The Flesh Is Weak (1957) Poster

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7/10
Rather nasty UK noir
gordonl5629 May 2008
Warning: Spoilers
I grab a handful of discs and start firing them into the machine. I've seen this, seen that, and so on and so on. By the 5th disc I decide I'm too lazy to get off the couch again. I stick with the one that's playing. I've seen it before but never on a decent TV, so I let it play.

It is the 1957 UK production, THE FLESH IS WEAK. The film features John Derek as the headliner. It is an "expose" noir about the prostitution racket in the U.K. Derek is a pimp who preys on the naive, "just off the bus" young women who come to the big city for fame and fortune.

He wines and dines them and after a few rounds of clutch and grab the girls go for the smooth talker. He gets them a place to stay, a few jewels, some nice duds and even finds them a job. The job of course ends up to be a "hostess" in a gentleman's club. The girls fall for the line and before they know it they are out on the street paying back the DEBT.

Millie Vitale plays the new girl who has just been turned out by Derek. She quickly decides the life is not for her and decides to quit. She has discovered that Derek is part of a ring that has several dozen girls turned out. The pimps let her know that a large knife to the neck is what she will get if she leaves.

In order to teach Vitale a lesson, Derek arranges for her to get busted by John Law on a knife assault charge. She refuses to talk to the police out of fear and takes her six-month bit. She has time to think and decides to go straight when she gets out.

This idea however goes south when Vitale finds Derek waiting at the prison gates on release day. She now knows the only way out of the "game" is to turn State's evidence. She tells all she knows to the police and Derek and his boys soon find themselves on the wrong side of the prison walls.

The cast includes William Franklyn, Martin Benson, Freda Jackson, Patricia Jessel and Patricia Plunkett.

The director was Don Chaffey who is best known for "Jason and the Argonauts". He also worked on series like, "The Prisoner", "Danger Man", "The Avengers", "Charlie's Angel's" and "MacGyver".

I really liked the look of the film where the dark alleys and streets of post war London are put to good use. It is a rather blunt and to the point film for 1957.

There are no vague suggestions about the subject matter here. Right from the start we know what the story is about. John Derek is particularly good as the smooth talking pimp. He plays it all smiles but is more than happy to apply a knife here and there if needed. I found it a excellent time-waster.
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7/10
Seedy Soho Shenanigans.
hitchcockthelegend11 May 2014
The Flesh is Weak is directed by Don Chaffey and written by Leigh Vance and Deborah Bedford. It stars John Derek, Milly Vitale, William Franklyn, Martin Benson, Freda Jackson and Norman Wooland. Music is by Tristram Cary and cinematography by Stephen Dade (not Gerry Massy- Collier as listed in some sources).

It's a British crime drama with film noir shadings. Plot finds Vitale as the innocent girl who upon visiting London falls in love with the shifty Tony Giani (Derek). Before you can say "vice girls" she finds herself facing up to the harsh realities of the Giani family operations.

It's a nasty subject that is still relevant today, but the makers handle the subject well. Obviously clipped somewhat by how far they could push the material at the time, it's still surprisingly frank with the vice girls subject to hand. Strong plot is acted accordingly, with the main characterisations carrying a believable factor that hits home the required impact.

The girls are treated with sympathetic hands, steering the story away from exploitation histrionics, and while it's a bit too stage bound to really give it some earthy strength, it's a well constructed production that's further boosted by Dade's moody photography. Interesting low rumbling horror movie type score by Cary as well. 7/10
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7/10
John Derek is a pimp?!
planktonrules9 February 2020
It's interesting that the British film "The Flesh is Weak" never uses the word prostitute...or any other euphemism for that line of work. It reminds me of a lot of Pre-Code films in Hollywood that dealt with abortion, prostitution, adultery and the like. The adult audience members knew what was going on...but the film never directly used these terms...perhaps so if there were kids in the audience they'd be oblivious to the subtext.

When the story begins, Marissa is new to London and is in need of work. Considering she's from Italy, has no family in the UK and is a bit dim, she's a perfect recruit for Toni Giani (John Derek). But he's clever and subtle. He doesn't approach her and say "how about becoming a ho?" but instead befriends her and she falls in love with him. Only then does he trap her into turning her first trick for him, as he tells her he's in financial trouble and will go to jail unless he can quickly raise some money! The rest of the film is about Marissa's time working for Tony as well as after she leaves him, as Tony's not about to allow any of his 'property' to get away scot free!

This is a very good film though I really wish Marissa had been a smarter and more likable character. As it is, you may find yourself annoyed with her, as I did. Still, it's a good film about a man who would do anything...even ask his beloved to morally debase herself for him.
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6/10
A Walk On The Wild Side
boblipton19 May 2020
Milly Vitale comes to London to see what she can make of herself. She meets John Derek and it's love, love love..... until one evening, she realizes he's a pimp who's been grooming her as a streetwalker.

It's a rough film to sit through. Can anyone be that naive? Can anyone be that coldly manipulative? Derek plays it like Dirk Bogarde; there's something soft about him, compared with his hard, mobster brother, Martin Benson, that makes the whole thing make sense of sorts.

The movie takes its time, but I find the conclusion, with its statement that there are some things you can come back from, that society will forgive, to be unbelievable; or perhaps it's a wish that the world will forgive.
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5/10
Knife crime and prostitutes in '50s Soho
Leofwine_draca2 May 2016
THE FLESH IS WEAK is a low budget British crime film that goes for censor-baiting action throughout. Sadly it's quite a dated movie when watched with a modern mindset, although it has much in common with the American 'sensation' movies doing the rounds which typically showed young women being lured into a life of prostitution and/or drugs.

What I like about these 1950s films is that they often have fairly strong themes without ever being explicit about them. It's pretty obvious that this is a film about prostitution and pimping but you'll never hear it mentioned. There's a turf war of sorts between criminal gangs, and lots of familiar supporting faces like Martin Benson, Freda Jackson, and Shirley Ann Field.

Imported American actor John Derek is pretty weak and out of place, but the black and white photography is crisp throughout and the knife crime stuff is pretty good. Hard-working director Don Chaffey would also helm the likes of PETE'S DRAGON, PERSECUTION, and JASON AND THE ARGONAUTS during a long career.
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8/10
Giani's Girls
olarko17 June 2006
One or two performances in this story of prostitution and the pimps behind it made this an interesting film. The United States hadn't seen such a blatant tale with such a good cast before; this is why this film caught the attention of the viewers. The writing was terse and pointed; the black-and-white cinematography made the picture riveting in much of its running time. The direction of the film is excellent and always tasteful.

Certainly, nothing in John Derek's film history gave a hint that he even knew what a pimp was, nor had he played a villain before. His performance was slick and believable. Milly Vitale had played completely sympathetic roles in the films for which U.S. audience knew her -- "War and Peace" and "The Seven Little Foys" -- but roles that amounted to nothing, so her performance in this small, dark film was a welcome surprise.

The remainder of the company -- Martin Benson, Freda Jackson, Patricia Jessel, Shirley Ann Field, and others -- were slightly known here at this time, later to make their superior talents known both on stage and screen; in this film, their contributions are very welcome!

A good British film and a better use of these actors' talents than American cinema gave them!
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5/10
The Flesh Is Weak....and so is the script
malcolmgsw30 July 2014
When this film was released Soho was dominated by violent gangs.One of the tools of their trade was the flick knife which is shown in the film and which was shortly to be banned by act of parliament.One of the basic problems are the leads.Martin Benson is fine but the parachuted in American star John Derek is woefully miscast,pretty he is menacing he isn't.By the way why does he and Benson have different accents?Monica |Vitale plays an innocent Italian girl picked up by a pimp.There seems to be a gang war of sorts and there is an investigating writer,not reporter,played by William Franklyn.Much of this film is muddled and not helped by the small studios at Walton.It has to be said that this film clearly earned its X certificate on its release.
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9/10
The anatomy of prostitution
clanciai14 February 2020
This drama is set in Soho and is a shocking presentation of the prostitution problem, showing in detail how it works for an innocent girl suspecting nothing to get caught in a web of ruthless pimps. John Derek had just before played the role of Joshua in "The Ten Commandments" and then plunged into this swamp of ruthless criminality, showing his great versatility. The other actors are good as well, but the main thing of the film is the thorough almost documentarily meticulous analysis of how the prostitution business works - and shocking, for being so highly developed already in the mid fifties.
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