Originally announced as a vehicle for Irene Dunne and, later, Olivia de Havilland before Margaret Sullavan signed on.
The first film that budding critic and future director Jean-Luc Godard reviewed, in January 1952, for the French magazine Cahiers Du Cinema (under a pseudonym).
Final film of actresses Lucile Browne and Margaret Sullavan.
Debut of actress Mary Alan Hokanson.