tiger, Hidden Dragon.
More from DeadlineOscar Hopeful Live Action Short 'Little Hands', Exec Produced By Wim Wenders, Gets Global DealSergei Loznitsa's Stalin Doc 'State Funeral' Lands U.S. & UK DealJuliette Binoche Joins Macao Talent Roster; Mubi Launches In India; Bifa Craft Award Winners - Global Briefs
Mubi moved into India back in November, launching two channels, Mubi India (focusing on local content) and Mubi World (focusing on world cinema). The streamer has a patented model, adding and removing one film to its service per day so that it has a constantly rotating crop of 30 titles (in India it is one film per...
Titles in the deal include Django Unchained, Dr Strangelove, Taxi Driver, Stand By Me, Big Fish, Volver, The Anderson Tapes, Punch-Drunk Love and Crouching Tiger, Hidden Dragon.
More from DeadlineOscar Hopeful Live Action Short 'Little Hands', Exec Produced By Wim Wenders, Gets Global DealSergei Loznitsa's Stalin Doc 'State Funeral' Lands U.S. & UK DealJuliette Binoche Joins Macao Talent Roster; Mubi Launches In India; Bifa Craft Award Winners - Global Briefs
Mubi moved into India back in November, launching two channels, Mubi India (focusing on local content) and Mubi World (focusing on world cinema). The streamer has a patented model, adding and removing one film to its service per day so that it has a constantly rotating crop of 30 titles (in India it is one film per...
- 3/16/2020
- by Tom Grater
- Deadline Film + TV
Actor Paul Benjamin, who appeared in Spike Lee’s seminal 1989 film Do the Right Thing, died last month, the director announced Wednesday.
Lee penned a heartfelt tribute to Benjamin on Instagram, revealing the 81-year-old actor had died on June 28. A cause of death wasn’t immediately revealed.
“I’m Sad To Write That The Great Actor Paul Benjamin (Who Played Ml, {Far Left} One Of The Cornermen Passed This Past Friday,2 Days Before The 30th Anniversary Of Do The Right Thing. Rest In Paradise. Born 1/1/38. Died 6/28/19”
View this post on Instagram
I’m Sad To Write That The Great Actor Paul Benjamin (Who Played Ml,...
Lee penned a heartfelt tribute to Benjamin on Instagram, revealing the 81-year-old actor had died on June 28. A cause of death wasn’t immediately revealed.
“I’m Sad To Write That The Great Actor Paul Benjamin (Who Played Ml, {Far Left} One Of The Cornermen Passed This Past Friday,2 Days Before The 30th Anniversary Of Do The Right Thing. Rest In Paradise. Born 1/1/38. Died 6/28/19”
View this post on Instagram
I’m Sad To Write That The Great Actor Paul Benjamin (Who Played Ml,...
- 7/5/2019
- by Matt McNulty
- PEOPLE.com
Paul Benjamin, who appeared in Spike Lee’s Do The Right Thing, has died. Lee announced on Instagram that the veteran actor died June 28. The cause of death was not immediately known. Benjamin was 81.
Benjamin, who played one of the three wise Brooklyn “cornermen” in Lee’s 1989 film Do the Right Thing, began his career in 1969 as a bartender in Midnight Cowboy. He went to play small roles in Sidney Lumet’s The Anderson Tapes and Born to Win, then segued into more extensive TV work later in the 1970s.
He appeared as a death row inmate in a 1988 episode of In The Heat of the Night and also in the 1994 pilot episode of ER, which led to his recurring role of homeless man Al Ervin during the next few seasons. Benjamin also worked on the American Masters documentary of Pulitzer Prize-winning author Ralph Ellison, which aired on PBS, as...
Benjamin, who played one of the three wise Brooklyn “cornermen” in Lee’s 1989 film Do the Right Thing, began his career in 1969 as a bartender in Midnight Cowboy. He went to play small roles in Sidney Lumet’s The Anderson Tapes and Born to Win, then segued into more extensive TV work later in the 1970s.
He appeared as a death row inmate in a 1988 episode of In The Heat of the Night and also in the 1994 pilot episode of ER, which led to his recurring role of homeless man Al Ervin during the next few seasons. Benjamin also worked on the American Masters documentary of Pulitzer Prize-winning author Ralph Ellison, which aired on PBS, as...
- 7/5/2019
- by Denise Petski
- Deadline Film + TV
By Todd Garbarini
Laemmle’s Royal Theatre in Los Angeles will be presenting a DVD screening of the 45th anniversary of Herbert Ross’s 1973 thriller The Last of Sheila. The 120-minute film, which stars Richard Benjamin, Dyan Cannon, James Coburn, Joan Hackett, James Mason, Ian McShane and Raquel Welch, will be screened on Wednesday, November 28th, 2018 at 7:00 pm.
Please Note: At press time, actress Dyan Cannon, who plays Christine, is scheduled to participate in a Q&A after the screening. Please Check Back With The Royal Theatre’S Website For Updates Of Additional Guests Who May Be Added To The List.
From the press release:
The Last Of Sheila (1973)
45th Anniversary Screening
Q&A with Co-Star Dyan Cannon
Wednesday, November 28, at 7 Pm
Laemmle’s Royal Theatre
Following our sold-out screening of 'Death on the Nile,' Laemmle Theatres and the Anniversary Classics Series present another treat for mystery lovers.
Laemmle’s Royal Theatre in Los Angeles will be presenting a DVD screening of the 45th anniversary of Herbert Ross’s 1973 thriller The Last of Sheila. The 120-minute film, which stars Richard Benjamin, Dyan Cannon, James Coburn, Joan Hackett, James Mason, Ian McShane and Raquel Welch, will be screened on Wednesday, November 28th, 2018 at 7:00 pm.
Please Note: At press time, actress Dyan Cannon, who plays Christine, is scheduled to participate in a Q&A after the screening. Please Check Back With The Royal Theatre’S Website For Updates Of Additional Guests Who May Be Added To The List.
From the press release:
The Last Of Sheila (1973)
45th Anniversary Screening
Q&A with Co-Star Dyan Cannon
Wednesday, November 28, at 7 Pm
Laemmle’s Royal Theatre
Following our sold-out screening of 'Death on the Nile,' Laemmle Theatres and the Anniversary Classics Series present another treat for mystery lovers.
- 11/26/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Sean Connery celebrates his 88th birthday on August 25. One can only assume that the man who turned James Bond into a 50-plus year film franchise is toasting the event with a martini. Yet 007 isn’t the only iconic role for the actor. In honor of his birthday, let’s take a look back at 20 of his greatest films, ranked from worst to best.
Connery became a star with the first Bond film, “Dr. No” (1962). In that film, Connery set the bar for every actor who would have to play the debonair British agent armed with an arsenal of gadgets and a way with the ladies. He reprised the role six subsequent times: “From Russia with Love” (1963), “Goldfinger” (1964), “Thunderball” (1965), “You Only Live Twice” (1967), “Diamonds Are Forever” (1971), and “Never Say Never Again” (1983).
After decades in front of the camera, Connery finally won an Academy Award as Best Supporting Actor for Brian de...
Connery became a star with the first Bond film, “Dr. No” (1962). In that film, Connery set the bar for every actor who would have to play the debonair British agent armed with an arsenal of gadgets and a way with the ladies. He reprised the role six subsequent times: “From Russia with Love” (1963), “Goldfinger” (1964), “Thunderball” (1965), “You Only Live Twice” (1967), “Diamonds Are Forever” (1971), and “Never Say Never Again” (1983).
After decades in front of the camera, Connery finally won an Academy Award as Best Supporting Actor for Brian de...
- 8/25/2018
- by Zach Laws and Chris Beachum
- Gold Derby
Close-Up is a feature that spotlights films now playing on Mubi. Sidney Lumet's The Anderson Tapes (1971) is showing December 23, 2017 - January 22, 2018 in the United Kingdom.“Say Cheese!” —Bank clerk, The Anderson Tapes “Say Cheese!” —Frank Sobotka, The WireThe first thing we see in The Anderson Tapes (1971) is a television monitor, on which jailbird John ‘Duke’ Anderson (Sean Connery), speaking to camera, reveals how he became infatuated with safecracking. He likens it to rape—then revises that analogy, saying it was more like seduction. “Often, I was sexually aroused at the time.” As he’s talking, the ‘invisible’ recording apparatus through which we’re watching the monitor pans away, and we see Duke sitting, alongside other inmates, fed up of hearing his own braggadocio. It’s his last day in the can; at the end of the film, the NYPD cops in pursuit of this recently-freed career criminal will discover...
- 12/26/2017
- MUBI
Arthur Penn’s detective movie is one of the best ever in the genre, one that rewards repeat viewings particularly well. Gumshoe Harry Moseby compartmentalizes his marriage, his job, his past and the greedy Hollywood has-beens he meets, not realizing that everything is interconnected, and fully capable of assembling a world-class conspiracy. Gene Hackman tops a sterling cast in the film that introduced most of us to Melanie Griffith.
Night Moves
Blu-ray
Warner Archive Collection
1975 / Color / 1:85 widescreen / 100 min. / Street Date August 15, 2017 / available through the WBshop / 21.99
Starring: Gene Hackman, Jennifer Warren, Melanie Griffith, Susan Clark, Edward Binns, Harris Yulin, Kenneth Mars, Janet Ward, James Woods, Anthony Costello.
Cinematography: Bruce Surtees
Production Designer: George Jenkins
Film Editor: Dede Allen
Original Music: Michael Small
Written by Alan Sharp
Produced by Robert M. Sherman
Directed by Arthur Penn
Night Moves is a superb detective thriller that plays with profound ideas without getting its fingers burned.
Night Moves
Blu-ray
Warner Archive Collection
1975 / Color / 1:85 widescreen / 100 min. / Street Date August 15, 2017 / available through the WBshop / 21.99
Starring: Gene Hackman, Jennifer Warren, Melanie Griffith, Susan Clark, Edward Binns, Harris Yulin, Kenneth Mars, Janet Ward, James Woods, Anthony Costello.
Cinematography: Bruce Surtees
Production Designer: George Jenkins
Film Editor: Dede Allen
Original Music: Michael Small
Written by Alan Sharp
Produced by Robert M. Sherman
Directed by Arthur Penn
Night Moves is a superb detective thriller that plays with profound ideas without getting its fingers burned.
- 8/15/2017
- by Glenn Erickson
- Trailers from Hell
Two weeks ago I wrote about Film Forum’s retrospective of New York in the 70s and collected all the Polish posters I could find for the best known films in the series. This week I want to concentrate on the films which are less well known and whose one sheets are maybe less iconic yet no less interesting. The 70s was a great period in American movie poster design. The illustrative style of classic Hollywood was out and instead a new reliance on photographs and, especially, type. The one thing that strikes me about the posters below is how heavily they rely on explanatory text and taglines (“Watch the landlord get his”...“Their story is written on his arm”...“If you steal $100,000 from the mob, it’s not robbery. It’s suicide”...“The tush scene alone is worth the price of admission”). The only two posters here that feature...
- 6/30/2017
- MUBI
Above: Polish poster for Escape from New York (John Carpenter, USA, 1981). Designer: Wieslaw Walkuski.For three weeks in July, New York’s Film Forum is running a stellar series of more than 40 1970s New York-set films. As soon as I heard about the program I wanted to do a poster article on it, given that the 1970s was a heyday for American poster design. However, when I started to look at the posters I realized that many of them were so well known that rehashing their posters wasn’t that interesting. But in my search I started to notice how many of the films had Polish counterparts. It is interesting that so many of these American productions were released in Poland and it may have had a lot to do with the counter-cultural, anti-establishment bent of most of the films.While poster design in the U.S. had moved quite decisively from illustration to photography-based in the late 60s, Polish poster art was still mostly drawn and painted in the 1970s. There are a couple of exceptions here but the photos are collaged or posterized in a way that is quite different from the way they would be used in the U.S. Another interesting note is that very few of the posters make use of New York signifiers, with the obvious exception of the Statue of Liberty for Escape from New York, and a silhouetted skyline for Manhattan (notably the two films with the most New York-specific titles). Otherwise the posters seen here are typically idiosyncratic, eccentric, beautiful, alluring, occasionally baffling and, with the possible exception of Serpico, always strikingly unlike their American counterparts. This selection also feels like a tour of great Polish poster art in the 70s, with most of the major artists represented: Jakub Erol, Wiktor Gorka, Eryk Lipinski, Andrzej Klimowski, Jan Mlodozeniec, Andrzej Pagowski, Waldemar Swierzy, Wieslaw Walkuski and more. It seems as if every major designer got a crack at at least one of these challenging, thrilling films.Above: Polish poster for Manhattan (Woody Allen, USA, 1979). Designer: Andrzej Pagowski.Above: Polish poster for Marathon Man (John Schlesinger, USA, 1976). Designer: Wiktor Gorka.Above: Polish poster for All That Jazz (Bob Fosse, USA, 1979). Designer: Leszek Drzewinski.Above: Polish poster for Three Days of the Condor (Sydney Pollack, USA, 1975). Designer: J. Czerniawski.Above: Polish poster for The Hospital (Arthur Hiller, USA, 1971). Designer: Marcin Mroszczak.Above: Polish poster for Diary of a Mad Housewife (Frank Perry, USA, 1970). Designer: Eryk Lipinski.Above: Polish poster for Taxi Driver (Martin Scorsese, USA, 1976). Designer: Andrzej Klimowski.Above: Polish poster for Klute (Alan J. Pakula, USA, 1971). Designer: Jan Mlodozeniec.Above: Polish poster for Saturday Night Fever (John Badham, USA, 1977). Designer: Andrzej Pagowski.Above: Polish poster for The French Connection (William Friedkin, USA, 1971). Designer: Andrzej Krajewski.Above: Polish poster for Serpico (Sidney Lumet, USA, 1973). Designer: Jakub Erol.Above: Polish poster for The Panic in Needle Park (Jerry Schatzberg, USA, 1971). Designer: Tomas Ruminski.Above: Polish poster for Midnight Cowboy (John Schlesinger, USA, 1969). Designer: Waldemar Swierzy.Above: Polish poster for The Anderson Tapes (Sidney Lumet, USA, 1971). Designer: Jan Mlodozeniec.See New York in the 70s at Film Forum from July 5 to 27.Posters courtesy of Heritage Auctions.
- 6/23/2017
- MUBI
This time they may have gotten it right! If a knife or a straight razor won’t do, how about killing a victim with 500-pound metal artwork studded with spikes? Dario Argento distilled a new kind of slick, visually fetishistic horror who-dunnit thriller subgenre with this shocker, aided by the dreamy cinematography of Vittorio Storaro.
The Bird with the Crystal Plumage
Blu-ray + DVD
Arrow Video USA
1971 / Color / 2:35 widescreen / 96 min. / Street Date June 20, 2017 / L’uccello dalle piume di cristallo / Available from Arrow Video/ 49.95
/ 49.95
Starring: Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi, Umberto Raho, Raf Valenti, Giuseppe Castellano, Mario Adorf, Pino Patti, Gildo Di Marco, Rosita Torosh, Omar Bonaro, Fulvio Mingozzi, Werner Peters, Karen Valenti, Carla Mancini, Reggie Nalder.
Cinematography: Vittorio Storaro
Film Editor: Franco Fraticelli
Original Music: Ennio Morricone
Written by Dario Argento from a novel by Fredric Brown
Produced by Salvatore Argento, Artur Brauner
Directed by Dario Argento...
The Bird with the Crystal Plumage
Blu-ray + DVD
Arrow Video USA
1971 / Color / 2:35 widescreen / 96 min. / Street Date June 20, 2017 / L’uccello dalle piume di cristallo / Available from Arrow Video/ 49.95
/ 49.95
Starring: Tony Musante, Suzy Kendall, Enrico Maria Salerno, Eva Renzi, Umberto Raho, Raf Valenti, Giuseppe Castellano, Mario Adorf, Pino Patti, Gildo Di Marco, Rosita Torosh, Omar Bonaro, Fulvio Mingozzi, Werner Peters, Karen Valenti, Carla Mancini, Reggie Nalder.
Cinematography: Vittorio Storaro
Film Editor: Franco Fraticelli
Original Music: Ennio Morricone
Written by Dario Argento from a novel by Fredric Brown
Produced by Salvatore Argento, Artur Brauner
Directed by Dario Argento...
- 6/19/2017
- by Glenn Erickson
- Trailers from Hell
A lengthy talk-fest interview of the underrated filmmaker, who takes us through his life story as a personal journey, not a string of movie assignments. Sidney Lumet seems to attract a lot of criticism, and so did this docu for not challenging his opinions or rubbing his nose in his less admirable movie efforts. The docu is just Lumet’s thoughts, and the words of a man of integrity are always inspiring.
By Sidney Lumet
Blu-ray
FilmRise
2015 / Color /1:78 widescreen / 103 min. / Street Date January 9, 2017 / 24.95
Starring Sidney Lumet
Cinematography Tom Hurwitz
Film Editor Anthony Ripoli
Produced by Scott Berrie, Nancy Buirski, Chris Donnelly, Joshua A. Green, Thane Rosenbaum, Robin Yigit Smith
Directed by Nancy Buirski
This ought to be a good year for documentary filmmaker Nancy Buirski. I first caught up with her excellent feature docu Afternoon of a Faun, about the ill-fated ballerina Tanaquil Le Clerc, and she’s had other successes as well.
By Sidney Lumet
Blu-ray
FilmRise
2015 / Color /1:78 widescreen / 103 min. / Street Date January 9, 2017 / 24.95
Starring Sidney Lumet
Cinematography Tom Hurwitz
Film Editor Anthony Ripoli
Produced by Scott Berrie, Nancy Buirski, Chris Donnelly, Joshua A. Green, Thane Rosenbaum, Robin Yigit Smith
Directed by Nancy Buirski
This ought to be a good year for documentary filmmaker Nancy Buirski. I first caught up with her excellent feature docu Afternoon of a Faun, about the ill-fated ballerina Tanaquil Le Clerc, and she’s had other successes as well.
- 2/21/2017
- by Glenn Erickson
- Trailers from Hell
For a while, Christopher Walken felt like "troubled guys" were the only types of roles he was being offered, and he knows when it began. "In Annie Hall, I played a suicidal guy who drives his car into traffic," he says in his matter-of-fact, stilted, utterly Walkenesque way. "Then in The Deer Hunter, which came immediately afterward, I shot myself in the head. I was playing these disturbed people. That might have been when that started." When asked if that bothered him, he plainly says, "Listen, I'm lucky."
It's a bright spring day in Manhattan,...
It's a bright spring day in Manhattan,...
- 5/13/2016
- Rollingstone.com
It is no secret that Sean Connery grew to hate James Bond long before he stopped playing the character. In fact, he was so reluctant to return as 007 for Diamonds Are Forever, after George Lazenby walked away from the franchise after just one film, that United Artists offered the Scottish actor an unprecedented fee of Us$1.25 million, and also agreed to produce two subsequent films of Connery's choosing if he'd pick up the Walther Ppk one last time.. The first of these was The Offence, a bleak and brutal British police drama, directed by acclaimed American filmmaker Sidney Lumet. Connery and Lumet had previously collaborated on The Hill (1965) and The Anderson Tapes (1971), and would work together again on Murder on the Orient Express...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 5/4/2015
- Screen Anarchy
The big green guy with the bolts in his neck gets his day in St. Louis when we celebrate Hollywood’s most famous movie monster at The Way out Club. Super-8 Frankenstein Movie Madness will take place on Tuesday, September 2nd beginning at 8pm.
Condensed versions (average length: 15 minutes) of these Frankenstein films will be screened on a big screen on Super-8 sound film: Frankenstein (1931), Bride Of Frankenstein, Son Of Frankenstein, Shost Of Frankenstein, Frankenstein Meets The Wolfman, House Of Frankenstein, I Was A Teenage Frankenstein, and Frankenstein Conquers The World!
Frankenstein-free movies we’re showing on September 2nd are: Bugs Bunny in All This And Rabbit Stew, Kirk Douglas and Farrah Fawcett in Saturn 3, a Sean Connery double feature of The Anderson Tapes and Darby O’Gill And The Little People, the ‘Fistful of Yen’ sequence from Kentucky Fried Movie, and Charles Bronson in The White Buffalo.
We...
Condensed versions (average length: 15 minutes) of these Frankenstein films will be screened on a big screen on Super-8 sound film: Frankenstein (1931), Bride Of Frankenstein, Son Of Frankenstein, Shost Of Frankenstein, Frankenstein Meets The Wolfman, House Of Frankenstein, I Was A Teenage Frankenstein, and Frankenstein Conquers The World!
Frankenstein-free movies we’re showing on September 2nd are: Bugs Bunny in All This And Rabbit Stew, Kirk Douglas and Farrah Fawcett in Saturn 3, a Sean Connery double feature of The Anderson Tapes and Darby O’Gill And The Little People, the ‘Fistful of Yen’ sequence from Kentucky Fried Movie, and Charles Bronson in The White Buffalo.
We...
- 8/27/2014
- by Tom Stockman
- WeAreMovieGeeks.com
Like most humans presently stalking the Earth, I’ve been watching teevee ever since my eyeballs could focus. Being a fanboy collector, I do my share of possessing odd and great stuff. Sadly, there were two teevee shows I absolutely worshipped that I could not find, even from collectors who obtain their DVDs through questionable means.
The first is T.H.E. Cat, Robert Loggia’s jazz-based New Orleans cat burglar private eye show. It only lasted one season, it was in black-and-white, and each episode only ran 30 minutes. So it’s half-life in syndication was roughly the same as Lawrencium. There are some truly awful bootlegs around, 12th generation dubs of a kinescope shot off of teevee set that desperately needed rabbit ears. I haven’t given up, but the challenge is undermining my otherwise natural sense of happy optimism.
The second is Nichols, the post-western western about a pacifist who...
The first is T.H.E. Cat, Robert Loggia’s jazz-based New Orleans cat burglar private eye show. It only lasted one season, it was in black-and-white, and each episode only ran 30 minutes. So it’s half-life in syndication was roughly the same as Lawrencium. There are some truly awful bootlegs around, 12th generation dubs of a kinescope shot off of teevee set that desperately needed rabbit ears. I haven’t given up, but the challenge is undermining my otherwise natural sense of happy optimism.
The second is Nichols, the post-western western about a pacifist who...
- 9/19/2013
- by Mike Gold
- Comicmix.com
Martin Balsam: Oscar winner has ‘Summer Under the Stars’ Day on Turner Classic Movies Best Supporting Actor Academy Award winner Martin Balsam (A Thousand Clowns) is Turner Classic Movies’ unusual (and welcome) "Summer Under the Stars" featured player today, August 27, 2013. Right now, TCM is showing Sidney Lumet’s The Anderson Tapes (1971), a box-office flop starring Sean Connery in his (just about) post-James Bond, pre-movie legend days. (Photo: Martin Balsam ca. early ’60s.) Next, is Joseph Sargent’s thriller The Taking of Pelham One Two Three (1974). Written by Peter Stone (Father Goose, Arabesque) from John Godey’s novel, the film revolves around the hijacking of a subway car in New York City. Passengers are held for ransom while police lieutenant Walter Matthau tries to handle the situation. Now considered a classic (just about every pre-1999 movie is considered a "classic" these days), The Taking of Pelham One Two Three was...
- 8/28/2013
- by Andre Soares
- Alt Film Guide
Following are some supplemental sections featuring notable director & actor teams that did not meet the criteria for the main body of the article. Some will argue that a number of these should have been included in the primary section but keep in mind that film writing on any level, from the casual to the academic, is a game of knowledge and perception filtered through personal taste.
****
Other Notable Director & Actor Teams
This section is devoted to pairings where the duo worked together at least 3 times with the actor in a major role in each feature film, resulting in 1 must-see film.
Terence Young & Sean Connery
Must-See Collaboration: From Russia with Love (1962).
Other Collaborations: Action of the Tiger (1957), Dr. No (1962), Thunderball (1965).
Director Young and actor Connery teamed up to create one of the very best Connery-era James Bond films with From Russia with Love which features a great villainous performance by Robert Shaw...
****
Other Notable Director & Actor Teams
This section is devoted to pairings where the duo worked together at least 3 times with the actor in a major role in each feature film, resulting in 1 must-see film.
Terence Young & Sean Connery
Must-See Collaboration: From Russia with Love (1962).
Other Collaborations: Action of the Tiger (1957), Dr. No (1962), Thunderball (1965).
Director Young and actor Connery teamed up to create one of the very best Connery-era James Bond films with From Russia with Love which features a great villainous performance by Robert Shaw...
- 7/14/2013
- by Terek Puckett
- SoundOnSight
Christopher Walken has made so many movies playing psychos and weirdos, he can't remember half of them. But in his latest film, A Late Quartet, he's been cast against type as a cellist with Parkinson's. He says why he'd be happier playing it straight
Christopher Walken will tell you what irritates him. "Quite often, I'll be sent a script for a movie," he says. "And I find that I like it, so I say I'll do it. But then they rewrite it for me. They make it quirky. Odd. I find that rather annoying. I call it Walkenising."
He chuckles, then stops dead. There is silence. We are on the phone, so that when he speaks it is hard not to wonder what else he might be doing. "I'm in Connecticut," he says when I ask, at the rural home he shares with his wife.
The irony is that the film he's promoting,...
Christopher Walken will tell you what irritates him. "Quite often, I'll be sent a script for a movie," he says. "And I find that I like it, so I say I'll do it. But then they rewrite it for me. They make it quirky. Odd. I find that rather annoying. I call it Walkenising."
He chuckles, then stops dead. There is silence. We are on the phone, so that when he speaks it is hard not to wonder what else he might be doing. "I'm in Connecticut," he says when I ask, at the rural home he shares with his wife.
The irony is that the film he's promoting,...
- 3/22/2013
- by Danny Leigh
- The Guardian - Film News
Conrad Bain, who played wealthy widower and adoptive father Phillip Drummond on the TV comedy Diff’rent Strokes, died Monday. He was 89. Bain passed away of natural causes at his home in Livermore, CA, his daughter Jennifer Bain tells The Associated Press. Bain made his New York theater debut in 1956 as Larry Slade in The Iceman Cometh at the Circle in the Square. He eventually ventured into TV, including the role of Dr. Arthur Harmon in the comedy Maude starring Bea Arthur which aired on CBS from 1972-1978. From Maude he went on to play his most famous role on Diff’rent Strokes, as the adoptive father of two young brothers played by Gary Coleman and Todd Bridges. The series aired for seven seasons on NBC (1978-1985) and one season on ABC (1985-1986). Before his roles on Maude and Diff’rent Strokes, Bain had appeared occasionally in films, including A Lovely Way To Die,...
- 1/16/2013
- by THE DEADLINE TEAM
- Deadline TV
Hollywood director and screenwriter who won an Oscar for Dog Day Afternoon
In Sunset Boulevard, William Holden's character remarks: "Audiences don't know somebody sits down and writes a picture. They think the actors make it up as they go along." Given the difficulties in quantifying their contributions, screenwriters seldom get the recognition they deserve. Frank Pierson, who has died aged 87, wrote the screenplays for 10 films but his reputation rests on Cat Ballou (1965), Cool Hand Luke (1967) and Dog Day Afternoon (1975), all of which gained him Academy Award nominations, with the last of them winning the Oscar for best original screenplay.
Yet most of the plaudits for Dog Day Afternoon went to Sidney Lumet, the director, and Al Pacino, the star. Pierson, whose work had as much to do with structure and character as dialogue, shaped the script from a Life magazine article about a bungled bank robbery that took place...
In Sunset Boulevard, William Holden's character remarks: "Audiences don't know somebody sits down and writes a picture. They think the actors make it up as they go along." Given the difficulties in quantifying their contributions, screenwriters seldom get the recognition they deserve. Frank Pierson, who has died aged 87, wrote the screenplays for 10 films but his reputation rests on Cat Ballou (1965), Cool Hand Luke (1967) and Dog Day Afternoon (1975), all of which gained him Academy Award nominations, with the last of them winning the Oscar for best original screenplay.
Yet most of the plaudits for Dog Day Afternoon went to Sidney Lumet, the director, and Al Pacino, the star. Pierson, whose work had as much to do with structure and character as dialogue, shaped the script from a Life magazine article about a bungled bank robbery that took place...
- 7/26/2012
- by Ronald Bergan
- The Guardian - Film News
It has been about two months since Lee Daniels stopped in Cannes with "The Paperboy" and was roundly savaged by critics, but the director has already dusted himself off and moved on, with principal photography beginning this week on the sprawling historical drama "The Butler." And a few more details have dropped now that the cameras are rolling on Daniels' new film. First up, legendary musician, composer and producer Quincy Jones has been lined up to score the film. Though he worked in film regularly throughout the '60s and '70s, providing memorable work for pictures like "The Italian Job," "The Hot Rock," "The Getaway," "In The Heat Of The Night" and "The Anderson Tapes," since then he has largely stepped out of movie scoring, notably pitching in for Steven Spielberg's "The Color Purple" and less notably for Jim Sheridan's "Get Rich Or Die Tryin." But we're.
- 7/26/2012
- by Kevin Jagernauth
- The Playlist
Writer-director Frank Pierson has died at age 87. Among his screen credits were the screenplays for two acclaimed Sidney Lumet films, The Anderson Tapes and Dog Day Afternoon. He also wrote the screenplays for Presumed Innocent, Cool Hand Luke and the hit 1976 remake of A Star is Born starring Barbra Streisand. Pierson also directed that film. He also earned the respect of the industry by serving as President of the Writers Guild of America, West and the Academy of Motion Picture Arts and Sciences. Pierson had also been very active in television with writing credits dating from such classic shows as The Naked City and Have Gun, Will Travel to contemporary shows such as Mad Men and The Good Wife. For more click here...
- 7/24/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
It has been a year since Sidney Lumet passed away on April 9, 2011. Here is our retrospective on the legendary filmmaker to honor his memory. Originally published April 15, 2011.
Almost a week after the fact, we, like everyone that loves film, are still mourning the passing of the great American master Sidney Lumet, one of the true titans of cinema.
Lumet was never fancy. He never needed to be, as a master of blocking, economic camera movements and framing that empowered the emotion and or exact punctuation of a particular scene. First and foremost, as you’ve likely heard ad nauseum -- but hell, it’s true -- Lumet was a storyteller, and one that preferred his beloved New York to soundstages (though let's not romanticize it too much, he did his fair share of work on studio film sets too as most TV journeyman and early studio filmmakers did).
His directing career stretched well over 50 years,...
Almost a week after the fact, we, like everyone that loves film, are still mourning the passing of the great American master Sidney Lumet, one of the true titans of cinema.
Lumet was never fancy. He never needed to be, as a master of blocking, economic camera movements and framing that empowered the emotion and or exact punctuation of a particular scene. First and foremost, as you’ve likely heard ad nauseum -- but hell, it’s true -- Lumet was a storyteller, and one that preferred his beloved New York to soundstages (though let's not romanticize it too much, he did his fair share of work on studio film sets too as most TV journeyman and early studio filmmakers did).
His directing career stretched well over 50 years,...
- 4/9/2012
- by Oliver Lyttelton
- The Playlist
As happened for so many other genres, the 1960s/1970s saw a tremendous creative expansion in crime and cop thrillers. The old Hollywood moguls had died off or retired, most of the major studios were bleeding red ink, attendance had gone off a cliff since the end of Ww II, and a new breed of young, creatively adventurous production executives had been tasked with trying to save their business by coming up with movies which could hook a new, young, cinema-literate audience.
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all...
It also happened to be one of the most socially turbulent times in American history. Even before the American public grew restive over the growing disaster in Vietnam, the social fabric was unraveling with self-examination and doubt. The Cold War; a certain inner emptiness that went with a period of great material prosperity; once invisible fault lines on matters of race and gender discrimination beginning to crack – all...
- 3/22/2012
- by Bill Mesce
- SoundOnSight
Here's another "couch potato" evening for all Retro movie loversm especially those that show New York City at its grittiest in the 1970s. On Friday January 20th, Turner Classic Movies (North America) will present Sidney Lumet's 1971 crime classic The Anderson Tapes starring Sean Connery, Dyan Cannon, Alan King, Martin Balsam and Christopher Walken (in his first feature film). It will air at 10:00 Pm (Est) followed immediately by Walter Matthau and Robert Shaw in Joseph Sargent's terrific 1974 version of The Taking of Pelham One Two Three.
- 1/19/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Would you have enjoyed Psycho even more if you knew in advance about the shock ending?
By Lee Pfeiffer
When I was a teenager, there was a guy in our group, Joey, who would go to highly-anticipated movies with us. He had a juvenile habit of peering through the doors at the end of the movie before the next screening began. Thus, I got to know in advance that James Bond tossed a villain over the side of a ship after placing a time bomb on him in Diamonds Are Forever. I also knew that Sean Connery got shot at the end of The Anderson Tapes. Joey also peered through the doors of the Loews State Theatre on Times Square to graciously inform us that Charlton Heston had just been killed by a spear in The Omega Man. We ultimately excluded Joey from our movie-going excursions but according to researchers at The University of California,...
- 8/16/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Lumet with his honorary Oscar. Shockingly, he never won a competitive Academy Award.
By Lee Pfeiffer
Yesterday the family of the late legendary film director Sidney Lumet, in association with the Film Society of Lincoln Center, hosted a tribute to Lumet at Alice Tulley Hall. Cinema Retro contributing writer Doug Gerbino and I arrived at Lincoln Center not knowing exactly what the program would consist of. However, as we are both great admirers of Lumet's work, we could not pass up the invitation to attend. The tribute turned out to be one of the most extraordinary film-related events we had ever witnessed. An extraordinary number of diverse talents contributed their personal memories of working with Lumet through often hilarious anecdotes. Screenwriter Walter Bernstein said Lumet saved his career by hiring him to write TV productions even though he was blacklisted at the time. Christopher Walken recalled how Lumet gently guided...
By Lee Pfeiffer
Yesterday the family of the late legendary film director Sidney Lumet, in association with the Film Society of Lincoln Center, hosted a tribute to Lumet at Alice Tulley Hall. Cinema Retro contributing writer Doug Gerbino and I arrived at Lincoln Center not knowing exactly what the program would consist of. However, as we are both great admirers of Lumet's work, we could not pass up the invitation to attend. The tribute turned out to be one of the most extraordinary film-related events we had ever witnessed. An extraordinary number of diverse talents contributed their personal memories of working with Lumet through often hilarious anecdotes. Screenwriter Walter Bernstein said Lumet saved his career by hiring him to write TV productions even though he was blacklisted at the time. Christopher Walken recalled how Lumet gently guided...
- 6/28/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Beginning in March 2010, Steven Soderbergh decided to document his cultural diet for the year, noting down everything he watched and read, the results of which have just been made public. Taking in almost a hundred movies, 50 books and several tv shows, Soderbergh also found time to finish shooting two movies, Haywire and Contagion. Put’s us to shame, right?
The list, which is also dated and organised was given to Studio 360′s Kurt Anderson and reveals busy viewing days, possible favourites and no less than 20 viewings of his new film Haywire, 5 of The Social Network (none of the other Oscar noms get a look in!), and several Raiders of The Lost Ark, in black and white! And if he sticks to his retirement plans in the near future, god knows how large this list may grow.
Here is the list of just the movies he devoured and in the order...
The list, which is also dated and organised was given to Studio 360′s Kurt Anderson and reveals busy viewing days, possible favourites and no less than 20 viewings of his new film Haywire, 5 of The Social Network (none of the other Oscar noms get a look in!), and several Raiders of The Lost Ark, in black and white! And if he sticks to his retirement plans in the near future, god knows how large this list may grow.
Here is the list of just the movies he devoured and in the order...
- 4/13/2011
- by Neil Upton
- Obsessed with Film
Steven Soderberg recently revealed every movie that he watched from April 12, 2010, to March 23, 2011. There are 92 movies in total. These are the movies he watched while he was making his two films Haywire and Contagion.
Check out Soderberg’s list below, 83 of which I’ve actually watched in the last year. How many on the list have you seen this last year? And in case you didn't know Soderberg is retiring from the movie buisness soon.
Haywire
Primer
Exit Through the Gift Shop
All the President's Men
Panic Room
Dune
Please Give
The Godfather
The Special Relationship
The Godfather Part 2
The Tall Target
The Social Network
The Room
The Day of the Jackal
In Cold Blood
Jaws
The Shark Is Still Working
Cloverfield
Rebecca
To Catch a Thief
Inception
Tiptoes
Salt
A Prophet
The White Ribbon
His Way
Catfish
Thrilla in Manilla
Joan Rivers: A Piece of Work
The King of Kong...
Check out Soderberg’s list below, 83 of which I’ve actually watched in the last year. How many on the list have you seen this last year? And in case you didn't know Soderberg is retiring from the movie buisness soon.
Haywire
Primer
Exit Through the Gift Shop
All the President's Men
Panic Room
Dune
Please Give
The Godfather
The Special Relationship
The Godfather Part 2
The Tall Target
The Social Network
The Room
The Day of the Jackal
In Cold Blood
Jaws
The Shark Is Still Working
Cloverfield
Rebecca
To Catch a Thief
Inception
Tiptoes
Salt
A Prophet
The White Ribbon
His Way
Catfish
Thrilla in Manilla
Joan Rivers: A Piece of Work
The King of Kong...
- 4/13/2011
- by Venkman
- GeekTyrant
One of the true giants passed away this week: filmmaker Sidney Lumet, dead at 86 of lymphoma.
He was one of an incredibly talented class of directors who graduated from the early days of TV; a group which included such august talents as Arthur Penn (Bonnie and Clyde, 1967), George Roy Hill (Butch Cassidy and the Sundance Kid, 1969), John Frankenheimer (The Manchurian Candidate, 1962), Arthur Hiller (The Hospital, 1971), Franklin J. Schaffner (Patton, 1970), Norman Jewison (In the Heat of the Night, 1967), Robert Mulligan (To Kill a Mockingbird, 1962), Martin Ritt (Hud, 1963), and Sam Peckinpah (The Wild Bunch, 1969). Only Jewison is left, now, and as each has passed, mainstream American moviemaking has gotten a little louder, a little emptier, and a little dumber.
TV drama in the early days was almost like good theater: it was usually live, smart, provocative, rich with real-world character and sharp dialogue. Very early on, Lumet was considered one of the...
He was one of an incredibly talented class of directors who graduated from the early days of TV; a group which included such august talents as Arthur Penn (Bonnie and Clyde, 1967), George Roy Hill (Butch Cassidy and the Sundance Kid, 1969), John Frankenheimer (The Manchurian Candidate, 1962), Arthur Hiller (The Hospital, 1971), Franklin J. Schaffner (Patton, 1970), Norman Jewison (In the Heat of the Night, 1967), Robert Mulligan (To Kill a Mockingbird, 1962), Martin Ritt (Hud, 1963), and Sam Peckinpah (The Wild Bunch, 1969). Only Jewison is left, now, and as each has passed, mainstream American moviemaking has gotten a little louder, a little emptier, and a little dumber.
TV drama in the early days was almost like good theater: it was usually live, smart, provocative, rich with real-world character and sharp dialogue. Very early on, Lumet was considered one of the...
- 4/11/2011
- by Bill Mesce
- SoundOnSight
From his breakthrough jury room morality movie 12 Angry Men to his Pacino-propelled 1970s thrillers, Sidney Lumet was one of the great Hollywood craftsmen
Director Sidney Lumet dies aged 86
12 Angry Men (1957)
Fresh from his apprenticeship on the New York stage, Lumet made his screen debut with this claustrophobic morality play, casting Henry Fonda as the lone sane man on a jury that is being led by the nose. 12 Angry Men initially sputtered at the box office, a sore thumb in a mid-50s age of gaudy widescreen Technicolor. It was later selected for preservation by the Library of Congress.
The Pawnbroker (1964)
More anguished close-ups, high-stakes drama and high-contrast black and white. Rod Steiger gives an electrifying performance as the tormented Holocaust survivor, rattling around East Harlem and seeing ghosts on every subway car.
The Hill (1964)
Lumet upped sticks to the deserts of Libya for this drama about a brutal
British glasshouse.
Director Sidney Lumet dies aged 86
12 Angry Men (1957)
Fresh from his apprenticeship on the New York stage, Lumet made his screen debut with this claustrophobic morality play, casting Henry Fonda as the lone sane man on a jury that is being led by the nose. 12 Angry Men initially sputtered at the box office, a sore thumb in a mid-50s age of gaudy widescreen Technicolor. It was later selected for preservation by the Library of Congress.
The Pawnbroker (1964)
More anguished close-ups, high-stakes drama and high-contrast black and white. Rod Steiger gives an electrifying performance as the tormented Holocaust survivor, rattling around East Harlem and seeing ghosts on every subway car.
The Hill (1964)
Lumet upped sticks to the deserts of Libya for this drama about a brutal
British glasshouse.
- 4/11/2011
- by Xan Brooks
- The Guardian - Film News
Prolific film director with a reputation for exploring social and moral issues
Sidney Lumet, who has died aged 86, achieved critical and commercial success with his first film, 12 Angry Men (1957), which established his credentials as a liberal director who was sympathetic to actors, loved words and worked quickly. For the bulk of his career, he averaged a film a year, earning four Oscar nominations along the way for best director, for 12 Angry Men, Dog Day Afternoon (1975), Network (1976) and The Verdict (1982).
It is arguable that, had he not been so prolific, Lumet's critical reputation would have been greater. Certainly, for every worthwhile film there was a dud, and occasionally a disaster, to match it. But Lumet loved to direct and he was greatly esteemed by the many actors – notably Al Pacino and Sean Connery – with whom he established a lasting rapport.
The majority of his films were shot not in Hollywood, but in and around New York.
Sidney Lumet, who has died aged 86, achieved critical and commercial success with his first film, 12 Angry Men (1957), which established his credentials as a liberal director who was sympathetic to actors, loved words and worked quickly. For the bulk of his career, he averaged a film a year, earning four Oscar nominations along the way for best director, for 12 Angry Men, Dog Day Afternoon (1975), Network (1976) and The Verdict (1982).
It is arguable that, had he not been so prolific, Lumet's critical reputation would have been greater. Certainly, for every worthwhile film there was a dud, and occasionally a disaster, to match it. But Lumet loved to direct and he was greatly esteemed by the many actors – notably Al Pacino and Sean Connery – with whom he established a lasting rapport.
The majority of his films were shot not in Hollywood, but in and around New York.
- 4/10/2011
- by Brian Baxter
- The Guardian - Film News
Sidney Lumet, an American film director known for inspiring top-notch performances from actors in a stream of classic films including "12 Angry Men," "Dog Day Afternoon," "Network" and "Fail-Safe," died on Saturday at age 86, his Hollywood talent agency said.Lumet's death at his Manhattan home was confirmed by Michelle Suess, a spokeswoman for International Creative Management in Los Angeles.Lumet was one of the leading film directors of the second half of the 20th century. He was prolific, directing more than 40 movies, and was versatile, dabbling in many different film genres. He shot many of his movies in his native New York.Lumet received an honorary Academy Award for lifetime achievement in 2005. He was nominated for Oscars five times without winning: as best director for "12 Angry Men" (1957), "Dog Day Afternoon" (1975), "Network" (1976) and "The Verdict" (1982), and for best screenplay as co-writer of "Prince Of The City" (1981).His films, nominated in a variety...
- 4/10/2011
- Filmicafe
Sidney Lumet was an impassioned director who received more than 50 Oscar nominations for films including 12 Angry Men and Dog Day Afternoon
Sidney Lumet, who died yesterday at the age of 86, was one of the most significant film directors of his time, a man dedicated to the cinema as an art form and to the pursuit of truth and social justice as a dramatic theme.
He was born in Philadelphia and raised in New York, the son of parents who worked in the Yiddish theatre. He was shaped by his experiences as a child performer and the depression, becoming known for his sympathetic handling of actors, his understanding of people in crisis, his liberal principles and his feeling for the city that was the setting for so much of his work.
Lumet made his Broadway debut at the age of 11 in 1935 in Sidney Kingsley's Dead End, a social-problem play about...
Sidney Lumet, who died yesterday at the age of 86, was one of the most significant film directors of his time, a man dedicated to the cinema as an art form and to the pursuit of truth and social justice as a dramatic theme.
He was born in Philadelphia and raised in New York, the son of parents who worked in the Yiddish theatre. He was shaped by his experiences as a child performer and the depression, becoming known for his sympathetic handling of actors, his understanding of people in crisis, his liberal principles and his feeling for the city that was the setting for so much of his work.
Lumet made his Broadway debut at the age of 11 in 1935 in Sidney Kingsley's Dead End, a social-problem play about...
- 4/9/2011
- by Philip French
- The Guardian - Film News
By Lee Pfeiffer
Acclaimed film director Sidney Lumet has died at age 86 from lymphoma. Lumet was nominated four times for Best Director Oscars but never won. However, he did receive an honorary Oscar for his life's work in 2005. Lumet, who started as a child actor, was - along with Woody Allen- the quintessential New York director and preferred working in Gotham whenever possible. He expressed an aversion to Hollywood early in his career. His career boasted a remarkable and diverse number of classic movies including 12 Angry Men, Serpico, Dog Day Afternoon, Network, The Pawnbroker, Murder on the Orient Express, The Verdict, The Anderson Tapes, The Hill and Fail Safe. I had the pleasure of spending an afternoon with Lumet in his New York office and screening room some years ago when we worked on his audio commentary for the Fox DVD of The Verdict. I had met him previously...
Acclaimed film director Sidney Lumet has died at age 86 from lymphoma. Lumet was nominated four times for Best Director Oscars but never won. However, he did receive an honorary Oscar for his life's work in 2005. Lumet, who started as a child actor, was - along with Woody Allen- the quintessential New York director and preferred working in Gotham whenever possible. He expressed an aversion to Hollywood early in his career. His career boasted a remarkable and diverse number of classic movies including 12 Angry Men, Serpico, Dog Day Afternoon, Network, The Pawnbroker, Murder on the Orient Express, The Verdict, The Anderson Tapes, The Hill and Fail Safe. I had the pleasure of spending an afternoon with Lumet in his New York office and screening room some years ago when we worked on his audio commentary for the Fox DVD of The Verdict. I had met him previously...
- 4/9/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Following the sad passing of Sidney Lumet Saturday, the director’s friend Quincy Jones released a statement to EW paying tribute to The Pawnbroker helmer. “I am absolutely devastated at the news of the passing of my dear friend, collaborator and brother Sidney Lumet,” Jones said. “Sidney gave me my start in film composing in 1963 with The Pawnbroker and I was privileged to work with him on four additional films including The Wiz. Sidney was a visionary filmmaker whose movies made an indelible mark on our popular culture with their stirring commentary on our society. Future generations of filmmakers will...
- 4/9/2011
- by Kate Ward
- EW - Inside Movies
Sidney Lumet, the gifted director of crime and punishment morality tales set in New York, died earlier today of Lymphona. He was 86 years old. Out of the legends we’ve lost these past four weeks (of which have been all too frequent), for me personally this is the hardest to swallow. He was a director I felt connected with, whose movies I shared a bond with, and I can’t believe I won’t get to see him make another.
Most directors get worse with age, even those who dominated the film scene at their peak but it never really happened with Sidney Lumet. Ok – so there was a bit of downtime in the 90′s but unlike John Carpenter or many other former greats, he picked it back up in the 00′s and finished his career on a high. He was a rarity in the business that he never suffered...
Most directors get worse with age, even those who dominated the film scene at their peak but it never really happened with Sidney Lumet. Ok – so there was a bit of downtime in the 90′s but unlike John Carpenter or many other former greats, he picked it back up in the 00′s and finished his career on a high. He was a rarity in the business that he never suffered...
- 4/9/2011
- by Matt Holmes
- Obsessed with Film
American film director Sidney Lumet has died at his home in New York aged 86. Lumet directed some iconic works, especially during the 1970s. His films include 12 Angry Men, The Offence, Serpico, Dog Day Afternoon, Network, Fail Safe, The Hill, Murder on the Orient Express and later works including Q&A.
Lumet's step daughter announced his death via statement today. The director was suffering from lymphoma. He made his debut - one helluva debut too - with 12 Angry Men starring Henry Fonda and Lee J. Cobb. The film took place more or less entirely in one jury room and Lumet provided maximum claustrophobia by enveloping the set - literally - around the characters.
Born in Philadelphia, in 1924, Lumet served in the armed forces during the Second World War before forming his own theatre company. He worked in television throughout the 1950s before launching what would prove to be a masterful career in motion pictures.
Lumet's step daughter announced his death via statement today. The director was suffering from lymphoma. He made his debut - one helluva debut too - with 12 Angry Men starring Henry Fonda and Lee J. Cobb. The film took place more or less entirely in one jury room and Lumet provided maximum claustrophobia by enveloping the set - literally - around the characters.
Born in Philadelphia, in 1924, Lumet served in the armed forces during the Second World War before forming his own theatre company. He worked in television throughout the 1950s before launching what would prove to be a masterful career in motion pictures.
- 4/9/2011
- by Martyn Conterio
- FilmShaft.com
Director Sidney Lumet, whose gritty portraits of New York City earned him four Oscar nominations for Best Director for films such as Dog Day Afternoon and Network, died Saturday of lymphoma at his home in Manhattan; he was 86. Synonymous with the New York filmmaking scene, Lumet prowled the streets of his adopted hometown in a wide variety of films, working in the nascent medium of television in the early 1950s before making his feature film directorial debut in 1957 with the cinematic adaptation of the jury room classic 12 Angry Men, starring Henry Fonda. That film earned Lumet his first Oscar nomination and started a prolific career that would take him through crime dramas, Broadway and literary adaptations, occasional Hollywood films, and lacerating satires.
Born in Philadelphia to parents who were in show business -- his father was an actor and director, his mother a dancer -- he appeared in numerous Broadway plays as a child and young adult before serving three years in the Army during World War II and returning to New York to direct. Lumet's directorial style, described as "lightning quick" in an era when American cinema was still burdened by the limitations of decorative and expensive Hollywood films, earned him a successful career in television, where he adapted numerous plays for such early shows as Playhouse 90 and Studio One, and worked with the young Walter Cronkite on the news series You Are There. He directed a TV version of 12 Angry Men before turning it into a successful 1957 film, starring Henry Fonda as the lone dissenting juror in a murder trial; the film earned three Academy Award nominations (Best Picture, Director and Screenplay) and singlehandedly established Lumet's cinematic directing career.
Lumet alternated film and television work in the late 1950s and early 1960s -- including a television version of The Iceman Cometh starring Jason Robards -- before helming a number of acclaimed cinematic films in the early 1960s: the devastating adaptation of Eugene O'Neill's Long Day's Journey Into Night (1962) starring Katharine Hepburn and Ralph Richardson; the New York drama The Pawnbroker (1964), which earned Rod Steiger a Best Actor Oscar nomination; and the nuclear drama Fail-Safe (also 1964), starring Henry Fonda and Walter Matthau. Through the late 1960s and early 1970s some of Lumet's work was uneven -- adaptations of bestsellers The Group (1966) and The Anderson Tapes (1971) as well as Chekhov's The Sea Gull (1968) are admirable but not entirely successful -- but scored again throughout the 1970s. The crime drama Serpico (1973) helped cement Al Pacino's star status after The Godfather -- and earned the actor his first Best Actor Oscar nomination, and the actor and director paired again in 1975's Dog Day Afternoon, the story of a bank heist gone crazily awry; the film, now considered a modern classic, earned Lumet and Pacino Oscar nominations and some of the best reviews of their careers. In between those films, set in New York, Lumet took a literal and figurative jaunt with the successful adaptation of Agatha Christie's Murder on the Orient Express (1974), an upper-class murder mystery set on a luxury European train that seemed as far from the seamy streets of Manhattan as possible.
In 1976, Lumet explored the themes of media exposure and saturation he delved into with Dog Day Afternoon even further with the scathing television satire and drama Network, starring William Holden, Faye Dunaway and Peter Finch. Lumet, along with screenwriter Paddy Chayefsky, pioneered the idea (and condemnation) of what is now commonly thought of as reality TV in his story of a network anchorman (Finch) who suffers a breakdown on live television with the rallying cry "I'm mad as hell, and I'm not going to take it anymore!", and the television executive (Dunaway) who turns him into a folk hero, TV icon, and tragic figure, ultimately goading him into committing suicide live on television. The film, still potent and more lacerating than most explorations of modern media since, won Finch and Dunaway Oscars; Finch's award was posthumous, as the actor died in early 1977. It remains one of only two films to win three Academy Awards for acting (the third for supporting actress Beatrice Straight, who appeared onscreen for less than six minutes), the other being A Streetcar Named Desire.
After that string of commercial and financial hits, Lumet's career included a wide variety of films: adaptations of Broadway hits Equus (1977, fairly successful), The Wiz (1978, a musical flop but a strangely visionary view of New York), Deathtrap (1982, unexpected fun if not a perfect film); crime drama Prince of the City (1981, one of Lumet's most unheralded fims); courtroom drama The Verdict (1982, a big hit that earned star Paul Newman and Lumet Oscar nominations); Hollywood melodrama (1986's The Morning After, starring Jane Fonda); and indie drama (Running On Empty, the 1988 drama with River Phoenix in his only Oscar-nominated performance). Lumet's last film was the 2007 drama Before the Devil Knows You're Dead, which starred indie stalwarts Philip Seymour Hoffman, Marisa Tomei, Ethan Hawke, and Amy Ryan.
Lumet was married four times, first to actress Rita Gam, second to socialite Gloria Vanderbilt, and third to Gail Jones, daughter of Lena Horne. He married Mary Gimbel, who survives him, in 1980 and had two daughters with Ms. Jones, Amy Lumet and screenwriter Jenny Lumet, who scripted the drama Rachel Getting Married. Nominated for five Oscars (four for directing, one for screenplay), Lumet was awarded an honorary Academy Award at the 2004 Oscars.
Born in Philadelphia to parents who were in show business -- his father was an actor and director, his mother a dancer -- he appeared in numerous Broadway plays as a child and young adult before serving three years in the Army during World War II and returning to New York to direct. Lumet's directorial style, described as "lightning quick" in an era when American cinema was still burdened by the limitations of decorative and expensive Hollywood films, earned him a successful career in television, where he adapted numerous plays for such early shows as Playhouse 90 and Studio One, and worked with the young Walter Cronkite on the news series You Are There. He directed a TV version of 12 Angry Men before turning it into a successful 1957 film, starring Henry Fonda as the lone dissenting juror in a murder trial; the film earned three Academy Award nominations (Best Picture, Director and Screenplay) and singlehandedly established Lumet's cinematic directing career.
Lumet alternated film and television work in the late 1950s and early 1960s -- including a television version of The Iceman Cometh starring Jason Robards -- before helming a number of acclaimed cinematic films in the early 1960s: the devastating adaptation of Eugene O'Neill's Long Day's Journey Into Night (1962) starring Katharine Hepburn and Ralph Richardson; the New York drama The Pawnbroker (1964), which earned Rod Steiger a Best Actor Oscar nomination; and the nuclear drama Fail-Safe (also 1964), starring Henry Fonda and Walter Matthau. Through the late 1960s and early 1970s some of Lumet's work was uneven -- adaptations of bestsellers The Group (1966) and The Anderson Tapes (1971) as well as Chekhov's The Sea Gull (1968) are admirable but not entirely successful -- but scored again throughout the 1970s. The crime drama Serpico (1973) helped cement Al Pacino's star status after The Godfather -- and earned the actor his first Best Actor Oscar nomination, and the actor and director paired again in 1975's Dog Day Afternoon, the story of a bank heist gone crazily awry; the film, now considered a modern classic, earned Lumet and Pacino Oscar nominations and some of the best reviews of their careers. In between those films, set in New York, Lumet took a literal and figurative jaunt with the successful adaptation of Agatha Christie's Murder on the Orient Express (1974), an upper-class murder mystery set on a luxury European train that seemed as far from the seamy streets of Manhattan as possible.
In 1976, Lumet explored the themes of media exposure and saturation he delved into with Dog Day Afternoon even further with the scathing television satire and drama Network, starring William Holden, Faye Dunaway and Peter Finch. Lumet, along with screenwriter Paddy Chayefsky, pioneered the idea (and condemnation) of what is now commonly thought of as reality TV in his story of a network anchorman (Finch) who suffers a breakdown on live television with the rallying cry "I'm mad as hell, and I'm not going to take it anymore!", and the television executive (Dunaway) who turns him into a folk hero, TV icon, and tragic figure, ultimately goading him into committing suicide live on television. The film, still potent and more lacerating than most explorations of modern media since, won Finch and Dunaway Oscars; Finch's award was posthumous, as the actor died in early 1977. It remains one of only two films to win three Academy Awards for acting (the third for supporting actress Beatrice Straight, who appeared onscreen for less than six minutes), the other being A Streetcar Named Desire.
After that string of commercial and financial hits, Lumet's career included a wide variety of films: adaptations of Broadway hits Equus (1977, fairly successful), The Wiz (1978, a musical flop but a strangely visionary view of New York), Deathtrap (1982, unexpected fun if not a perfect film); crime drama Prince of the City (1981, one of Lumet's most unheralded fims); courtroom drama The Verdict (1982, a big hit that earned star Paul Newman and Lumet Oscar nominations); Hollywood melodrama (1986's The Morning After, starring Jane Fonda); and indie drama (Running On Empty, the 1988 drama with River Phoenix in his only Oscar-nominated performance). Lumet's last film was the 2007 drama Before the Devil Knows You're Dead, which starred indie stalwarts Philip Seymour Hoffman, Marisa Tomei, Ethan Hawke, and Amy Ryan.
Lumet was married four times, first to actress Rita Gam, second to socialite Gloria Vanderbilt, and third to Gail Jones, daughter of Lena Horne. He married Mary Gimbel, who survives him, in 1980 and had two daughters with Ms. Jones, Amy Lumet and screenwriter Jenny Lumet, who scripted the drama Rachel Getting Married. Nominated for five Oscars (four for directing, one for screenplay), Lumet was awarded an honorary Academy Award at the 2004 Oscars.
- 4/9/2011
- by Mark Englehart
- IMDb News
Sidney Lumet, whose career behind the camera encompassed classics stretching from his 1957 Best Picture nominee 12 Angry Men to the acclaimed 2007 drama Before the Devil Knows You’re Dead, has died at age 86, according to the New York Times, citing his stepdaughter. The cause was lymphoma.
Lumet was the quintessential actor’s director. Over the course of his brilliant 60-year career, the New York filmmaker behind some of the most energetic, innovative, and flat-out greatest films of the 1960s and ‘70s, snagged 18 Academy Award nominations for his leading men and women, including Al Pacino in Dog Day Afternoon, Ingrid Bergman in Murder on the Orient Express,...
Lumet was the quintessential actor’s director. Over the course of his brilliant 60-year career, the New York filmmaker behind some of the most energetic, innovative, and flat-out greatest films of the 1960s and ‘70s, snagged 18 Academy Award nominations for his leading men and women, including Al Pacino in Dog Day Afternoon, Ingrid Bergman in Murder on the Orient Express,...
- 4/9/2011
- by Chris Nashawaty
- EW - Inside Movies
Director Sidney Lumet, who brought us such classic films as 12 Angry Men , Dog Day Afternoon , Network and Fail-Safe , died on Saturday at the age of 86. Lumet directed more than 40 movies and shot many of his movies in his native New York. Lumet received an honorary Academy Award for lifetime achievement in 2005. He previously had been nominated for Oscars five times without winning: as best director for 12 Angry Men (1957), Dog Day Afternoon (1975), Network (1976) and The Verdict (1982); and for best screenplay as co-writer of Prince of the City (1981). His films were nominated for more than 50 Oscars. From 1964 to 1976, Lumet directed 18 films, including Fail-Safe , The Pawnbroker , The Group , The Anderson Tapes , Serpico , Murder on the Orient Express...
- 4/9/2011
- Comingsoon.net
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