IMDb > The King and I (1956)
The King and I
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The King and I (1956) More at IMDbPro »

Photos (see all 48 | slideshow) Videos (see all 4 NEW)
The King and I (1956) -- ZuGuide.com - Trailer (Flash)
The King and I (1956) -- Clip: Shall we dance?
From Here to Eternity (1953) -- British actress Deborah Kerr, famous for her roles in "The King And I," and "From Here To Eternity," passed away at the age of 86. Richard Roth takes a look at her career.
The King and I (1956) -- MattTrailer.com - Trailer (Flash)

Overview

User Rating:
7.4/10   7,718 votes
MOVIEmeter: ?
Down 7% in popularity this week. See why on IMDbPro.
Director:
Walter Lang
Writers:
Margaret Landon (book)
Oscar Hammerstein II (musical play)
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Contact:
View company contact information for The King and I on IMDbPro.
Release Date:
29 June 1956 (USA) more
Tagline:
More Than You've Ever Seen On The Screen! more
Plot:
Musical about a widow who accepts a job as a live-in governess of the King of Siam's children. full summary | add synopsis
Awards:
Won 5 Oscars. Another 4 wins & 7 nominations more
User Comments:
Good......If You Like This Sort Of Thing ('50s Musicals) more (64 total)

Cast

  (Complete credited cast)
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Additional Details

Also Known As:
Rodgers and Hammerstein's The King and I (USA) (complete title)
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Runtime:
133 min
Country:
USA
Language:
English | Thai
Color:
Color
Aspect Ratio:
2.55 : 1 more
Sound Mix:
4-Track Stereo (Westrex Recording System) | 70 mm 6-Track (70 mm re-release)

Fun Stuff

Trivia:
Art directors John DeCuir and Lyle R. Wheeler spent $750,000 designing the 40 sets required for the film. more
Goofs:
Factual errors: In the market place scene which is supposed to take place in Southeast Asia, one of the elephants is an African elephant. more
Quotes:
King: You will say no more!
Anna: I will say no more, because there is no more to say!
more
Movie Connections:
Referenced in Homestarrunner.com: Everything Else, Volume 2 (2006) (V) more
Soundtrack:
The Small House of Uncle Thomas more

FAQ

Chapter Headings, an unofficial version:
Chapter Headings, another unofficial version:
more
11 out of 18 people found the following comment useful.
Good......If You Like This Sort Of Thing ('50s Musicals), 25 January 2008
3/10
Author: ccthemovieman-1 from Lockport, NY, United States

This is a kind of genre thing, meaning you either like the 1950s musicals or you don't. If you do, you'll love this. Personally, I prefer the 1930s and most of the '40s musicals with the dancing talents of Astaire and Rogers, and Eleanor Powell, Bill Robinson, Ruby Keeler, James Cagney, Shirley Temple and so forth but the songs of the '50s, the slower dance numbers and the soapy melodramas of the decade all turn me off.

This film is a case-in-point. The first song was okay but the next three did nothing for me. By then, the story didn't have much appeal, either. The presence of Deborah Kerr is another minus. I don't think I've seen a movie she starred in that I liked, including this one, where the goody two-shoes English teacher she portrays spends half the movie threatening to leave Siam. (I which she had!).

However, divorcing myself from likes-and-dislikes, there is no denying this Rogers and Hammerstein production has a lot of appeal to many folks, particularly those who liked "The Sound Of Music" a decade later. There are similarities in the R&H musicals. Thus, if you liked the Julie Andrews flick, you should like this, too.

This is a Lavish production with, yes, a capital "L." This is the kind of big-production musicals you rarely saw after that generation. You also get the dubbed singers, unlike today, where the actress isn't able to really sing so Marnie Nixon comes to rescue of Kerr, as she did with Natalie Wood in "West Side Story" and Audrey Hepburn in "My Fair Lady."

Yul Brynner is "King Mongkut" and is the stereotypical traditionalist, the kind filmmakers always portray in a negative way. He isn't "progressive," as the left wingers like the say, but the education teacher (Kerr, as "Anna Leonowens") will set him straight. Secular-progressives of today always place teachers higher than people trying to cure cancer! However, Yul is good in this role and even employs some comedy along with his more-bark-than-bite character. Justifiably, he is the big star of this film. Brynner had magnetism. Even in "The Magnificent Seven," Yul was the one cowboy who mesmerized the audience.

In summary, it's a fine movie for its day and millions of people enjoyed it. I'll leave it at that.

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